Ovid Scholarship

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19 Terms

1
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Roy Gibson - Praeceptor

  • “The praeceptor, instead of disabusing men of their illusions about women, appears shockingly to become complicit with the ‘puellae’ and gives them advice”

2
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Roy Gibson - Humour

  • “Ovid uses humour as an effective tool for reinforcing the message of his poems”

3
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Hall - Ovid’s audience

  • “Ovid isn’t writing to women, he’s mocking them. He’s writing to men and women are the butt of the joke.”

4
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Katharina Volk - Amor

  • “Amor as taught in the poem is a cultural construct rather than a universal experience”

5
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Christopher Brunelle - Roman History

  • “The constants incorporation of Roman culture and history turns the poem into an infinitely detailed meditation on Roman life.”

6
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Christopher Brunelleschi - Ovid’s audience

  • “Ovid’s tone alternates between description and prescription, and an audience whose identity is never entirely stable

7
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Roy Gibson - Subversion of Epics

  • “Ovid deflates epics by presenting the heroines as mere causes of erotic disappointment”

8
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Lindsay Watson - Shadow Audience

  • “Ovid’s precepts are presented with the advantage of the male lover in mind”

9
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Rebecca Armstrong - Audience

  • “The women are the objects disguised as subjects”

10
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Peter Green - Women

  • “Ovid is generally contemptuous of the whole female sex”

11
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Bishop - Objective of Poem

  • “The Ars Amatoria is about lust rather than love”

12
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D’Elia - Ovid on homosexual

  • “He detested homosexual activity in which one partner is no more a victim to the other’s desire”

13
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Gibson - Relationships

  • “Ovid’s view of human relationships is nothing if not pragmatic.”

14
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Gibson - Art of Love

  • “Pleasing the opposite sex is one of the central skills to the art of love.”

15
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Romano - Love

  • “Love is the art of outmanoeuvring the partner.”

16
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Brunelleschi - Didactic Nature

  • “May be the only didactic work of antiquity explicitly designed to bring more benefit to its author than to its intended audience.”

17
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Myerowitz - Male v Female

  • The Ars involves “for the male… the taming and handling of the female, for the female… to a great degree, the taming and handling of herself.”

18
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Gibson - Love

  • “Ovid makes clear in the preface to Book 1, love is a force that will now be subject to the control and direction of the lover.”

19
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Anderson - Augustus

  • The Ars Book 3 viewed as “an unpremeditated affront to Augustus”