1/57
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced | Call with Kai |
|---|
No study sessions yet.
Fact: La serva padrona, aria: Pergolesi
Intermezzo
Fact: The Beggar’s Opera, aria: Gay
Ballad opera
Fact: Orfeo ed Euridice: Gluck
Opera reform
Fact: Creation, The Continental Harmony: Billings
Calvinist, North America
Fact: Symphony F Major, 1st: Sammartini
Oldest symphony
Fact: Sonata A Major, 2nd: CPE Bach
Emfindsam
Fact: Concerto Eb Major, 1st: JC Bach
Piano concerto
Fact: Symphony No. 88, 1st: Haydn
Sonata form
Fact: String quartet Eb Major, 4th: Haydn
Supposed to be funny
Fact: The Creation, In the beginning god: Haydn
text painting using texture and pitch
Fact: Symphony No. 41, Final: Mozart
all previous themes in this mvt
Fact: Don Giovanni: Mozart
N/A
Fact: Piano Concerto A Major, 1st: Mozart
Ritornellos and episodes
Fact: Piano Sonata C Minor: Beethoven
contrasts in style between sections
Fact: Symphony No. 3,1st: Beethoven
Hero struggle
Fact: String Quartet A Minor, 5th: Beethoven
traditional mvt sequence
Strophic form
AAA
Binary form
AB
Ternary form
ABA
Rondo
ABACABA
Theme and Variations
A A1 A2 A3
Sonata form
Exposition, Development, Recapitulation
Enlightenment: impact on music
-Individuals have rights
-Natural and science focused, less emotions
Galant def
simple melody, light accompaniment. Song like, balanced phrases
Empfindsam def
more emotional, surprising turns of harmony
Classical def
simple and balanced
Schema def
set of formulas of melodic motion in bass lines
Elements of Neapolitan comic opera
-Funny, focuses on everyday people.
-Aimed for middle class, ordinary people
Opera buffa vs. Opera seria
B: everyday, ordinary people
For middle class, purpose is to be entertaining. Galant style. More ensemble singing
S: Kings, Gods, heroes
For rich people, purpose is to be entertaining. More soloists
Querelle des bouffons
War of the comic actors
French (pretty singing) and Italian (spoken word) argue about how their operas are different
Opera reform ideas
Enlightenment ideas basically
Wanted opera to be more natural
Music serves the poetry
Invention of piano
Bartolomeo Cristofori
Grand piano: expensive and fancy
Square piano: regular practicing
Orchestra changes over time
Increase # of players and instrumentation (brass and percussion now)
More movements, symphonies are longer
3 movement structure of symphony
Sammartini - fast slow fast
4 movement structure of symphony
Stamitz - allegro, andante moderato, minuet and trio, allegro
1st mvt: has slow intro, sonata form 4th mvt: sonata or rondo, very fast
Concerto form
3 solo sections. Each section is encased in a solo riternello
-what today is
Humor in classical music
Joke: think music will end but doesn’t
Surprise: random f in a piece
Haydn and the symphony
Dramatic, used lots of minor keys
Then embraced popular style. Then composed more for the public.
Then used special effects (crazy forte out of nowhere) near the end of his life
How experiences as a child prodigy impacted Mozart’s music
-Traveling Europe - lots of musical exposure at young age
-Practiced for mobility
Mozart’s style
Songful themes, embellishments, galant style
Mozart’s changes to comic opera
Added serious characters to add more layers to story
More orchestration to define characters
Comic opera in Italy
opera buffa, comic
Comic opera in France
opera comique - popular songs with new words. Comic or tragic
Comic opera in England
ballad opera - spoken dialogue. Humor by making fun of society
Comic opera in Germany/Austria
Singtel? - spoken dialogue and German folk songs
Symphony def
orchestral work 3 or 4 mvts
Concerto def
soloist with orchestra
String quartet def
2 violin, viola, cello. Social events
Sonata def
3 mvts - fast slow fast (CPE Bach a lot)
French Revolution and impact on music
-Music for amateurs. Individualism
-Government supported and censored music
Heiligenstadt Testament
Beethoven wanted to die and was upset about losing hearing.
Letter to his brothers how he was suffering
Beethoven’s style in 1st period
classical form and instrumentation
Beethoven’s style in 2nd period
more individualism, more dramatic changes in style
Beethoven’s style in 3rd period
Extensive orchestration. Huge
Music as Identity
-composers being recognized
-reflecting what employers want they to do
-comic opera is different in each country
-more social classes being represented
Baroque vs Classical
-C more simple (balanced phrases). B is complex (ornamentation)
-B: fugues. C: sonata
-B: toccatas. C: concerto
-B: strong bass line. C: not as much.
Opera variations in Classical era
-Opera reform
-Intermezzo
-Opera seria
-Opera buffa
Instrumental use in Classical era
-Amateur home playing
-Big concerts
-String quartet: social events
-symphonies for people to watch