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Here is your complete, updated master reviewer for Gizmo. Every table has been converted into clean, plain-text blocks, clear definitions are included for every main section, and concrete examples are integrated under every single term so you can copy and paste it directly into flashcards. 1. Literary Devices & Elements What are Literary Devices and Elements? Literary devices and elements are specific techniques, structures, and tools that authors use to shape their writing, convey deeper meanings, create vivid imagery, and build engaging stories. Figurative Language What is Figurative Language? Words or expressions used with a non-literal meaning to make ideas more vivid, creative, and impactful. * Metaphor: Direct comparison between two unlike things without using "like" or "as". * Example: "Time is a thief." / "His voice was music to her ears." * Simile: Comparison of two things using "like" or "as". * Example: "He ran as fast as the wind." / "Her eyes shined like diamonds." * Personification: Gives human traits, emotions, or actions to non-human objects or abstract concepts. * Example: "The wind whispered secrets through the trees." * Hyperbole: Extreme exaggeration used for emphasis or dramatic effect. * Example: "I'm so hungry I could eat a horse." / "I've told you a million times." * Irony: Expressing meaning using language that normally signifies the opposite (verbal, situational, or dramatic). * Example: A fire station burning down. (Situational Irony) * Oxymoron: Two contradictory or opposite words placed side-by-side. * Example: "Deafening silence," "Bittersweet," "Living dead." Sound Devices What are Sound Devices? Resources used by writers to emphasize the auditory aspects of a text, creating musicality, rhythm, or mood. * Assonance: Repetition of internal vowel sounds within nearby words. * Example: "The rain in Spain stays mainly in the plain." * Alliteration: Repetition of initial consonant sounds in neighboring words. * Example: "Peter Piper picked a pack of pickled peppers." * Consonance: Repetition of consonant sounds, especially at the middle or end of words. * Example: "The million alligators slithered through the mud." * Onomatopoeia: Words that imitate or sound like the real-world noise they describe. * Example: Buzz, crash, hiss, sizzle, boom. * Rhyme, Rhythm, & Repetition: Repeating sounds, beat patterns, or words to create emphasis and musicality. * Example: "Rage, rage against the dying of the light." (Repetition) Maxim, Universal Truth, & Philosophy What are Maxims, Universal Truths, & Philosophies? Statements that reflect general human principles, moral guidance, or shared human experiences. * Maxim: A short, simple saying that gives humans practical advice or a rule of conduct. * Example: "Actions speak louder than words." * Universal Truth: A statement or insight about human life that is true for all people across different times and cultures. * Example: "All humans desire love and belonging." * Philosophy: A foundational belief, worldview, or underlying way of thinking that guides how a person lives or interprets life. * Example: Stoicism teaches that we should focus only on what we can control. Poetic Structure & Style What is Poetic Structure & Style? The architectural layout of a poem, including how lines, sounds, meters, and word choices are organized. * Rhyme Types: * End Rhyme: Words at the end of poetic lines rhyme. * Example: "The cat sat on the mat / It chased a little rat." * Internal Rhyme: Rhyming occurs within a single line of poetry. * Example: "I drove the car to the bar." * Eye Rhyme: Words that look like they should rhyme based on spelling, but sound different when spoken. * Example: Love and Move / Laughter and Slaughter. * Perfect Rhyme: Stressed vowel sounds and all following consonants are identical. * Example: Cat and Hat / Light and Night. * Slant Rhyme: Imperfect or near-rhymes with similar but non-identical sounds. * Example: Shape and Keep / Worm and Swarm. * Meter: The systematic pattern of stressed and unstressed syllables across a line of poetry (composed of poetic feet). * Example: Iambic pentameter ("Da-DUM da-DUM da-DUM da-DUM da-DUM"). * Stanza: A grouped set of lines within a poem (categorized as formal structure or free verse). * Example: A 4-line stanza is called a quatrain. * Diction: The author's deliberate choice of words and phrases: * Formal: Professional, elevated, or academic vocabulary. * Example: "I request your prompt assistance regarding this