Greek Theatre and Aristotle

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Aristotle

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49 Terms

1

Aristotle

  • b. 384BCE

  • one of first scientists

  • studied at plato's place for ~20 years

  • created Aristotle's Poetics - for tragedy in theatre

  • not rules but commentary

  • Greek theatre came before poetics

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2

exposition

introduction to the point of crisis (beginning)

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3

the unities

action - contain only one story (no subplots)

time - within a day

place - no location change

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4

development

development to the point of crisis (middle)

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5

denouement

resolution of the point of crisis (end)

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6

unity of action

a play should have more action that it follows with minimal subplots

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7

unity of time

the action in a play should occur over a period of no more than 24hrs

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8

unity of place

a play should exist in a single physical space and should not attempt to compress geography, nor should the stage represent more than one place

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9

strophe

a stanza in which the chorus moves in one direction - towards the altar

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10

antistrophe

a stanza in which the chorus counter turns and moves in the opposite direction

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11

epode

chanted - standing still

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12

hero

  • relatively noble

  • going from happiness to misery as a result of an error on part of the hero

  • our pity and fear increases most when family is broken rather than strangers/enemies

  • consistent

  • good qualities

  • realistic - not perfect

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13

anagnorisis

"recognition or discovery" the point where the protagonist

  • recognises the truth

  • discovers another character's identity

  • comes to a self-realisation this sudden action causes an emotional reaction in the audience

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14

hamartia

"the hero's error or frailty"

  • the hero frequently takes steps leading to a tragedy

  • brings own downfall through ignorance/ poor judgment

  • often because of personal pride (hubris) (fatal flaw - mistake/error/miscalculation)

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15

peripeteia

"reversal" - where the opposite of what was planned/hoped for by the protagonist happens

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16

catharsis

purgation/purification - purge your emotions to feel different after

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17

the characteristics of tragedy 1

mimetic (relatable)

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18

the characteristics of tragedy 2

serious

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19

the characteristics of tragedy 3

tells a full story of an appropriate length

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20

the characteristics of tragedy 4

contains rhythm and harmony

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21

the characteristics of tragedy 5

rhythm and harmony occur in diff. combinations in diff. parts of the tragedy

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22

the characteristics of tragedy 6

it's performed rather than narrated

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23

the characteristics of tragedy 7

arouses feelings of pity and fear and then purges these feelings through catharsis

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24

plot

  • story/action of play

  • most important

  • beginning, middle, end

  • no cliffhanger/loose ends

  • problem must be huge

  • universal

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25

character

  • secondary importance

  • good

  • higher status than audience

  • consistent

  • not perfect

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26

spectacle

visual elements

  • lighting

  • set

  • props

  • costume

  • movement

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27

melody

  • music

  • collective sound

  • sound effects

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28

thought

idea/theme

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29

diction

  • language

  • prose v verse

  • rhythm

  • rhyme

  • long v short speeches

  • enjoyable

  • slang

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30

styles of staging

  • proscenium arch

  • thrust

  • traverse

  • in the round

  • end on/blackbox

  • promenade

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31

the orchestra

the dancing place where chorus are

once on stay on

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32

chorus entrance/exit

entrance: parados (after prologue)

exit: exodus

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33

the architectural skene

where the main actors enter and exit

stage left: wilderness

stage right: civilised society

centre: women

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34

the auditory

the listening place

where audience sit

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35

amphitheatre

name of Greek Theatre building

15,000 seats

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36

thymele

shrine to god Dionysus

placed in centre of orchestra

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37

Dionysus

Greek god of theatre, wine and celebration

festival lasts 3 days

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38

thespius

first actor

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39

chorus

12 men (Sophocles increased to 15)

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40

choral odes

stasimon

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41

why are the chorus masked

indicate gender, status, amplify voice

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42

homogenous/homogeneity

move as one

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43

leader of chorus

Coryphaeus

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44

3 actors

protagonist

antagonist

tritagonist

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45

protagonist

hero

goes through losing something to a realisation (Creon)

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46

antagonist

villain / anti-hero

(Antigone)

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47

tritagonist

other actors

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48

Eccyclema/Cyclorama

a sheet at the back of the stage used when scenes where too obscene (taken off stage as too horrible to look at) used tapestries

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49

everyman

the chorus should represent everyone to build a bridge/connection between the actors and the audience

represent all; ages, heritages, genders, socioeconomic status

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