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CW 2: The Blue Mosque
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ART APPRECIATION: HUMANITIES, ASSUMPTIONS, AND THE NATURE OF ARTS Art Appreciation helps us understand the meaning, purpose, and value of art. It explores the relationship between the humanities and the arts, the common beliefs people have about art, and the different ways art can be understood and interpreted. I. Humanities and Their Relationship to the Arts A. What Are the Humanities? Humanities are fields of study that focus on human beings, experiences, ideas, values, beliefs, creativity, and culture. The word humanities is associated with the Latin term humanitas, which refers to qualities and learning related to being human. The humanities help us understand human life by exploring questions such as: What does it mean to be human? Why do people create? What do people consider beautiful? How do people express their emotions and beliefs? How does culture influence people’s thinking? How have human ideas changed throughout history? The word humanus means “human” and is associated with being refined, cultured, and worthy of dignity. The humanities are also connected to the philosophical idea expressed by the Greek thinker Protagoras: “Man is the measure of all things.” This emphasizes the role of human beings in understanding and interpreting the world. According to the Webster Dictionary, the humanities include fields such as philosophy, literature, language, and art, excluding theology and the natural and social sciences in the traditional classification. The study of the humanities includes the appreciation of art, which can deepen our understanding of life, reality, and human experiences. B. What Is Art? The word art comes from the Latin word ars, which means skill or ability. Art is a form of human expression through which people communicate their thoughts, emotions, experiences, imagination, beliefs, and perspectives. Art is not limited to beauty. It can also express sadness, anger, humor, social issues, personal experiences, and different views of the world. Art can be understood as a way of grasping the world, particularly human society and spiritual experiences, rather than focusing only on the physical world. Art can take many forms, including the following fine arts: Painting Sculpture Architecture Literature Dance Music Film Works of art can also be classified as verbal or non-verbal. Verbal art uses words to express ideas and emotions. Example: Poems, novels, and plays. Non-verbal art communicates through images, sounds, movements, or forms without relying primarily on words. Example: Paintings, instrumental music, and dance. Art is also influenced by how an artist uses a medium, applies techniques, and expresses the content of an artwork. C. What Is Art? Art is a way for people to share how they experience and understand the world. It can communicate personal feelings, cultural beliefs, social issues, and human experiences. An artwork can be beautiful, emotional, meaningful, thought-provoking, disturbing, humorous, symbolic, or intentionally ordinary. Therefore, art is not limited to objects that people consider beautiful. Its meaning also depends on the artist’s purpose, the methods used, the context, and the viewer’s interpretation. D. Relationship Between Humanities and the Arts The humanities and the arts are closely connected because both explore and communicate human experiences, ideas, emotions, and culture. The humanities help us understand human experiences, while the arts provide ways to express and interpret those experiences. For example, consider a painting depicting poverty. Art communicates the experience of poverty through images, colors, and composition. History explains the social conditions during the period represented. Philosophy encourages us to think about justice and human dignity. Literature presents stories about people experiencing poverty. Sociology helps explain the social relationships and circumstances connected to poverty. This shows that appreciating art involves more than deciding whether an artwork is beautiful. It also requires understanding the artist, society, culture, history, ideas, and emotions behind the work. E. Differences Between Humanities and Art Arts focus more on the creative and expressive aspects of human culture. They involve creating works that communicate ideas, emotions, and experiences. Humanities focus more on studying, analyzing, and interpreting human experiences and cultural works. Arts often emphasize the form, style, techniques, and materials used to create an artwork. Humanities often emphasize the content, meaning, values, and historical or cultural context of a work. Art can be personal and subjective because people may interpret an artwork differently. The humanities use analysis and interpretation to understand human experiences, although interpretations may also vary. F. Importance of Arts and Humanities Arts and humanities help students become well-rounded individuals who can: Become adaptable by understanding different situations and perspectives. Think creatively by developing original ideas and solutions. Develop critical thinking by analyzing and interpreting information. Become responsible citizens by understanding society, culture, and human differences. Improve communication by learning different ways to express ideas and emotions. Understand others by recognizing different experiences, beliefs, and values. II. Why Do We Study Art? Art Appreciation develops our ability to observe, interpret, analyze, and evaluate works of art. 1. Art Develops Creativity Art encourages people to think beyond ordinary ideas and explore different possibilities. Example: Creating a sculpture using clay allows an artist to experiment with different shapes and forms. 2. Art Communicates Emotions Art allows people to express feelings that may be difficult to communicate through ordinary language. Example: Music can communicate sadness, excitement, peace, or nostalgia. 3. Art Reflects Culture Art shows the traditions, beliefs, lifestyles, and values of a particular community. Example: Traditional Filipino weaving, dances, architecture, and music provide insights into Filipino culture. 4. Art Records History Artworks can provide evidence of past events, traditions, people, and ways of life. Example: Historical paintings can show how people dressed and how important events were represented in the past. 5. Art Develops Empathy Art allows us to understand experiences and perspectives that may be different from our own. Example: A film about poverty can help viewers understand the struggles of people living in difficult conditions. 6. Art Encourages Critical Thinking Art encourages viewers to examine and question what they see rather than simply accepting an artwork at face value. When appreciating art, ask: Why did the artist create this? What does the artwork mean? What message is being communicated? Why did the artist use these materials? How does the artwork make me feel? Does the artwork reflect the society in which it was created? These questions help us understand an artwork beyond its physical appearance. COMMON ASSUMPTIONS ABOUT ARTS An important part of Art Appreciation is examining our assumptions. People often have preconceived ideas about what art should be. Assumption 1: "Art must be beautiful." Assumption 2: "I can't appreciate art because I am not talented." Assumption 3: "Art is only for talented people." Assumption 4: "Art must look realistic." Assumption 5: "Expensive art is automatically good art." Assumption 6: "Art has no practical purpose." CLASSIFICATIONS OF ARTS Art can be classified in different ways. One common approach is to group it according to the medium or form used. Visual Arts Performing Arts Literary Arts Applied Arts Traditional and Contemporary Art The Nature of Art Functions and Theories of Arts Art has existed in virtually every human society. Across time and cultures, people have created artworks not only for beauty but also for communication, worship, political expression, social identity, education, remembrance, and personal expression. Understanding the functions of art helps explain why art is made, while studying art theories provides different ways of interpreting and evaluating artworks. Lesson 2. I. Functions of Art The function of art refers to the purpose, role, or use that an artwork serves for an individual, a community, or society. A single artwork can perform several functions at the same time. 1. Personal Function Art can serve the personal needs of the artist or viewer. Artists often create art to express emotions, experiences, beliefs, dreams, memories, or personal identity. Personal functions may include: expressing emotions and feelings; exploring personal experiences; relieving stress or emotional tension; developing creativity; expressing identity and individuality; communicating ideas that may be difficult to express through words. For example, a painter may create an artwork after experiencing sadness, happiness, fear, or loss. The resulting work becomes a visual representation of the artist's emotional experience. Art can also affect viewers personally. A song, painting, sculpture, or film may inspire someone, remind them of an experience, or help them understand their own feelings. Example: Vincent van Gogh's The Starry Night is often discussed in relation to emotion and personal experience. Its swirling sky, intense movement, and expressive colors contribute to its emotional impact. 