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Grand Operas
known as serious works in the mid-nineteenth century, which became generally popular
Charles Hart, The Phantom of the Opera
he said "Floating, falling, sweet intoxication. Touch me, trust me, savor each sensation. Let the dream begin, let your darker side give in to the power of the music of the night.”
Florence
where was the first opera given using a Greek myth as subject
King of France to an Italian princess
it was a grand occasion because it was used as part of the marriage of
Opera
described as an entertainment where “intellect and every noblest sentiment are fascinated at one and the same moment by the most delectable art devised by human genius.”
Aria
forms a very significant part, giving an opportunity for the leading characters to express deep feelings of love, farewell, and the like
Recitative
when the explanations and storytelling parts of the solo are half-spoken or half-sung
Libretto
called “little book” where it is arranged in acts and scenes contained
Opera Score
when the composer sets the music on this libretto
Grand Opera
a long opera with a serious story
Opera Comique
short one with a humorous subject
The Librettist, The Composer, The Conductor, The Orchestra, The Players, The Singers, The Stage Designers, The Managers, The Technicians
people who have a very expensive account on the involvement of opera production
Le Nozze Di Figaro and La Boheme
examples of classic opera
Operetta
a small opera wherein the characters speak between songs
Franz Schubert
the art song began by him whose extraordinary works for voice and piano along with his prodigy song output revolutionized the German lied
Art Song
a living musical language that draws on the contemporary traditions of poetry and song of each country
Lied
often tell a story through melody and chromatic harmony
Robert Schumann, Johannes Brahms, Felix Mendelssohn, Richard Wagner, Hugo Wolf, Richard Strauss, Gustav Mahler, Arnold Schoenberg
famous composers of early Romantic period who greatly contributed to the art song genre