matter." * Informal: Everyday conversational language. * Example: "Can you give me a hand real quick?" * Slang: Highly casual words specific to a particular group, region, or subculture. * Example: "That idea is total cap." * Concrete: Specific words appealing directly to the five physical senses. * Example: "The freezing, crisp air smelled of pine needles." * Abstract: Broad ideas, feelings, or concepts requiring deeper interpretation. * Example: Concepts like freedom, justice, or truth. Tone, Style & Voice What are Tone, Style & Voice? The elements that define the emotional attitude, writing personality, and perspective of the author or narrator. * Tone: The author's or speaker's attitude toward the subject matter or audience. * Example: Sarcastic, formal, cheerful, or pessimistic. * Mood: The overall emotional atmosphere created by the author's choices, felt by the reader. * Example: Spooky, peaceful, romantic, or tense. * Style: The unique "fingerprint" or manner in which an author writes (Formal, Informal, or Poetic/Evocative). * Meaning Details: Includes Denotation (literal dictionary definition of a word) and Connotation (emotional or secondary meaning attached to a word). * Speaker, Point of View (POV), & Narrative Techniques: * Speaker / POV: Who is speaking or telling the story. * 1st Person: Narrator is a character in the story ("I", "we"). * 3rd Person Limited: Narrator focuses on the internal thoughts of only one character ("he", "she", "they"). * 3rd Person Omniscient: All-knowing narrator who knows the thoughts and feelings of every character. * Persona: The specific character or identity assumed by the writer or speaker. * Narrative Techniques: Methods used to present ideas: * Description: Setting scenes using visual and sensory details. * Flashback: Interrupting the timeline to show an earlier past event. * Reflection: The speaker looking back on an event to ponder its meaning. * Internal Monologue: Showing a character's unbroken flow of inner thoughts. * Dialogue: Spoken conversation between characters. * Example: "'I told you not to enter that room,' whispered Sarah." * Repetition: Intentionally repeating words or phrases for emphasis. 2. Narrative & Literary Analysis What is Narrative & Literary Analysis? The practice of examining the components of a story to understand how it is constructed and to uncover hidden meanings, symbols, and context. Elements of a Story / Narrative What are Narrative Elements? The structural building blocks that make up a story's plot, setting, characterization, and core message. * Plot Structure: The sequence of events in a story: * Exposition: Introduction of characters, setting, and basic situation. * Rising Action: Events and complications leading up to the main conflict. * Climax: The turning point or peak emotional intensity of the story. * Falling Action: Events after the climax that wrap up plot points. * Resolution / Dénouement: The final outcome or resolving of the core conflict. * Setting: Time, geographic location, historical period, and environmental conditions of the story. * Characterization: The methods used to reveal a character's personality: * Direct Characterization: Character traits explicitly stated by the narrator. * Example: "John was a lazy and dishonest boy." * Indirect Characterization (STEAL Method): Trait revealed through clues rather than being told directly: * S – Speech: What they say and how they say it. * Example: "Give me your lunch money right now!" (Shows bully behavior) * T – Thoughts: What is revealed through private inner feelings. * Example: I wish I could help, but I'm too terrified. (Shows internal fear) * E – Effect on others: How other characters react around this person. * Example: Everyone stopped laughing the moment she walked in. (Shows intimidating presence) * A – Actions: How the character behaves in specific situations. * Example: Mark carried the heavy grocery bags for the elderly woman. (Shows kindness) * L – Looks: Physical appearance, clothing, and body language. * Example: Sharply tailored suit, zero wrinkles, every hair in place. (Shows meticulous organization) Signs, Symbols, & Meaning (Semiotics) What is Semiotics? The study of signs, symbols, and how human beings create, interpret, and communicate meaning. * Sign: Anything that points to an idea, piece of information, or object. * Example: A red stop sign on the road. * Symbol: A specific kind of sign holding a deeper, secondary meaning beyond its literal appearance. * Example: A dove representing peace, or a red rose