2. Aesthetic Function The aesthetic function of art focuses on beauty, visual pleasure, harmony, creativity, and appreciation of form. Art may be created simply because people enjoy looking at beautiful or interesting things. Artists achieve aesthetic qualities through elements such as: color; line; shape; texture; balance; proportion; rhythm; harmony; contrast; composition. Aesthetic value does not necessarily mean that an artwork must be traditionally beautiful. Some works may be strange, unsettling, or unconventional yet still provide a powerful aesthetic experience. Example: Decorative patterns found in textiles, pottery, architecture, and jewelry often serve both practical and aesthetic purposes. 3. Social Function Art performs a social function when it influences, reflects, or addresses relationships among people and communities. Art can help strengthen: community identity; cultural traditions; shared values; social relationships; collective memory. It can also draw attention to social problems such as: discrimination; poverty; inequality; violence; environmental destruction; human-rights concerns. Murals, films, posters, songs, photography, and public performances are commonly used to communicate social messages. Example: Community murals may depict local history, important personalities, cultural traditions, or social struggles. 4. Political Function Art has long been used to influence political thought and public opinion. Political art may: support governments or leaders; criticize political systems; encourage nationalism; promote revolution or reform; protest injustice; expose corruption; defend human rights. Throughout history, governments have also commissioned art to demonstrate political power. Statues, monuments, portraits, architecture, posters, and propaganda are examples of artworks that may have political functions. Example: Political cartoons often use humor, exaggeration, symbolism, and satire to comment on government policies or public officials. 5. Religious and Spiritual Function Religion has been one of the most important influences on art throughout history. Art has been used to: represent gods, saints, ancestors, or spiritual beings; tell religious stories; decorate sacred spaces; support prayer or meditation; communicate religious teachings; strengthen faith; perform rituals. Examples include: church paintings; religious icons; Buddhist sculptures; Islamic calligraphy; Hindu temple sculptures; Indigenous ritual objects. Many great works of architecture were created primarily for religious purposes, including churches, mosques, temples, shrines, and cathedrals. 6. Cultural Function Art preserves and expresses the culture of a society. Through art, communities communicate their: beliefs; customs; traditions; values; historical experiences; symbols; languages; ways of life. Traditional dances, textiles, music, pottery, architecture, festivals, and crafts preserve cultural identity from one generation to another. Philippine example: Indigenous weaving traditions such as T'nalak, Inabel, and other regional textiles demonstrate local craftsmanship, cultural identity, symbolism, and community traditions. 7. Historical Function Art can act as a visual record of history. Paintings, sculptures, architecture, photographs, monuments, and other works may reveal information about: clothing; technology; social classes; occupations; beliefs; political events; wars; ceremonies; daily life. Although an artwork should not always be treated as a completely objective historical record, it can provide valuable evidence about how people understood their world. Example: Historical paintings may portray important national events and help preserve collective memory. 8. Educational Function Art can teach people ideas, values, skills, or information. Before widespread literacy, paintings, sculptures, and stained-glass windows often communicated religious or historical stories to people who could not read. Today, art continues to educate through: posters; illustrations; films; documentaries; infographics; cartoons; theater; murals; educational videos. Art can make complicated ideas easier to understand because it combines information with visual or emotional experience. 9. Economic Function Art also contributes to economic activity. Artists and creative professionals work in industries such as: painting; sculpture; architecture; fashion; advertising; graphic design; photography; filmmaking; animation; music; theater; game design; crafts. Museums, galleries, concerts, cultural festivals, tourism, and art markets also generate employment and income. Art therefore has both cultural and economic value. 10. Practical or Utilitarian Function Some artworks combine beauty with practical use. Examples include: pottery; furniture; clothing; architecture; jewelry; baskets; textiles; household decorations. A chair, for example, has the practical function of providing a place to sit. However, its design may also demonstrate artistic creativity. This connection is especially visible in applied arts, crafts, architecture, and industrial design. 11. Commemorative Function Art can preserve the memory of important people, places, or events. Examples include: monuments; statues; memorials; portraits; historical markers. Commemorative artworks allow societies to remember historical achievements, tragedies, sacrifices, and national heroes. 12. Entertainment Function Art can also provide enjoyment and recreation. Examples include: movies; theater; music; dance; animation; comics; digital games. Although entertainment may seem simple, it can also communicate important cultural, moral, social, or political ideas. II. Functions of Art Across History and Cultures The functions of art change depending on historical and cultural context. Prehistoric Societies Prehistoric art includes cave paintings, carvings, small sculptures, and ritual objects. Possible functions included: communication; ritual practices; storytelling; hunting-related beliefs; spiritual expression; recording community life. For example, cave paintings depicting animals may have been connected to rituals, teaching, or beliefs about hunting. Ancient Civilizations In ancient societies such as Egypt, Greece, Rome, Mesopotamia, India, and China, art often supported religion, government, and social hierarchy. In Ancient Egypt, art was closely connected with religion and beliefs concerning the afterlife. In Ancient Greece, artists emphasized idealized human bodies, proportion, balance, and harmony. Ancient Roman art often celebrated military victories, political leaders, and imperial authority. l Medieval Period European medieval art was strongly influenced by Christianity. Art commonly appeared in: churches; manuscripts; mosaics; sculptures; stained-glass windows. Its primary purpose was often religious education and worship. Renaissance During the Renaissance, artists increasingly studied: anatomy; perspective; nature; mathematics; humanism. Art still performed religious functions, but there was greater emphasis on humanity, individuality, intellectual achievement, and realistic representation. Modern Period Modern artists experimented with new ideas and rejected many traditional artistic rules. Art increasingly became a way to: express individuality; explore emotions; question society; experiment with color and form; challenge artistic conventions. Movements such as Impressionism, Expressionism, Cubism, Surrealism, and Abstract Expressionism introduced radically different approaches to creating art. Contemporary Period Contemporary art may address issues such as: identity; gender; globalization; migration; technology; consumerism; climate change; inequality; politics; human rights. Contemporary artists frequently work with photography, installation, performance, video, digital art, and mixed media in addition to traditional painting and sculpture. III. Major Theories of Art An art theory is a perspective or framework used to understand what makes something art and how an artwork should be interpreted or evaluated. Several theories can be applied to the same artwork. Three major approaches are Formalism, Expressionism, and Social Commentary. 