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Accelerando
Increasing gradually in tempo
Al fine
To the end
Allargando
Gradually slower and broader
Arrangement
An adaptation of a given composition into a form other than what it was originally written for, usually indicated as: Mozart/Wykosi or arr. Wykosi
Arco
With the bow
A tempo
Back to original tempo
Basso Continuo
A characteristic of Baroque music consisting of a bass part that runs continuously throughout a work, also called throughbass
Cantabile
Singingly
Coda
The closing few measures of a composition, added to give the composition closure
Col legno
Strike the strings with the wood of the bow
Con gusto
With energy
Cue notes
Very small notes written in a part to indicate what other players are playing, the purpose is to aid the player in keeping their place in the music
Da capo
Back to the beginning of the piece; indicated by D.C. Literally, “The Head.”
Dal segno
Go back to the sign. Usually followed by an indication to stop at the fine or jump to a coda
Diminuendo
Gradually softer (opposite of crescendo)
Divisi
Divide the parts or notes; in a two note chord the outside player plays the top note and the inside player plays the bottom note
Dolce
Sweetly
Ensemble
Group of musicians that preform as a unit
Grace note
A quick, ornamental note placed before the main note. Usually appears on the page smaller than normal notes
Harmonic
Notes that are achieved when the performer lightly places his finger on nodes along the string. The resulting sound is very clear and pristine
Legato
Smooth and connected. No separation at all
L’istesso Tempo
The same tempo, an indication in a composition that indicates the beat remains constant when the meter changes. Ex: 2/4 to 6/8, it still has 2 beats in the measure but the counting is different.
Marcato
Marked, accented, and usually a bit shorter
Meno
Less
Meter
Measure of time (4/4, 2/4, 3/4)
Molto
Very much, a great deal
Morendo
Dying, fading away
Mosso
Motion
Niente
Nothing
Overture
Introduction to an opera or other large musical work
Pesante
Heavy
Piu
More
Pizzicato
Plucking the string
Poco a poco
Little by little
Quartet
4 players
Quintet
5 players
Ritardando (rit.)
Slowing in tempo
Scordatura
Tuning contrary to the normal, addressed to the strings
Sempre
Always
Senza
Without
Septet
7 players
Sextet
6 players
Simile
In a similar manner
Soli
Entire section plays an important “solo” part
Solo
A single performer
Sordino
Mute
Subito
Suddenly or instantly
Staccato
Separated
Stringendo
Accelerating the tempo
Sul ponticello
Play near the bridge
Sul tasto
Play over the fingerboard
Suite
A set of songs or dances
Tempo
Speed of the beat
Tenuto
Very soft accent, often played with quite a bit of length
Tremolo
Rapid (“trembling”) repetition of a tone or chord, without apparent breaks, to express emotion
Trio
3 players
Tutti
All instruments together
Una corda
One string (shift instead of string crossing)
Name all tempo names from slowest to fastest
Largo, Adagio, andante, moderato, allegretto, vivace, presto
Detache
A primarily connected bow stroke with distinct, separate bows
Hooked bow
Two or more notes played in the same bow direction with a stop between each note
Louree
A hooked bowing where the bow does not stop, but each note is caused to sound by adding weight with the index finger. Also called portato
Martele
A strong, accented bowing. This is the term used to describe the bow stroke that plays accents
Spicatto
Stroke with the bow bouncing off the string
Slur
Curved line that indicates to sing or play in a legato manner; without separation
Order of the sharp keys
F C G D A E B
How to name a key in sharps
Look at the last sharp, the go a half step higher. The only exceptions are E and B, which require you to count a whole step up.
What key has no sharps or flats
C major, A minor
Order of the flat keys
B E A D G C F
How to name a key in flats
Look at the 2nd to last flat. The only exception to this is the key of F, which has only one flat