Modern Art: Manet to Post-Impressionism

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Last updated 9:18 AM on 11/29/25
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30 Terms

1
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What was the effect of photography on art?

if the purpose of art was to make realistic paintings, then it was in direct competition with photography; thus, photography changes the world of art significantly…

2
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Name three artistic movements and artistic in France in the 1800s

Modernism: Edouard Manet (1832-1883)

Impressionism: Claude Monet (1840-1926)

Post-Impressionism: Georges Seurat (1859-1891)

3
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<p>Luncheon on the Grass (artist)</p>

Luncheon on the Grass (artist)

Edouard Manet

<p>Edouard Manet</p>
4
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<p>Luncheon on the Grass (date)</p>

Luncheon on the Grass (date)

1863

5
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<p>Luncheon on the Grass (material)</p>

Luncheon on the Grass (material)

oil on canvas

6
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<p>Luncheon on the Grass (location)</p>

Luncheon on the Grass (location)

Paris, Salon Entry

7
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<p>Luncheon on the Grass (details)</p>

Luncheon on the Grass (details)

  • Big canvas

  • Scandalous, different kind of nude: the woman has intentionally taken off her clothing and is looking out at the viewer

  • Compare with Titian’s Pastoral Concert and Raphael’s Judgement of Paris

8
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Salon

the annual official art exhibit sponsored by the French Art Academy (state-sponsored)

9
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<p>A bar at the Folies-Bergère (artist) </p>

A bar at the Folies-Bergère (artist)

Edouard Manet

10
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<p>A Bar at the Folies-Bergère (date)</p>

A Bar at the Folies-Bergère (date)

1882

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<p>A Bar at the Folies-Bergère (material)</p>

A Bar at the Folies-Bergère (material)

oil on canvas

12
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<p>A Bar at the Folies-Bergère (location)</p>

A Bar at the Folies-Bergère (location)

Paris

13
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<p>A Bar at the Folies-Bergère (details)</p>

A Bar at the Folies-Bergère (details)

  • we are the man

  • reflection is impossible

  • she looks unhappy, zoned out

  • still life included

  • lady in white in background

  • trapeze artist, dynamic background

  • bartenders were prostitutes

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<p>Impression, Sunrise (artist)</p>

Impression, Sunrise (artist)

Claude Monet

15
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<p>Impression, Sunrise (date)</p>

Impression, Sunrise (date)

1872

16
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<p>Impression, Sunrise (location)</p>

Impression, Sunrise (location)

Le Havre, Paris

17
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<p>Impression, Sunrise (material)</p>

Impression, Sunrise (material)

oil on canvas

18
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<p>Impression, Sunrise (details)</p>

Impression, Sunrise (details)

criticized for being unfinished

freezing a moment in time = impressionism

light flickering on water, etc

impression of sunrise, not actual sunrise

19
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<p>Impressionism</p>

Impressionism

a late 19th century art movement that sought to capture a fleeting moment, thereby conveying the elusiveness and impermanence of images and conditions

20
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<p>The Child’s Bath (artist)</p>

The Child’s Bath (artist)

Mary Cassatt

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<p>The Child’s Bath (date)</p>

The Child’s Bath (date)

1893

22
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<p>The Child’s Bath (location)</p>

The Child’s Bath (location)

Paris

23
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<p>The Child’s Bath (details)</p>

The Child’s Bath (details)

  • perspective is off

  • very compressed, lots of pattern

  • women as caretakers of children

  • mundane tasks have not been seen before in art (except Mary and Christ)

24
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watercolor

paint made with a water-soluble binder such as gum arabic, and thinned with water rather than oil, giving a transparent color

25
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<p>A Sunday on La Grande Jatte (artist)</p>

A Sunday on La Grande Jatte (artist)

Georges Seurat

26
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<p>A Sunday on La Grande Jatte (date)</p>

A Sunday on La Grande Jatte (date)

1884-1886

27
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<p>A Sunday on La Grande Jatte (material)</p>

A Sunday on La Grande Jatte (material)

oil on canvas

28
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<p>A Sunday on La Grande Jatte (location)</p>

A Sunday on La Grande Jatte (location)

Paris

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<p>A Sunday on La Grande Jatte (details)</p>

A Sunday on La Grande Jatte (details)

  • pointilism

  • wants to blend classicism with impressionism

  • science of color

  • frame is color

30
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pointilism

a system of painting where the artist separates color into its component parts and then applies the component colors to the canvas in tiny dots (points); the image becomes comprehensible only from a distance, when the viewer’s eyes optically blend the pigment dots

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