1. Formalism Formalism focuses primarily on the visual or structural qualities of an artwork. Instead of concentrating on the artist's biography or political message, formalists analyze how the artwork is organized. Formal analysis examines the elements of art, including: line; shape; form; color; value; texture; space. It also examines the principles of design, including: balance; contrast; emphasis; movement; pattern; rhythm; proportion; unity; variety. Main Question of Formalism How is the artwork visually constructed? A formalist might ask: What colors dominate the artwork? How are shapes arranged? Is the composition balanced? Where does the viewer's eye move? How do lines create movement? How does texture affect the work? How are contrast and emphasis created? Example When analyzing The Starry Night formally, a student may discuss: swirling curved lines; strong contrast between the bright stars and dark landscape; movement created by the sky; exaggerated color; visual balance between the village and the sky. The analysis concentrates on what is visually present rather than the artist's biography. 2. Expressionism or Expressive Theory Expressive theory views art as a means of communicating the emotions, experiences, imagination, or inner life of the artist. The value of the artwork is often connected to its ability to communicate feelings effectively. Main Question What emotion or personal experience does the artwork communicate? Students might ask: What emotion seems to dominate the artwork? How do colors communicate emotion? How does the artist's brushwork affect the mood? What personal experience may have influenced the artwork? How does the artwork make the viewer feel? Example Edvard Munch's The Scream may be interpreted through expressive theory. The distorted figure, dramatic sky, curving lines, and intense colors may communicate feelings such as: anxiety; fear; isolation; emotional distress. From an expressive perspective, the emotional effect of the artwork is particularly important. 3. Social Commentary Theory Social commentary views art as a way of examining, criticizing, or communicating ideas about society. Artists may address issues such as: injustice; poverty; war; oppression; inequality; discrimination; corruption; environmental problems; political power. Main Question What does the artwork say about society? Other questions include: What social problem does the artist address? Who is represented in the artwork? What social groups or institutions are being criticized? What message does the artwork communicate? Does the artist encourage social change? Example Pablo Picasso's Guernica can be interpreted as a powerful response to the suffering caused by war. The distorted figures, chaotic arrangement, and dramatic imagery communicate destruction and human suffering. Through social commentary, the artwork can be understood as an anti-war statement. IV. Additional Art Theories Although formalism, expressionism, and social commentary are important, students can also understand several additional theories. 4. Representational or Imitational Theory This theory emphasizes an artwork's ability to represent or imitate reality. The idea is historically associated with the concept of mimesis, meaning imitation. Questions include: How accurately does the artwork represent reality? Are the human figures realistic? Are perspective, proportion, and anatomy convincing? Does the artwork resemble its subject? Realistic portraits and landscapes are often analyzed through this approach. However, artistic value does not depend entirely on realism because many important artworks are abstract or highly stylized. 5. Institutional Theory Institutional theory argues that something may become recognized as art partly because it is accepted within the art world. The art world may include: artists; critics; museums; galleries; curators; collectors; art historians. This theory becomes useful when discussing modern and contemporary works that may not resemble traditional art. For example, an ordinary object placed in a museum may lead viewers to question: What makes something an artwork? 6. Functional Theory Functional theories emphasize what art does. An artwork may be valuable because it: teaches; communicates; decorates; inspires; entertains; supports rituals; encourages reflection. Under this perspective, the purpose and effect of the artwork are important. 7. Contextual Theory Contextual approaches emphasize the historical, cultural, religious, political, or economic circumstances surrounding an artwork. Questions include: When was the artwork created? Where was it created? What was happening in society at the time? Who commissioned the artwork? What beliefs influenced the artist? Who was the intended audience? Context can dramatically affect interpretation. V. Comparison of Major Art Theories Theory Primary Focus Central Question Formalism Elements and principles of art How is the artwork visually organized? Expressionism Emotion and personal experience What feelings does the artwork communicate? Social Commentary Social and political meaning What does the artwork say about society? Representational Theory Realistic representation How successfully does the work represent reality? Functional Theory Purpose of the artwork What function does the artwork perform? Contextual Theory Historical and cultural background How does context influence the artwork's meaning? Institutional Theory Recognition by the art world Why is this considered art? The important point is that no single theory must completely explain an artwork. Theories provide different perspectives. For example, one painting can be analyzed formally because of its colors and composition, expressively because of its emotional intensity, and socially because it addresses injustice. VI. Applying Art Theories to Specific Artworks Students can use a simple four-step process: Step 1: Describe Identify exactly what can be observed. Questions: What do you see? What colors are present? What people, objects, or symbols appear? What materials were used? Avoid interpretation at this stage. Step 2: Analyze Examine how the elements of art are organized. Consider: line; color; texture; shape; balance; contrast; emphasis; movement. Step 3: Interpret Determine possible meanings. Ask: What message does the artwork communicate? What emotions does it express? What symbols are present? What cultural or social ideas are represented? Step 4: Evaluate Make a reasoned judgment. Ask: Is the artwork effective? What makes it important? Does it successfully communicate its message? Which art theory best helps explain it? VII. Sample Applications Artwork 1: Vincent van Gogh's The Starry Night Formalist Perspective A formalist may focus on the painting's: curved lines; swirling movement; contrasting colors; strong visual rhythm; exaggerated shapes. The night sky dominates the composition and creates energetic movement. Expressionist Perspective An expressive interpretation may emphasize the intense emotional quality of the painting. The exaggerated sky and dramatic colors may suggest powerful emotions, imagination, or inner experience. Social Commentary Perspective Social commentary is less central to this particular artwork because it does not primarily address a specific political or social problem. This demonstrates an important principle: Not every theory is equally useful for every artwork. Artwork 2: Pablo Picasso's Guernica Formalist Analysis Students may observe: fragmented shapes; distorted figures; dramatic contrasts; crowded composition; strong movement; limited color palette. These formal qualities create tension and disorder. Expressionist Analysis The distorted human and animal figures communicate: fear; suffering; panic; grief. The emotional intensity contributes strongly to the artwork's impact. Social Commentary Analysis This is especially important. The artwork is associated with the destruction and suffering caused by war. It may therefore be interpreted as a powerful criticism of violence and conflict. Thus, Guernica demonstrates how one artwork can be studied using several theories. Artwork 3: Juan Luna's Spoliarium The Spoliarium is particularly important when discussing Philippine art. Formalist Perspective Students can examine: dramatic lighting; contrast; composition; scale; human figures; movement; use of color. The arrangement directs attention toward the fallen figures. Expressionist Perspective The artwork may communicate: tragedy; suffering; exhaustion; loss; human vulnerability. Social and Historical Perspective Because of its historical context and later associations with Philippine nationalism, the