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Freund: “F.v.c.i.p.e.a.e.a.o.t.t.t.of.l.”
“Feste’s verbal conduct in particular exhibits an exuberant awareness of the topsy-turvy-ness of language”.
Schalkwyk: “W.t.i.c.a.d.o.c.b.S.a.A,t.l.r.a.m.g.d.o.e.a.i”
“Where there is clearly a difference of class between Sebastian and Antonio, their language reflects a much greater degree of equality and intimacy”.
Albert C.Labriola: “S.A.i.r.n.o.b.h.i.a.w-b.k.a.w.s.t.O.b.a.b.h.f.a.b.a.f.c.”
“Sir Andrew is ridiculed not only because he is a would-be knight and wishful suitor to Olivia but also because he fails at being a festive celebrant.”
Draper: “T.D.h.t.i.a.r.c.o.m.t.w.t.t.b.c.t.a.f.o.m.”
“The Duke has the instability and rapid change of mind that was thought to be common to all forms of melancholy.”
Tonkin: “[V] h.a.c.m.i.a.e.w.t.q.i.s.m,a.l.w.i.c.t.l,a,m.p,t.a.t.l.r”
“[Viola] hijacks a certain masculinity in an environment where that quality is sadly missing, at least when it comes to love, and, most particularly, the articulateness that love requires.”