representing love. * Motif: A recurring element, image, object, or pattern that carries symbolic meaning throughout a work. * Example: The constant reappearance of a ticking clock representing running out of time. * Binary Oppositions: Contrasting concepts or pairs put together to highlight thematic conflict. * Example: Light vs. Darkness, Good vs. Evil, Youth vs. Old Age. * The Semiotic Triangle: A model explaining how language links to thought and reality: * Signifier: The physical image, written word, or sound used. * Example: The written word "D-O-G". * Reference: The mental concept, thought, or connotation behind the signifier. * Example: Thinking of a four-legged furry pet that barks. * Referent: The actual physical object or reality being represented. * Example: The real, living dog sitting in front of you. Organic Unity What is Organic Unity? The concept that every single element in a text (symbols, plot, tone, character actions) plays a unique role, yet none can function alone—every element is essential to the overall meaning and structure of the work. Contextual Analysis What is Contextual Analysis? Background information surrounding a literary work that helps readers understand it more deeply and recognize the values behind it. * Historical Context: Historical events, movements, and societal conditions influencing the story's era. * Example: Reading a story set during World War II to understand why food rationing occurs in the plot. * Cultural Context: Shared beliefs, customs, values, and traditions shaping character choices and themes. * Example: Analyzing family traditions and societal expectations in a story set in ancient Asia. * Biographical Context: How the author's real-life experiences and personal background impact their writing. * Example: Knowing Edgar Allan Poe experienced loss helps explain the grief themes in his poetry. * Psychological Context: Mental states, inner motivations, trauma, and psychological behaviors of characters or the author. * Example: Examining how traumatic events affect a main character's choices and fears. 3. Author's Purpose & Rhetorical Modes What is Author's Purpose? The primary reason why an author creates a text (a literary piece can have multiple purposes). To Persuade * Core Intent: Convince the reader to act or adopt a specific belief. * Key Techniques & Features: * Ethos (Credibility / Ethics): Establishing trust, authority, or moral character. * Example: "As a doctor with 20 years of experience, I recommend this treatment." * Pathos (Emotion): Appealing to the reader's feelings (sympathy, fear, joy). * Example: "Don't let innocent shelter animals spend another night in the cold." * Logos (Logic): Using facts, statistics, and logical reasoning. * Example: "Data shows that wearing seatbelts reduces injury risks by 45%." * Call-to-Action (CTA): Directly telling the reader what action to take. * Example: "Sign this petition today to protect our rivers!" To Inform * Core Intent: Educate or share facts objectively without personal bias or subjective views. * Key Features: Textbooks, news reports, informational articles, research papers. To Entertain * Core Intent: Provide enjoyment, amusement, or engagement for the reader. * Key Techniques & Features: * Suspense: Creating anxiety or intense anticipation about what will happen next. * Example: "The footsteps grew louder on the wooden floorboards right outside her bedroom..." * Vivid Storytelling: Using rich sensory details so the reader can visualize the scene. * Example: "The crisp, icy wind whipped through the towering pine trees as the sun dipped below the crimson horizon." To Express Emotions * Core Intent: Share deeply personal, subjective experiences and inner feelings. * Key Features: Uses 1st Person POV ("I", "my"), personal journals, lyric poetry, and emotional reflections. To Explain / Analyze * Core Intent: Blend information with deeper critical insight to help readers thoroughly understand a complex topic. To Teach / Impart Values * Core Intent: Convey a moral lesson, ethical value, or clear guidance to the reader. * Key Features: Fables, parables, allegories, and didactic stories. To Criticize Society * Core Intent: Question and challenge societal norms, political issues, or systemic flaws. * Key Features: Uses satire, irony, allegory, social commentary, and exaggeration. To Reflect Human Experience * Core Intent: Represent human culture, shared traditions, and everyday lived realities. To Inspire * Core Intent: Encourage readers to believe, hold onto hope, and overcome challenges.