work may also invite broader interpretations relating to power, oppression, dignity, and historical experience. VIII. Functions and Theories Are Different Students sometimes confuse functions of art with theories of art. A simple distinction is: Function asks: Why was the artwork created or what does it do? Theory asks: How can we understand, interpret, or evaluate the artwork? For example, a political mural may have the social function of raising awareness. However, we can analyze the same mural using: formalism to examine its colors and composition; expressionism to examine emotion; social commentary to interpret its political message. IX. Relationship Between Artist, Artwork, Audience, and Society Art can be understood through four interconnected components: Artist → Artwork → Audience → Society The artist produces the work. The artwork contains visual forms, symbols, ideas, and materials. The audience interprets the artwork based on personal knowledge and experiences. Society and culture influence both the artist and the audience. Because people come from different backgrounds, the same artwork can produce different interpretations. WEEK 3 1. Broad Chronological Development of Art History Art history charts how humanity expresses beliefs, values, and environments over time through visual mediums: Prehistoric & Ancient Art (c. 40,000 BCE – 400 CE): Begins with cave paintings (e.g., Lascaux) and fertility artifacts, evolving into formal artistic conventions in Ancient Egypt, Greece, and Rome that focused on mythology, idealism, human proportion, and architectural grandeur. Medieval Art (c. 500 – 1400): Dominated by religion in Western art (Byzantine, Romanesque, Gothic), prioritizing spiritual symbolism and devotional function over naturalism. Renaissance & Baroque (c. 1400 – 1750): Marked by a "rebirth" of classical values, perspective, anatomical realism, and humanism (Da Vinci, Michelangelo), transitioning into the dramatic lighting, emotional intensity, and dynamic motion of the Baroque period. Modern Art (c. 1860s – 1970s): Key movements—including Impressionism, Cubism, Surrealism, and Abstract Expressionism—broke away from traditional representation, questioning the very definition and purpose of visual art. Contemporary Art (c. 1970s – Present): Focuses on concepts, diversity, digital mediums, and global issues rather than unified styles, inviting viewer participation and critique. 2. Primary and Secondary Sources in Art History Art historical research relies on evaluating both direct artifacts and academic interpretations: Primary Sources: Direct, firsthand evidence from the time period or artist being studied. The Artwork Itself: The physical object (paintings, sculptures, architecture, textiles) revealing material, medium, brushwork, and condition. Historical Artifacts: Letters, artist diaries, sketchbooks, manifests, contract documents, or contemporary reviews written at the time of creation. Secondary Sources: Analyses, interpretations, or reviews created after the event by non-eyewitnesses. Academic Works: Art history textbooks, peer-reviewed journal articles, biography monographs, and museum exhibition catalogs that analyze primary materials. 3. Art in Its Social, Political, and Economic Contexts Art does not exist in a vacuum; it functions as a mirror and driver of its environment: Social Context: Reflects cultural values, religious doctrines, gender roles, and community identity. For example, medieval stained-glass windows served a educational social function for an illiterate public. Political Context: Serves as propaganda, power projection, or resistance. Rulers throughout history commissioned monumental architecture and portraits to assert legitimacy, while modern artists often use art to protest state policies or social injustices. Economic Context: Driven by patronage, trade, and market systems. The rise of a wealthy merchant class in 17th-century Holland shifted art production away from church altarpieces toward portraits, landscapes, and still lifes bought on an open market. History of Art and Sources of Art In Art Appreciation, the study of the History of Art and Sources of Art helps us understand not only how artworks changed through time, but also why they were created and what they tell us about society. 1. Broad Chronological Development of Art History Art developed alongside human civilization. A simplified chronological view is: Prehistoric Art – cave paintings, carvings, and sculptures created to express beliefs, experiences, and daily life. Ancient Art – Egyptian, Greek, Roman, and other civilizations produced art connected with religion, rulers, mythology, and society. Medieval Art – art was strongly influenced by Christianity and religious institutions. Renaissance Art – renewed interest in classical ideas, humanism, science, and realistic representation. Baroque and Rococo Art – emphasized drama, emotion, movement, decoration, and religious or royal power. Modern Art – artists experimented with new styles, ideas, materials, and ways of representing reality. Contemporary Art – reflects current social issues, technology, culture, identity, politics, and everyday experiences. 2. Primary and Secondary Sources in Art History Primary sources are original materials or direct evidence from the period being studied. Examples include: Original paintings, sculptures, buildings, and photographs Artists' letters, journals, and sketches Historical documents and inscriptions Objects and artifacts Secondary sources are materials created later that analyze, interpret, or discuss primary sources. Examples include: Art history books Scholarly articles Museum catalogs Biographies and documentaries Critical studies of artists and artworks Simple distinction: Primary = direct/original evidence Secondary = interpretation or analysis of evidence 3. Art and Its Social, Political, and Economic Contexts Art does not exist separately from society. The social, political, and economic conditions of a particular period can influence what artists create, what subjects they choose, and how their works are received. Social context – Art can reflect traditions, beliefs, customs, identity, and everyday life. Political context – Art may represent rulers, national identity, political events, or social concerns. Economic context – Wealth, trade, patronage, and access to materials can influence the production and development of art. Key Idea: Art is both a product of its time and a record of human experience. By studying an artwork's history, sources, and context, we can better understand the artwork, the artist, and the society that produced it. WEEK 4 1. The Creative Process in Art The creative process maps the journey from an abstract concept to a finished artwork or craft: Idea / Conceptualization: Sparked by observation, emotion, social issues, or personal experience. The artist or artisan brainstorms, sketches, and researches to refine the core vision. Preparation & Materials Selection: The creator plans the composition and gathers the physical media, tools, and technical equipment required for the project. Execution & Production: The physical transformation phase where skill meets medium. This involves drafting, sculpting, weaving, or painting, often marked by trial, error, and dynamic problem-solving. Refinement & Completion: Final adjustments, detailing, surface finishing, or polishing to ensure the work matches the intended aesthetic and functional standards. Exhibition & Reflection: Presenting the finished product to an audience, allowing viewer feedback, critique, and personal reflection to complete the artistic cycle. 2. Art Mediums, Techniques, and Materials Medium: The primary substance or material used to create an artwork (e.g., oil paint, clay, bronze, digital pixels, watercolor, wood). Technique: The specific manner, method, or technical skill an artist applies to manipulate the medium (e.g., chiaroscuro in painting, coiling in pottery, carving vs. casting in sculpture, cross-hatching in drawing). Materials & Tools: The physical instruments used alongside the medium, such as brushes, chisels, kilns, canvases, palettes, or digital tablets. Artist vs. Artisan: An artist primarily focuses on creating works for aesthetic, emotional, or conceptual expression (fine arts), whereas an artisan is a skilled craftsperson who creates functional or decorative objects (e.g., pottery, woodworking, textiles) using master-level traditional craftsmanship. 