Music History Exam 4

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58 Terms

1
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Fact: La serva padrona, aria: Pergolesi

Intermezzo

2
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Fact: The Beggar’s Opera, aria: Gay

Ballad opera

3
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Fact: Orfeo ed Euridice: Gluck

Opera reform

4
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Fact: Creation, The Continental Harmony: Billings

Calvinist, North America

5
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Fact: Symphony F Major, 1st: Sammartini

Oldest symphony

6
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Fact: Sonata A Major, 2nd: CPE Bach

Emfindsam

7
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Fact: Concerto Eb Major, 1st: JC Bach

Piano concerto

8
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Fact: Symphony No. 88, 1st: Haydn

Sonata form

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Fact: String quartet Eb Major, 4th: Haydn

Supposed to be funny

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Fact: The Creation, In the beginning god: Haydn

text painting using texture and pitch

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Fact: Symphony No. 41, Final: Mozart

all previous themes in this mvt

12
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Fact: Don Giovanni: Mozart

N/A

13
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Fact: Piano Concerto A Major, 1st: Mozart

Ritornellos and episodes

14
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Fact: Piano Sonata C Minor: Beethoven

contrasts in style between sections

15
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Fact: Symphony No. 3,1st: Beethoven

Hero struggle

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Fact: String Quartet A Minor, 5th: Beethoven

traditional mvt sequence

17
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Strophic form

AAA

18
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Binary form

AB

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Ternary form

ABA

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Rondo

ABACABA

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Theme and Variations

A A1 A2 A3

22
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Sonata form

Exposition, Development, Recapitulation

23
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Enlightenment: impact on music

-Individuals have rights

-Natural and science focused, less emotions

24
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Galant def

simple melody, light accompaniment. Song like, balanced phrases

25
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Empfindsam def

more emotional, surprising turns of harmony

26
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Classical def

simple and balanced

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Schema def

set of formulas of melodic motion in bass lines

28
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Elements of Neapolitan comic opera

-Funny, focuses on everyday people. 

-Aimed for middle class, ordinary people

29
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Opera buffa vs. Opera seria

B: everyday, ordinary people

For middle class, purpose is to be entertaining. Galant style. More ensemble singing

S: Kings, Gods, heroes

For rich people, purpose is to be entertaining. More soloists

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Querelle des bouffons

War of the comic actors

French (pretty singing) and Italian (spoken word) argue about how their operas are different

31
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Opera reform ideas

Enlightenment ideas basically

Wanted opera to be more natural

Music serves the poetry

32
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Invention of piano

Bartolomeo Cristofori

Grand piano: expensive and fancy

Square piano: regular practicing

33
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Orchestra changes over time

Increase # of players and instrumentation (brass and percussion now)

More movements, symphonies are longer

34
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3 movement structure of symphony

Sammartini - fast slow fast

35
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4 movement structure of symphony

Stamitz - allegro, andante moderato, minuet and trio, allegro

1st mvt: has slow intro, sonata form    4th mvt: sonata or rondo, very fast

36
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Concerto form

3 solo sections. Each section is encased in a solo riternello 

-what today is

37
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Humor in classical music

Joke: think music will end but doesn’t

Surprise: random f in a piece

38
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Haydn and the symphony

Dramatic, used lots of minor keys

Then embraced popular style. Then composed more for the public. 

Then used special effects (crazy forte out of nowhere) near the end of his life

39
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How experiences as a child prodigy impacted Mozart’s music

-Traveling Europe - lots of musical exposure at young age

-Practiced for mobility

40
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Mozart’s style

Songful themes, embellishments, galant style

41
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Mozart’s changes to comic opera

Added serious characters to add more layers to story

More orchestration to define characters

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Comic opera in Italy

opera buffa, comic

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Comic opera in France

opera comique - popular songs with new words. Comic or tragic

44
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Comic opera in England

ballad opera - spoken dialogue. Humor by making fun of society

45
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Comic opera in Germany/Austria

Singtel? - spoken dialogue and German folk songs

46
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Symphony def

orchestral work 3 or 4 mvts

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Concerto def

soloist with orchestra

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String quartet def

2 violin, viola, cello. Social events

49
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Sonata def

3 mvts - fast slow fast (CPE Bach a lot)

50
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French Revolution and impact on music

-Music for amateurs. Individualism

-Government supported and censored music

51
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Heiligenstadt Testament

Beethoven wanted to die and was upset about losing hearing.

Letter to his brothers how he was suffering

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Beethoven’s style in 1st period

classical form and instrumentation

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Beethoven’s style in 2nd period

more individualism, more dramatic changes in style

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Beethoven’s style in 3rd period

Extensive orchestration. Huge

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Music as Identity

-composers being recognized

-reflecting what employers want they to do

-comic opera is different in each country

-more social classes being represented

56
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Baroque vs Classical

-C more simple (balanced phrases). B is complex (ornamentation)

-B: fugues. C: sonata

-B: toccatas. C: concerto

-B: strong bass line. C: not as much.

57
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Opera variations in Classical era

-Opera reform

-Intermezzo

-Opera seria

-Opera buffa

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Instrumental use in Classical era

-Amateur home playing

-Big concerts 

-String quartet: social events

-symphonies for people to watch