Chapter 4 Skin and Body Membranes Body Membranes Functions of body membranes Cover body surfaces Line body cavities Form protective sheets around organs Classified according to tissue types Body Membranes Two major categories Epithelial membranes Cutaneous membranes Mucous membranes Serous membranes Connective tissue membranes Synovial membranes Epithelial Membranes Epithelial membranes are simple organs Also called covering and lining membranes These membranes contain both: Epithelial tissue layer Connective tissue layer Epithelial Membranes Cutaneous membrane = skin Dry membrane Outermost protective boundary Consists of two layers Epidermis is composed of keratinized stratified squamous epithelium Dermis is mostly dense (fibrous) connective tissue Epithelial Membranes • Mucous membranes (mucosae) • I Moist membranes Some mucosae secrete protective, lubricating mucus Line all body cavities that open to the exterior body surface • Adapted for absorption or secretion • ' Consists of two layers • Epithelium type depends on site • Loose connective tissue (lamina propria) Epithelial Membranes Serous membranes (serosae) Line compartments in the ventral body cavity that are ciosed to the exterior of the body Occur in pairs, separated by serous fluid, with a visceral and parietal layer Consists of two layers Simple squamous epithelium Areolar connective tissue Epithelial Membranes Specific serous membranes Peritoneum Cover organs in the abdominal cavity Pleurae Surround the lungs Pericardia Surround the heart Connective Tissue Membranes Synovial membranes Loose areolar connective tissue only (no epithelial tissue) Line fibrous capsules surrounding joints Line bursae Line tendon sheaths Secrete a lubricating fluid to cushion organs moving against each other during muscle activity Integumentary System Integumentary system consists of the: Skin (cutaneous membrane) Skin appendages Sweat glands Oil glands Hair Nails Functions of the Integumentary System Insulates and cushion deeper body organs Protects the entire body from: Mechanical damage (bumps and cuts) Chemical damage (acids and bases) Thermal damage (heat or cold) Ultraviolet (UV) radiation (sunlight) Microbes (bacteria) • Water loss Functions of the Integumentary System Regulates heat loss as controlled by the nervous system Acts as a mini-excretory system; sweat aids in the loss of Urea Salts Water Synthesizes vitamin D Secretions create a protective acid mantle Structure of the Skin Two kinds of tissue compose the skin Epidermis Dermis Subcutaneous tissue (hypodermis) Anchors the skin to underlying organs Not technically part of the integumentary system Composed mostly of adipose tissue Serves as a shock absorber and insulates deeper tissues Structure of the Skin Epidermisouter layer Composed of stratified squamous epithelium Most cells are keratinocytes which produce a fibrous protein called keratin Keratinization makes the epidermis tough Desmosomes connect keratinocytes together Avascular Composed of five layers (strata) Structure of the Skin Summary of strata (layers) of the epidermis from deepest to most superficial Stratum basale Stratum spinosum Stratum granulosum Stratum lucidum (thick, hairless skin only) Stratum corneum Structure of the Skin Stratum basale (stratum germinativum) Deepest layer of epidermis Lies next to dermis Wavy borderline with the dermis anchors the two together Cells undergoing mitosis Daughter cells are pushed upward to become the more superficial layers Stratum spinosum Cells become increasingly flatter and more keratinized Structure of the Skin Stratum granulosum Stratum lucidum Formed from dead cells of the deeper strata Occurs only in thick, hairless skin of the palms of hands and soles of feet Stratum corneum Outermost layer of epidermis Shingle-like dead cells are filled with keratin (protective protein prevents wat loss from skin Structure of the Skin Melanin Melanin is a pigment produced by melanocytes Melanocytes are mostly in the stratum basale of the epidermis Color is yellow to brown to black Structure of the Skin Epidermal dendritic cells Alert and activate immune cells to a threat (bacterial or viral invasion) Merkel cells Associated with sensory nerve endings Serve as touch receptors called Merkel discs Structure of the Skin Dermis Connective tissue Underlies the epidermis Two regions Papillary Reticular Structure of the Skin Two regions of the dermis Papillary layer (upper dermal region) contain projections called dermal papillae Areolar connective tissue