3. The Role of the Curator The curator acts as the storyteller, bridge, and custodian between the artwork, the artist, and the public: Selection & Acquisition: Researching, selecting, and collecting artworks or artifacts that align with an exhibition theme or institutional mission. Spatial Design & Presentation: Strategically arranging works in a gallery—considering lighting, sightlines, color schemes, and sequencing—to guide the visitor's physical and emotional experience. Interpretation & Contextualization: Writing wall texts, catalogs, and educational guides that provide historical, cultural, or philosophical context, shaping how the public understands and values the art. Preservation & Stewardship: Ensuring optimal environmental conditions (humidity, lighting, handling) to preserve artworks for future generations. Art and Artisan: Process, Medium, Technique, and Curation In Art Appreciation, understanding how art is made and presented helps us appreciate not only the finished artwork but also the artist's creativity, skills, choices, and purpose. 1. Creative Process in Making Art The creative process refers to the steps an artist goes through in developing an artwork. It may include: Idea or Inspiration – identifying a subject, message, or concept. Planning – deciding the composition, materials, colors, and techniques. Creation – transforming the idea into an actual artwork. Revision – making adjustments or improvements. Finalization – completing and preparing the artwork for presentation. The process may differ from one artist to another. Creativity can involve experimentation, imagination, problem-solving, and personal expression. 2. Art Mediums, Techniques, and Materials Medium refers to the material or form used to create an artwork. Examples include: Medium Examples Painting Oil, acrylic, watercolor Drawing Pencil, charcoal, ink Sculpture Clay, wood, stone, metal Printmaking Woodcut, engraving, lithography Photography Digital or film photography Digital Art Computer-generated images and digital illustrations Technique refers to the method or way an artist uses a medium. For example, a painter may use blending, layering, or brushwork, while a sculptor may use carving, modeling, or casting. The choice of medium, material, and technique affects the appearance, texture, meaning, and overall effect of an artwork. 3. Role of the Curator A curator is a professional who selects, organizes, researches, and presents artworks in a museum, gallery, or exhibition. The curator helps shape how audiences experience and understand art by: Selecting artworks for an exhibition Organizing artworks according to a theme or concept Providing labels, descriptions, and historical information Designing the arrangement and flow of the exhibition Connecting artworks to their cultural and historical contexts Therefore, curation influences how viewers see, interpret, and appreciate artworks. Key Idea Art is more than the finished product. It involves the artist's creative process, the choice of medium and technique, and the curation and presentation of the artwork. Understanding these elements allows us to appreciate both the skill of the artisan and the meaning of the art.
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Updated 29d ago
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The Umayyad Mosque 1
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Updated 45d ago
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Outline of Content for Test #1 – (AP Unit #1/#2) – Time Period (1200-1450) The Islamic and Chinese Empires AP World History / Mr. Blankenship Contextualization for Lecture #1 The Origins of Islamic Thought: This lecture will introduce the third time period in the AP curriculum (the post-classical period: 1200-1450). Let us remember where we left off - in the classical societies of (Han China, Western Roman Empire, and Gupta India), there was internal decay that was exposed by "barbarian" invasions and finally - "COLLAPSE". What were the "responses" and "reactions" by those societies to this chaos? What were the thoughts of those peoples around the year c.600? What would the future bring? From Arabia emerged Islam and spread quickly throughout the Afro-Eurasian regions. The implications of the interregional trade and cultural diffusion that would develop are immense. When looking at the AP curriculum with regard to post-classical trade, it seems that there is a tremendous focus on trade networks and the "impact" that they had with regard to (political, social, economic, cultural, and environmental issues). Islam and the spread of it would have a monumental role in the changes during the post-classical period. The lecture will examine the Arabian region "before" the emergence of Islam. We will look at Bedouin society, the role of Mecca, and trade routes that connected the Arabian Peninsula to the Indian Ocean trade network. We will look at the life of Muhammad, the message of Islam, its relationship to Judaism, Christianity, and Zoroastrianism, the tenets of Islam, and the split within the early Islamic community. This lecture will explore the "spread" of Islam. Key concepts to consider are the following: What impact did Islam have on the Bedouin tribes throughout the Arabian Peninsula? What allowed Islam to spread so quickly? What was the (impact/response) by the Byzantine and the Sasanian (Persian) Empires? Attention MUST be given to where Islam was by the year 711. What can account for such speed to which Islam spread? Eventually the concept of "Empire" would emerge and therefore we must address the make-up of the Umayyad Caliphate, which ruled from 661-750. Questions to consider will be: how did the Umayyad rule, how were the religious and ethnic minorities treated (Jews / Christians)? Something to consider will be the (Change-Over-Time) with regards to the relationships between: (Jews, Christians, and Muslims) in the Mediterranean region from the emergence of Islam in the 7th century to the era of the Crusades beginning in the 11th century, as well as the relationships between the three groups in Iberia and had it changed throughout the Middle Ages. (These are topics that will be discussed in great detail when we reach Europe in the Medieval period). AP Standards (Topic 1.2) THEMATIC FOCUS: (CUL) The development of ideas, beliefs, and religions illustrates how groups in society view themselves, and the interactions of societies and their beliefs often have political, social, and cultural implications KC-3.1.III.D.iii Islam, Judaism, Christianity, and the core beliefs and practices of these religions continued to shape societies in Africa and Asia. Learning Objective: Explain how systems of belief and their practices affected society in the period from c. 1200 to c. 1450. Key (Terms/Vocabulary/ People) in this lecture Prophet Mohammad Ka’ba Seal of the Prophets Koran 5 Pillars of Islam Mecca / Medina Hajj Resources to Help You Google Classroom 1.Mr. B’s Recorded Lecture 2. Mr. B’s Lecture Notes 3. Mr. B’s PowerPoint AP Classroom 1.2 Progress Check / Daily Lecture Youtube Heimler 1.2 Textbook: Strayer: pp. 33-38 Architecture That You Should Be Aware Of Ka’ba Contextualization for Lecture #2 Islamic Empire Building: This lecture will explore one of the most stunning developments in world history. The rise of the Islamic civilization witnessed the emergence of a movement that originated from the backwaters of the Arabian Peninsula in the 7th century to one of the greatest empires that the world has ever seen. This movement built upon earlier religious traditions such as Judaism, Christianity, and Zoroastrianism, and the Islamic commitment to trade and merchant activity was crucial in setting up wider connections among Africa, Asia, and Europe. This lecture will explore the transition from an "Arab" movement to a truly "Islamic" civilization and how it bridged the traditions and accomplishments of earlier classical societies (Greek, Roman, Indian, Persian, and Mesopotamian) together. We will explore the construction of the Abbasid Caliphate and the make-up of that empire. We will explore the changes with regard to: (the converts to Islam, the role of the family and women in Abbasid society, and the role of slaves in this society). MUCH detail will be given to the trade apparatus that emerged during this time period!!!!! Trade / Trade / Trade!!!!! We will explore the: cultural advancements, technological inventions and developments in math and science – this is a big AP Theme – because the Arabs will come to conquer – in just a few decades – lands on 3 continents of Asia, Africa, and Europe. One of the themes that we will discuss is that even though at times the Arabs came as conquerors – they knew to preserve the knowledge of the societies that they came into contact with or conquered and brought back the scientific knowledge to their capital city of Baghdad and placed it into their House of Wisdom. And if you went to the House of Wisdom, from there – other Muslims – would come to add to that knowledge and then transmit it to other cultures – such as Europeans during the Crusades – which in turn would help spur the