Harlem Renaissance Art

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Flashcards of key vocabulary and figures from lecture notes on African American art during the Harlem Renaissance.

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31 Terms

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The Great Migration

A mass movement of over six million African Americans from the rural South to urban centers in the North and West, occurring in waves between World War I and the 1970s.

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Red Summer (1919)

A period of intense racial violence in the summer and fall of 1919, during which white mobs attacked Black communities in over 25 U.S. cities.

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The New Negro

A concept developed by Alain Locke in his anthology The New Negro (1925), which referred to a reimagined Black identity marked by pride, intellect, and cultural independence.

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Pan-Africanism

A global movement advocating for the solidarity of all people of African descent, emphasizing shared heritage, anti-colonial resistance, and collective progress.

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Patronage

Financial and logistical support given to artists through organizations, individuals, or the government, allowing them to produce and exhibit work.

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The Great Depression

A worldwide economic crisis that began with the 1929 stock market crash and led to massive unemployment, poverty, and social upheaval.

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The New Deal

A series of programs introduced by President Franklin D. Roosevelt to combat the effects of the Great Depression. Included the WPA Federal Art Project, which supported artists with public commissions.

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NAACP

Founded in 1909, the NAACP is the oldest civil rights organization in the U.S., dedicated to political, educational, and social equality for African Americans.

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UNIA

Founded in 1914 by Marcus Garvey, the UNIA was a mass Black nationalist organization promoting economic independence and global Pan-African unity.

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National Urban League

Founded in 1910, the League focused on the economic and social advancement of African Americans, especially in urban centers.

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The Harmon Foundation

A white-led philanthropic organization founded in 1922 to promote the work of Black professionals, particularly artists and educators.

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The Barnes Foundation

An educational art institution founded in 1922 by Dr. Albert C. Barnes in Pennsylvania, known for its influential collection and emphasis on formal analysis.

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Harlem Artists Guild

Formed in 1935 by artists including Charles Alston, Augusta Savage, and Norman Lewis, the Guild was a collective advocating for racial equity in the arts.

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Works Progress Administration (WPA)

A New Deal federal program (1935–1943) providing employment for millions of Americans during the Great Depression, including artists, through the Federal Art Project.

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The Crisis

The official magazine of the NAACP, founded in 1910 and edited for decades by W.E.B. Du Bois.

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Opportunity

A journal published by the National Urban League that focused on social science but also included art, literature, and cultural commentary.

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Fire!!

A radical arts journal launched in 1926 by a younger generation of Harlem Renaissance artists, including Langston Hughes, Zora Neale Hurston, and Aaron Douglas.

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Alain Locke

Philosopher, educator, and editor; often referred to as the “Father of the Harlem Renaissance.”

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W.E.B. Du Bois

Sociologist, historian, and co-founder of the NAACP.

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James Weldon Johnson

Writer, diplomat, and civil rights activist.

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Harlem Hellfighters

A predominantly Black U.S. Army unit in World War I, originally part of the New York National Guard.

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James A. Porter

Art historian, artist, and educator; author of Modern Negro Art (1943).

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George Schuyler

Journalist, satirist, and cultural critic.

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Langston Hughes

Poet, playwright, novelist, and one of the central figures of the Harlem Renaissance.

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African Heritage & Design

Aesthetic influence drawn from African art traditions, including motifs, textiles, masks, sculpture, and symbolic forms rooted in ancestral cultures across the African continent.

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Naive Art (or Folk Art)

Art created by self-taught artists without formal academic training, often characterized by simplified figures, flat perspectives, and narrative content.

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Urban Realism

A style that depicts life in cities with attention to working-class environments, social dynamics, and often racial or economic inequality.

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Jazz & The Blues

While musical genres, Jazz and Blues also inspired visual art through their rhythms, improvisation, emotional range, and cultural symbolism.

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Impressionism

A 19th-century European art movement known for its use of light, color, and loose brushwork to capture fleeting moments and atmospheric effects.

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Cubism

A modernist movement (originated by Picasso and Braque) that deconstructed objects into geometric shapes and multiple perspectives.

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Abstract Expressionism

A post-WWII movement characterized by gestural brushstrokes, abstraction, and emphasis on the artist’s inner emotional or spiritual state.