Indent the epidermis above Many projections contain capillary loops, and others house pain and touch receptors On palm and sole surfaces, papillae increase friction and gripping ability Fingerprints are identifying films of sweat Structure of the Skin Two regions of the dermis Reticular layer (deepest skin layer) Dense irregular connective tissue Blood vessels Sweat and oil glands Deep pressure receptors (lamellar corpuscles) Structure of the Skin Other dermal features Cutaneous sensory receptors Phagocytes Collagen and elastic fibers Blood vessels I Nerve supply Skin Color • Three pigments contribute to skin color 1. Melanin • Yellow, reddish brown, or black pigments 2. Carotene • Orange-yellow pigment (also found in some vegetables) 3. Hemoglobin Red coloring from blood cells in dermal capillaries Oxygen content determines the extent of red coloring Skin Color Redness (erythema) due to embarrassment, inflammation, hypertension, fever, or allergy Pallor (blanching) due to emotional stress (such as fear), anemia, low blood pressure, impaired blood flow to an area Jaundice (yellow cast)-indicates a liver disorder • Bruises (black and blue marks)-hematomas Appendages of the Skin Cutaneous glands are all exocrine glands Sebaceous glands Sweat glands Hair and hair follicles Nails Appendages of the Skin Sebaceous (oil) glands Located all over the skin except for palms and soles Produce sebum (oil) Makes skin soft and moist Prevents hair from becoming brittle Kills bacteria Most have ducts that empty into hair follicles; others open directly onto skin surface Glands are activated at puberty with increased androgens Appendages of the Skin Sweat (sudoriferous) glands Produce sweat Widely distributed in skin Two types of sudoriferous glands Eccrine glands Apocrine glands Appendages of the Skin Eccrine glands More numerous, located all over the body Open via duct to sweat pores on the skin's surface Produce acidic sweat Water, salts, vitamin C, traces of metabolic waste Function in body temperature regulation Appendages of the Skin Apocrine glands Ducts empty into hair follicles in the armpit and genitals Begin to function at puberty Release sweat that also contains fatty acids and proteins (milky or yellowish color) • Play a minimal role in body temperature regulation Appendages of the Skin Hair Located body-wide except for palms, soles, nipples, lips Produced by hair follicle Root is enclosed in the follicle Shaft projects from the surface of the scalp or skin Consists of hard keratinized epithelial cells Melanocytes provide pigment for hair color Hair grows in the matrix of the hair bulb in stratum basale Appendages of the Skin Hair anatomy Central medulla Cortex surrounds medulla Cuticle on outside of cortex Most heavily keratinized region of the hair Melanin provides color Appendages of the Skin Associated hair structures Hair follicle Composed of an inner epithelial root sheath andan outer fibrous sheath Dermal region provides a blood supply to the hair bulb (deepest part of the follicle) Arrector pili muscle connects to the hair follicle to pull hairs upright when we are cold or frightened Appendages of the Skin Nails Heavily keratinized, scalelike modifications of the epidermis Stratum basale extends beneath the nail bed, which is responsible for growth Lack of pigment makes nails colorless Appendages of the Skin Parts of a nail Free edge Body is the visible attached portion Nail folds are skin folds that overlap the edges of the nail; the cuticle is the proximal edge Root of nail is embedded in skin Growth of the nail occurs from nail matrix of nail bed Homeostatic Imbalances of Skin Infections and allergies Athlete's foot Caused by fungal infection (Tinea pedis) Itchy, red peeling skin between the toes Boils (furuncles) and carbuncles Caused by inflammation of hair follicles Carbuncles are clusters of boils caused by bacteria Cold sores (fever blisters) Caused by human herpesvirus 1 Blisters itch and sting Homeostatic Imbalances of Skin Infections and allergies Contact dermatitis Caused by exposure to chemicals that provoke allergic responses Itching, redness, and swelling of the skin Impetigo Caused by bacterial infection Pink, fluid-filled raised lesions around mouth/nose Psoriasis Triggered by trauma, infection, hormonal changes, or stress Red, epidermal lesions covered with dry, silvery scales that itch, burn, Crack, or sometimes bleed Homeostatic Imbalances of Skin • Burns Tissue damage and cell death caused by heat, electricity, UV radiation, or chemicals Associated