Renaissance Movement – so very important stuff. The AP guys love this story and will most likely ask you about it – and the key phrase that they will use is: cross-cultural interactions and exchanges – which basically means that guy gave it to that guy and then he gave it to another guy who then gave it to that guy. Another major theme with the Abbasids was the impact of Turkish peoples from Central Asia. You better love the Turks because they are all over the AP curriculum – they have had a HUGE impact in world history. The Arabs would use Turkish men – as slave warriors and Turkish women that would end up in the Harems of the Caliph and upper nobility of the Caliphate as sex slaves and concubines. Eventually, it will be the movement of Turkish peoples like the Seljuk Turks that would come to weaken the Abbasids, and then they will eventually collapse…. wait for it….my Mongols in 1258! It created a HUGE power vacuum (I will explain what this means) – and what will happen to Muslims in the Middle East since there had been a Caliphate for over 500 years. If you look at the College Board’s Topic 1.2, which I have below, they say that you should know what happens when the Abbasid Caliphate (Fragmentated) – so that is most likely the word they are going to use. But we will address this at a later time in the school year. Another development by the Seljuk Turks – that we will cover in the next unit when I cover Europe during the Middle Ages – is that the Seljuk Turks would take over the holy city of Jerusalem, and the policy of allowing Jewish and Christian pilgrims to come and worship in their holy city changed under the Turks. So, this would ignite the Holy Crusades – so kind of important. AP Standards (Topic 1.2) THEMATIC FOCUS: (GOV) A variety of internal and external factors contribute to state formation, expansion, and decline. Governments maintain order through a variety of administrative institutions, policies, and procedures, and governments obtain, retain, and exercise power in different ways and for different purposes. THEMATIC FOCUS: Technology and Innovation. Human adaptation and innovation have resulted in increased efficiency, comfort, and security, and technological advances have shaped human development and interactions with both intended and unintended consequences. Historical Development: KC-3.2.As the Abbasid Caliphate fragmented, new Islamic political entities emerged, most of which were dominated by Turkic peoples. These states demonstrated continuity, innovation, and diversity. (Seljuk Empire & Mamluk Sultanate of Egypt) Historical Development: KC-3.1.III.A: Muslim rule continued to expand to many parts of Afro-Eurasia due to military expansion, and Islam subsequently expanded through the activities of merchants, missionaries, and Sufis. KC-3.2.II.A.i Muslim states and empires encouraged significant intellectual innovations and transfers. Students will be able to: Explain the causes and effects of the rise of Islamic states over time. Students will be able to: Explain the effects of intellectual innovation in Dar al-Islam. Innovations: Advances in mathematics (Nasir al-Din al-Tusi) § Advances in literature ('A'ishah al-Ba'uniyyah) § Advances in medicine Transfers: § Preservation and commentaries on Greek moral and natural philosophy § House of Wisdom in Abbasid Baghdad § Scholarly and cultural transfers in Muslim and Christian Spain Key (Terms/Vocabulary) in this Story Abbasid Caliphate Dar-al-Islam Seljuk Turkish Empire Mamluk Egyptian Empire Nasir al-Din al-Tusi 'A'ishah al-Ba'uniyyah Sharia Law Caravanserais Al-Andalus (Spain) (But cover this more when we cover Medieval Europe. The Harem Resources to Help You ECLASS 1.Mr. B’s Recorded Lecture 2. Mr. B’s Lecture Notes 3.Mr. B’s PowerPoint AP Classroom 1.2 Progress Check / Daily Lecture Youtube Heimler 1.2 Textbook: Strayer: pp. 63- 65 (NO OTTOMAN EMPIRE) AND pp. 129-133 Architecture / Images That You Should Be Aware Of House of Wisdom Mosque of Cordoba Map of Islamic Trading Network throughout Afro-Eurasia A Caravanserai Contextualization for Lecture #4 The Movement of Islam into South and Southeast Asia: This lecture will explore the spread of Islam into South and Southeast Asia. We will need to compare the religious elements of Islam and Hinduism and the problems that arise in the 8th century when Islam enters India. This will become a MAJOR theme in India - which has implications throughout Indian history – since it always seemed like a small minority of Muslims would create empires that controlled a majority population of Hindus. So, we have to see how those Islamic empires ruled and treated the other religious and ethnic groups in India. And of course, this will play out in the 20th century with the partition of India and Pakistan – so this is a very important topic. We will need to examine the (relationships, encounters, diffusion and contacts) between Hindus, Muslims and Buddhists in South Asia. What impact did Indian (culture/society/civilization) have on the Islamic Abbasid Empire? This would obviously be all the intellectual/scientific/and medical knowledge that was contained in the House of Wisdom in the capital city of the Abbasid Empire – Baghdad. The College Board will want you to later be able to explain how the Abbasids (did NOT destroy to knowledge of conquered civilizations / how they brought that knowledge back to the Middle East – how during the Great Translation that all those important scientific works from: Indian, Persian and Greek societies were translated into Arabic / that later Arabs began to expand upon this knowledge and then more importantly was “transmitted” to other cultures – like Medieval Europe. Make sure to use phrases like – cross-cultural interregional interactions and transfers – they would love that description. What were the roles that (merchants / Sufi mystics) played in the spread of Islam into South and eventually Southeast Asia? We will discuss how Indian cultural institutions like Hindu and Buddhist philosophy and forms of architecture would come to influence regions of Southeast Asia. We will pay particular attention to the civilization in Cambodia called the Khmer Civilization, also known as Angkor, and, of course, the largest religious building – in terms of square footage – Angkor Wat. Recent archaeological evidence has suggested that this city had a population of over 1 million – that is BIG MONEY! Initially a temple dedicated to the Hindu god Vishnu, but then – over time – changed into a Buddhist civilization, and how Buddhist architecture was culturally diffused with the original Hindu culture. We will then conclude with the arrival of Islam into Southeast Asia – and how Islamic merchants and Sufi mystics played a vital role in the transmission of Islam into Southeast Asia – especially on the island chain of Indonesia. But before Islam – we are going to cover the trading empire called Srivijaya and Malacca – when you see where these empires were located you will see that in order to get from East Asia – through the South China sea and go over to the Indian Ocean – you have to pass through those 2 empires – and they control the trade that goes back and forth – meaning – they became rich because they taxed the merchant ships. AP Standards (Topic 1.3) THEMATIC FOCUS: Cultural Developments and Interactions: The development of ideas, beliefs, and religions illustrates how groups in society view themselves, and the interactions of societies and their beliefs often have political, social, and cultural implications. THEMATIC FOCUS: (GOV): A variety of internal and external factors contribute to state formation, expansion, and decline. Governments maintain order through a variety of administrative institutions, policies, and procedures, and governments obtain, retain, and exercise power in different ways and for different purposes. KC-3.2.I.B.I: State formation and development demonstrated continuity, innovation, and diversity, including the new Hindu and Buddhist states that emerged in South and Southeast Asia. KC-3.1.III.D.IV: Hinduism, Islam, and Buddhism, and their core beliefs and practices, continued to shape societies in South and Southeast Asia. Students will be able to: Explain how the various belief systems and practices of South and Southeast Asia affected society over time. Students will be able to: Explain how and why various states of South and Southeast Asia developed and maintained power over time. Key (Terms/Vocabulary) in this Story Monsoon winds Indian Dhow Popular Hinduism Sufi Mystics Bhakti Movement Vijayanagara Empire Srivijaya Empire Khmer Empire Buddhist monasticism Resources to Help You Google Classroom 1.Mr.B’s Recorded Lecture 2.Mr.B’s Lecture Notes 3.Mr.B’s PowerPoint AP Classroom 1.3 Progress Check / Daily Lecture Youtube Heimler 1.3 Textbook: