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Roy Gibson - Praeceptor
“The praeceptor, instead of disabusing men of their illusions about women, appears shockingly to become complicit with the ‘puellae’ and gives them advice”
Roy Gibson - Humour
“Ovid uses humour as an effective tool for reinforcing the message of his poems”
Hall - Ovid’s audience
“Ovid isn’t writing to women, he’s mocking them. He’s writing to men and women are the butt of the joke.”
Katharina Volk - Amor
“Amor as taught in the poem is a cultural construct rather than a universal experience”
Christopher Brunelle - Roman History
“The constants incorporation of Roman culture and history turns the poem into an infinitely detailed meditation on Roman life.”
Christopher Brunelleschi - Ovid’s audience
“Ovid’s tone alternates between description and prescription, and an audience whose identity is never entirely stable”
Roy Gibson - Subversion of Epics
“Ovid deflates epics by presenting the heroines as mere causes of erotic disappointment”
Lindsay Watson - Shadow Audience
“Ovid’s precepts are presented with the advantage of the male lover in mind”
Rebecca Armstrong - Audience
“The women are the objects disguised as subjects”
Peter Green - Women
“Ovid is generally contemptuous of the whole female sex”
Bishop - Objective of Poem
“The Ars Amatoria is about lust rather than love”
D’Elia - Ovid on homosexual
“He detested homosexual activity in which one partner is no more a victim to the other’s desire”
Gibson - Relationships
“Ovid’s view of human relationships is nothing if not pragmatic.”
Gibson - Art of Love
“Pleasing the opposite sex is one of the central skills to the art of love.”
Romano - Love
“Love is the art of outmanoeuvring the partner.”
Brunelleschi - Didactic Nature
“May be the only didactic work of antiquity explicitly designed to bring more benefit to its author than to its intended audience.”
Myerowitz - Male v Female
The Ars involves “for the male… the taming and handling of the female, for the female… to a great degree, the taming and handling of herself.”
Gibson - Love
“Ovid makes clear in the preface to Book 1, love is a force that will now be subject to the control and direction of the lover.”
Anderson - Augustus
The Ars Book 3 viewed as “an unpremeditated affront to Augustus”