dangers Protein denaturation and cell death Dehydration and electrolyte imbalance Circulatory shock Result in loss of body fluids and infection from the invasion of bacteria Homeostatic Imbalances of Skin Extent of a burn is estimated using the rule of nines Body is divided into 11 areas for quick estimation Each area represents about 9 percent of total body surface area The area surrounding the genitals (the perineum) represents 1 percent of body surface area Homeostatic Imbalances of Skin . First-degree burn (superficial burn) Only epidermis is damaged Skin is red and swollen Second-degree burn (superficial partial-thickness burn) Epidermis and superficial part of dermis are damaged Skin is red, painful, and blistered Regrowth of the epithelium can occur Homeostatic Imbalances of Skin Third-degree burn (full-thickness burn) Destroys epidermis and dermis; burned area is painless Requires skin grafts, as regeneration is not possible Burned area is blanched (gray-white) or black Fourth-degree burn (full-thickness burn) Extends into deeper tissues (bone, muscle, tendons) Appears dry and leathery Requires surgery and grafting May require amputation Homeostatic Imbalances of Skin Criteria for deeming burns critical (if any one is met): Over 30 percent of body has second-degree burns Over 10 percent of the body has third-or fourth-degree burns Third-or fourth-degree burns of the face, hands, feet, or genitals Burns affect the airways Circumferential (around the body or limb) burns have occurred Homeostatic Imbalances of Skin Skin cancer Most common form of cancer in humans Most important risk factor is overexposure to ultraviolet (V) radiation in sunlight and tanning beds Cancer can be classified two ways Benign means the neoplasm (tumor) has not spread Malignant means the neoplasm has invaded other body areas Concept Link Recall that mitosis gone wild is the basis for cancer (Chapter 3, pp. 82-83). These cells lack normal control of cell division and divide quickly, resulting in errors during DNA replication, mitosis, or both. Cells experiencing rapid, uncontrolled growth become cancerous and can metastasize (spread) to other parts of the body. Homeostatic Imbalances of Skin . First-degree burn (superficial burn) Only epidermis is damaged Skin is red and swollen Second-degree burn (superficial partial-thickness burn) Epidermis and superficial part of dermis are damaged Skin is red, painful, and blistered Regrowth of the epithelium can occur Homeostatic Imbalances of Skin Third-degree burn (full-thickness burn) Destroys epidermis and dermis; burned area is painless Requires skin grafts, as regeneration is not possible Burned area is blanched (gray-white) or black Fourth-degree burn (full-thickness burn) Extends into deeper tissues (bone, muscle, tendons) Appears dry and leathery Requires surgery and grafting May require amputation Homeostatic Imbalances of Skin Criteria for deeming burns critical (if any one is met): Over 30 percent of body has second-degree burns Over 10 percent of the body has third-or fourth-degree burns Third-or fourth-degree burns of the face, hands, feet, or genitals Burns affect the airways Circumferential (around the body or limb) burns have occurred Homeostatic Imbalances of Skin Skin cancer Most common form of cancer in humans Most important risk factor is overexposure to ultraviolet (V) radiation in sunlight and tanning beds Cancer can be classified two ways Benign means the neoplasm (tumor) has not spread Malignant means the neoplasm has invaded other body areas Concept Link Recall that mitosis gone wild is the basis for cancer (Chapter 3, pp. 82-83). These cells lack normal control of cell division and divide quickly, resulting in errors during DNA • One or more of the ABCD characteristics is evolving Developmental Aspects of Skin and Body Membranes Lanugo, a downy hair, covers the body by the fifth or sixth month of fetal development but disappears by birth Vernix caseosa, an oily covering, is apparent at birth Milia, small white spots, are common at birth and disappear by the third week Acne may appear during adolescence Pimples, scales, and dermatitis are more common with aging skin Developmental Aspects of Skin and Body Membranes In youth, skin is thick, resilient, and well hydrated With aging, skin loses elasticity and thins Skin cancer is a major threat to skin exposed to excessive sunlight Balding (alopecia) and/or graying occurs with aging; both are genetically determined other factors that may contribute include drugs and emotional stress