Strayer: pp. 66-67 & pp. 114-120 Architecture / Images That You Should Be Aware Of Angkor Wat Borobudur Indian Ocean Trading Patterns Dhow Contextualization for Lecture #5 African Empire Building: In this lecture, we will explore the reason why Islam moved into North Africa and eventually into Southern Spain and into the western part of Sub-Saharan Africa. Attention will be given to the changes in technological advancements such as the saddle and stirrup for the camel – which allowed merchants to travel into the Saharan deserts. We will need to examine the (relationships, encounters, diffusion and contacts) between the Bantu culture of West Africans and the Islamic culture that came from North Africa. What impact did Islam have on the (culture/society/civilization) of the West African Sudanic Empires? Particular attention will be given to the empire of Mali and how it came to prominence in West Africa because of the Gold/Salt trade that it controlled. We will also cover the importance of one of the most important leaders in world history – Mansa Musa – who, a few years ago, was labeled as the world’s richest man in history with a wealth between $400-$500 billion dollars – that’s a lot of cash!!!! He also – as a Muslim leader – went on Hajj to Mecca and was very inspired and touched by the experience and set to go back home to Mali and make it an Islamic cultural hub outside of the Middle East. Also, the College Board loves to introduce the North African world traveler – Ibn Battuta – who traveled over 70,000 miles – mostly in the Islamic world in Afro-Eurasia and wrote a commentary about his travels when he returned home. It is because of his eyewitness accounts that we have information about how Islamic societies around the world were similar and different. We will have to focus on the mass movement of trade goods, ideas, architectural designs, and peoples to and from West Africa. The 2nd half of the lecture will turn to East Africa – also known as the Swahili Coast. Unlike the development of highly centralized empires in West Africa, city-states would come to dominate the economic hub of East Africa. We will discuss the role and impact that the Swahili City-States played in the greater Indian Ocean Basin trading network. This will include trade goods that came as far as West Africa: Gold, salt, and ivory, and how they traveled along Africa to the East African coast. Which was then traded to Arab/Persian and Indian Merchants – that not only brought goods from their homelands but even items such as porcelain from as far as East Asia – porcelain from China. Some of the technological developments of the Indian Ocean Basin which allowed merchants to travel around the Indian Ocean were the Dhow Ship with the Lateen (Triangular Sail), the compass and rudder that came from China, and the knowledge of the Monsoon winds which allowed merchants to travel more efficiently. One of the developments that came out of this is the emergence of diaspora communities – that is a BIG AP term that you better know and use in essays. Basically, it’s where you see a large population in an area of people that are not originally from there and how they culturally able to impact that area. Let me give you an example – if you went to Miami in the 1950’s – it was mostly an Anglo-American culture – but then developments like the rise of Communism in Cuba with the rise to power of Fidel Castro – thousands of Cubans went to that city. That is how my mom got there, and if you go now…it is a Latino city…completely changed…so it would be safe to say that there is a large diasporic community in South Florida. So, the College Board will want you to know what happened when Arab and Persian merchants came to East Africa to trade? Because of the Monsoon winds…they sometimes had to spend several months there…well…over time…you can imagine that some of them decided to stay. Maybe they fell in love and married a local woman, and they had a family. So, what was the level of cultural diffusion or syncretism that occurred? I give you one example – the emergence of a new language – the infusion of Arabic and Bantu languages of East Africa combined to produce a whole new language…even culture. AP Standards (Topic 1.5) THEMATIC FOCUS Governance: A variety of internal and external factors contribute to state formation, expansion, and decline. Governments maintain order through a variety of administrative institutions, policies, and procedures, and governments obtain, retain, and exercise power in different ways and for different purposes. KC-3.2.I.D.ii: In Africa, as in Eurasia and the Americas, state systems demonstrated continuity, innovation, and diversity and expanded in scope and reach. Students will be able to: Explain how and why states in Africa developed and changed over time. THEMATIC FOCUS Technology and Innovation: Human adaptation and innovation have resulted in increased efficiency, comfort, and security, and technological advances have shaped human development and interactions with both intended and unintended consequences. KC-3.1.II.A.ii: The growth of interregional trade was encouraged by innovations in existing transportation technologies. KC-3.1.I.A.iv: Improved transportation technologies and commercial practices led to an increased volume of trade and expanded the geographical range of existing trade routes, including the trans-Saharan trade network. Students will be able to: Explain the causes and effects of the growth of trans-Saharan trade. KC-3.1.I.E.ii: The expansion of empires—including Mali in West Africa–facilitated Afro-Eurasian trade and communication as new people were drawn into the economies and trade networks. Key (Terms/Vocabulary/ People) in this lecture Gold-Salt trade route Kingdom of Mali Mansa-Musa Timbuktu Swahili Coast Camel Saddle Caravans Great Zimbabwe Griot Sundiata Epic Ibn Battuta Monsoon Winds Lateen Sails Resources to Help You Google Classroom 1.Mr. B’s Recorded Lecture 2. Mr. B’s Lecture Notes 3.Mr.B’s Powerpoint AP Classroom 1. 1.5 Progress Check / Daily Lecture Youtube Heimler 1.5 Textbook: Strayer: pp. 33-38 Architecture / Images That You Should Be Aware Of Mansa Musa Great Zimbabwe St. George Church in Ethiopia Mosque in Jenne Mosque in Timbuktu Contextualization for Lecture #6 Chinese Empire Building under the Song: The last time we talked about classical societies, we studied the developments in late classical societies and the uncertainty in which many in those societies had for the near future. We then examined the role that a new movement from Arabia (Islam) had in creating a trading network that connected cultures from West Africa, the Middle East, and the Indian Ocean basin. We now turn to East Asia and the proud “Middle Kingdom” of China. Since we now begin our class in 1200, many of the Chinese political, economic, and social institutions have already formed. But just to give you a little “contextualization” of what happened in China before 1200. From the time of the fall of the Han in 220 CE to the late 6th century, several groups noble families and military warlords) vied for the treasured “Mandate” in order to justify and validate their claim to the imperial throne. Over time, it appeared that China would go the way of the Western Roman Empire (sorry, my Latin students), which never returned in the “true” sense of the Roman Empire. During those three centuries of “chaos,” individuals in China became “disillusioned” with the establishment and the Confucian scholar elites for their inability to bring “order” to society! Many would gravitate towards the mysticism of Taoism and a salvation religion from the Silk Road (Buddhism). What would become of China? Fortunately, the traditions and infrastructure that were created during the Qin and Han dynasties were strong enough to survive three centuries of uncertainty and warfare. We will now explore the developments that led to the reemergence of “empire” in China under the Sui in 589 and the accomplishments of that dynasty that put China back on the track towards political stability and economic success. Specific details will be given to the revamping of frontier defense, the unification and codification of law, and the state-sponsored commercial infrastructures such as the creation of the Grand Canal. The Tang dynasty would follow (618-907), and it would be under that political establishment that China witnessed a resurgence of military strength as well as (cultural, economic, and technological) advancements. Special attention must be given to the meritocracy that develops within China's government apparatus, the attention given to the peasants' plea for land reform and hence the establishment of the equal field system. We will also examine the Tang's foreign policy as China begins to "flex" its muscles and expands or "attempts" to (control/influence): Korea, Vietnam, and Japan. Our final detail to explore will be society under the Tang with regards to family and religion. An interesting development will be that of the relationship between the Confucian scholars and the growing popularity of Buddhism. We will see what the response is and the overall impact on both. With the collapse of the Tang dynasty in 907 came another period of nomadic dominance (remember the An Lushan rebellion and the arrival of Uighurs), political division, social strife, and "disillusionment" amongst the populace. However, this was only for a brief period in Chinese history, for the "Middle Kingdom" would be brought back under the Song. Something to take into consideration is the fact that one of the essays that you will write is a CCOT (Change and Continuity Over Time) - the reason why I mention this is the fact that we have covered a few dynasties in Chinese history and yet many of the institutions that we see being installed are those that have been practiced since the Han (Continuity). Anyways, we will see that the Song was not really known for their military prowess, and therefore we see a much smaller China than during the Tang. However, China under the Song became an economic POWERHOUSE! There was tremendous growth and development in China's economy, with a significant expansion in domestic and international, particularly maritime, trade, and with important technological innovations that enhanced production in both agriculture and industry. The great ceramic center at Jingdezhen became one of the first true industrial cities in history, with massive production lines and warehouses (we always hear about the industrial output of Western Europe during the 18th century, but it looks like the Chinese are doing a pretty good job of that a few centuries "before" the Europeans).A merchant class began to expand and compete for social status with the more traditional literati elite (the Confucian guys), and with those traditional aristocratic families whose wealth was based on agricultural wealth. Consumer goods proliferated as networks of specialized production and long-distance trade created a more truly national market. Additionally, we will address the changes within the Confucian ideology. Remember that in our first lecture we saw the "backlash" against the Buddhist establishment in China spearheaded by the Confucian elites within the upper echelon of the Chinese political establishment. In an attempt to "compete" with themes and practices within the Buddhist and Taoist ideologies, Confucianism underwent some changes as well. Now introducing.... NEO-Confucianism! We will explore the new tenets of this movement (Change) but also make sure to highlight the elements that remained the same (Continuity); more importantly, the impact on the social structure of China with regards to family, women, and patriarchy. In the next lecture we will examine the impact that China had on its neighbors....the next time we examine China....they will have a visitor at their door....THE MONGOLS!!!!!!!!!!!! AP Standards (Topic 1.1) THEMATIC FOCUS: (GOV): A variety of internal and external factors contribute to state formation, expansion, and decline. Governments maintain order through a variety of administrative institutions, policies, and procedures, and governments obtain, retain, and exercise power in different ways and for different purposes. Historical Developments: Empires and states in Afro-Eurasia and the Americas demonstrated continuity, innovation, and diversity in the 13th century. This included the Song Dynasty of China, which utilized traditional methods of Confucianism and an imperial bureaucracy to maintain and justify its rule. THEMATIC FOCUS (ECO): As societies develop, they affect and are affected by the ways that they produce, exchange, and consume goods and services. Historical Developments: The economy of Song China became increasingly commercialized while continuing to depend on free peasant and artisanal labor. THEMATIC FOCUS (CUL): The development of ideas, beliefs, and religions illustrates how groups in society view themselves, and the interactions of societies and their beliefs often have political, social, and cultural implications. Historical Developments: Chinese cultural traditions continued, and they influenced neighboring regions. Historical Developments: Buddhism and its core beliefs continued to shape societies in Asia and included a variety of branches, schools, and practices. Key (Terms/Vocabulary/ People) in this lecture Foot Binding Filial Piety Gunpowder Printing Press Compass Neo-Confucianism Chan Buddhism Mahayana Buddhism Champa Rice Steel and Iron Porcelain Silk Production Paper Money Resources to Help You ECLASS 1.Mr. B’s Recorded Lecture 2. Mr. B’s Lecture Notes 3.Mr.B’s Powerpoint AP Classroom 1. 1.1 Progress Check / Daily Lecture Youtube Heimler 1.1 Textbook: Strayer: pp. 52-58 Architecture / Images That You Should Be Aware Of Chinese painting Junks Grand Canal Contextualization for Lecture #7: Chinese Influence in Korea / Vietnam / Japan: Today's lecture will explore the arrival of the Chinese in various areas of East and Southeast Asia. The elements and concepts to consider will be the following: First, in what manner did the Chinese arrive in these areas (political invasion, cultural diffusion through religious movements, or economic exchanges through merchant activity)? Second, what was the overall (political, economic, cultural, and social) impact of the Chinese movement into these particular areas? Particular attention should be given to the impact on family and gender relations with the arrival of Confucianism, as this is a theme in the curriculum. The lecture will explore the following truth - that for hundreds of years, China has been the premier civilization of East Asia and surrounding areas. China has been the seedbed of technological innovation; a model for social, military, and political organization, as well as being a persisting influence on philosophical and religious thinking and a major locus of commercial exchange. Therefore, we must consider the sphere of Chinese influence and the various reactions to it. Then we will examine to what extent the level of Chinese cultural influence on Japan. Now, we saw in the last lecture that imperial troops from China actually invaded both Korea and Vietnam, but that was not the case with Japan. In the early half of the 7th century, Japan attempted to emulate China with the Taika reforms of 646. These aimed at completely revamping the imperial administration along Chinese lines. The central objectives of the proposed changes were to remake the Japanese monarch into an absolutist Chinese-style emperor - even to the point of adding "Son of Heaven" to the Japanese ruler's titles. These reforms also were intended to create a genuine professional bureaucracy and peasant conscript army modeled after the Tang army. We will continue to examine the levels of "Sinification" that developed in Japan. Particular attention must be given to cultural developments - such as the reaction to Confucian and Buddhist thought. What would be the reactions/implications for the followers of Shintoism? Other social or cultural elements to examine will be that with regards to the roles of women in Japanese society and the impact of the arrival of the strict patriarchal system of Confucianism. AP Standards (1.1) (CUL) THEMATIC FOCUS Cultural Development and Ideas: The development of ideas, beliefs, and religions illustrates how groups in society view themselves, and the interactions of societies and their beliefs often have political, social, and cultural implications. Historical Developments: Chinese cultural traditions continued, and they influenced neighboring regions. Historical Developments: Buddhism and its core beliefs continued to shape societies in Asia and included a variety of branches, schools, and practices. AP Standards (2.5) (CUL) THEMATIC FOCUS Cultural Development and Ideas: The development of ideas, beliefs, and religions illustrates how groups in society view themselves, and the interactions of societies and their beliefs often have political, social, and cultural implications. Historical Developments: Increased cross-cultural interactions resulted in the diffusion of literary, artistic, and cultural traditions, as well as scientific and technological innovations. Key (Terms/Vocabulary/People) in this lecture Shintoism Zen Buddhism Shogun Daimyo Samurai Resources to Help You ECLASS 1.Mr. B’s Recorded Lecture 2. Mr. B’s Lecture Notes 3.Mr.B’s Powerpoint AP Classroom 1. 1.1 & 2.5 Progress Check / Daily Lecture Youtube Heimler 1.1&2.5 Textbook: Strayer: pp. 58-63 Architecture / Images That You Should Be Aware Of
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