The Aeneid

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I WILL BE DELETING THIS SET AT THE START OF JULY 2025

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70 Terms

1
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Give a quote from Griffin about his opinion on Virgil’s dialogue usage.

Virgil “does not excel at dialogue and never has extended conversations”

2
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Give a quote from Camps about Aeneas free will in the Aeneid and give context.

______ argues that "though Aeneas is commanded by a higher power, he is not compelled" that his will is free, unlike others in the text whose wills are taken control of by higher powers.

3
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What does Camps argue about Turnus’ character?

______ argues that Turnus is a character we are meant to feel sympathy for.

4
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What does Camps argue about Aeneas’ character?

Camps argues that Aeneas is a compassionate hero who feels a full range of emotions.

5
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What does Camps say about Turnus’ and Dido’s characters?

_____ sees the characters of Dido and Turnus as parallels: "Both are victims of the destiny of Rome and Juno's opposition to it."

6
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Give context to Hardie’s belief that the Aeneid is tragic.

_____ argues that the Aeneid is "tragic" (as in like a dramatic tragedy) at deeper levels than previously thought.

7
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What does Hardie suggest about seeing Aeneas character as colourless and give context.

____ suggests that we may see Aeneas' character as "colourless" but this is because he is forced into a mission rather than being driven by personal desire or ambition

8
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What does Williams suggest about the poem being essentially optimistic?

______ suggests that the poem is essentially optimistic and is about human achievement and potential, not just tragedy.

9
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What does Williams argue about Aeneas being a social man

_______ argues that Aeneas is a "social man" who cares for others and does not fight for his own personal glory but to aid others' success. We should not judge him because he is not like Achilles

10
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Give two quotes from Williams about Virgil seeing Rome’s destiny and his relation to it.

___ suggests that Virgil "was moved by the great vision of Rome's destiny, yet he saw some of the unhappy implications”

“he sympathised deeply with private sorrow, yet he still admired the Roman national programme”

11
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What does Poschl suggest about Aeneas encounter with Dido and underworld journey relating to his roman values?

suggests that the encounter with Dido and the journey to the Underworld are a test of Aeneas's pietas

12
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What does Poschl believe about the second half of the poem?

believes the last half of the poem is symbolic of the civil wars and social wars, where Rome's victory is seen as the higher one

13
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What does Poschl argue Aeneas concern is?

argues that Aeneas's concern to protect those near to him from grief and pain never slackens.

14
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What does Poschl believe Juno and Jupiter are symbolic of? - themes

believes that Juno is symbolic of violence and destruction whereas Jupiter is the organising power who restrains those forces.

15
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What does Poschl believe the irl parallel of Juno, Dido and Jupiter?

Jupiter is symbolic of Aeneas and Augustus, Juno of Dido, Turnus and Antony. This is all shown perfectly in the image of strife being locked behind the gates of war.

16
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What does Lyne draw attention to Aeneas in relation to how Vigil portrays him?

draws attention to the fact that Aeneas does not say very much and thus his relationships are neglected by Virgil.

17
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What does Andersen argue Aeneas is portrayed as?

Andersen thinks that Aeneas is portrayed with such understanding that he is a man we could easily recognise today

18
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What does Andersen suggest Virgil shows war in the poem for?

Andersen suggests that Virgil shows war to brutalise men and invites his audience to sympathise with Aeneas's victims.

19
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What does Andersen note about Aeneas lack of personal satisfaction received from his actions?

Andersen argues that Aeneas gets no personal satisfaction apart from the realisation that his actions will benefit others.

20
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What does Andersen suggest Aeneas kills Turnus for?

Andersen suggests that Aeneas kills Turnus because this is his public responsibility.

21
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What does Andersen argue were Virgils expectations for his audience about Dido and Aeneas farewell? give context

Andersen does not think Virgil intended his audience to dislike Aeneas for his actions towards Dido-he has no choice but to follow his duty and Dido is simply a tragic victim of impossible circumstances.

22
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What does Andersen see the death of Dido as?

Andersen sees the death of Dido as a symbol of the defeated victims of Roman destiny.

23
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How does Aeneas embody the ideal roman hero?

Certainly! Let’s explore how Aeneas, the central character in Virgil’s epic poem “The Aeneid,” embodies the Roman hero ideal:

  1. Divine Protection and Destiny:

  2. Trojan Hero and Warrior:

  3. Compassion and Leadership:

    • Aeneas’s heroism extends beyond physical prowess. He shows compassion for the suffering of others.

    • In Book 5, he allows the crippled and unwilling Trojans to stay behind during their journey.

    • In the underworld (Book 6), he observes the plight of the unburied dead, emphasizing the importance of proper burial for both allies and enemies.

  4. Family Values and Piety:

    • Aeneas places great value on family. He carries his elderly father, Anchises, on his back during the escape from Troy.

    • His commitment to obeying fate and seeking the gods’ wishes demonstrates piety and devotion to divine order.

  5. Momentary Struggles and Duty:

    • Aeneas briefly loses track of his destiny during his dalliance with Queen Dido in Carthage.

    • However, he is recalled to duty by Jupiter’s appeal to his obligation as a father to his son, Ascanius.

In summary, Aeneas embodies the Roman hero ideal through his unwavering commitment to destiny, compassion, leadership, and devotion to family and gods. His journey from Troy to Italy shapes the destiny of Rome, making him a central figure in Roman mythology and literature34.

24
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Difference between a roman and homeric hero

Certainly! Let’s explore the differences between a Roman hero and a Homeric hero:

  1. Context and Cultural Background:

    • Homeric Heroes:

      • Homeric heroes appear in ancient Greek epic poetry, particularly in works like Homer’s Iliad and Odyssey.

      • Their stories are deeply rooted in Greek mythology and reflect the values, beliefs, and societal norms of ancient Greece.

    • Roman Heroes:

      • Roman heroes emerge in later works, such as Virgil’s Aeneid.

      • They embody Roman ideals and reflect the changing cultural context of Rome.

  2. Origins and Destiny:

    • Homeric Heroes:

      • Often have divine parentage or connections (e.g., Achilles is the son of Thetis, a sea nymph).

      • Their destinies are shaped by gods and fate.

    • Roman Heroes:

      • Aeneas, the central figure in the Aeneid, is a distinctly Roman hero.

      • His destiny is tied to the founding of Rome, emphasizing the importance of Rome’s future.

  3. Values and Virtues:

    • Homeric Heroes:

      • Honor, glory, and personal reputation are paramount.

      • They seek kleos (fame) through heroic deeds on the battlefield.

      • Respect for fellow warriors and adherence to social norms are crucial.

    • Roman Heroes:

      • Duty, piety, and loyalty to family and state are emphasized.

      • Aeneas’s commitment to his mission (establishing Rome) drives his actions.

      • Roman heroes uphold specific Roman values, which differ from Greek ideals.

  4. Emotional Complexity:

    • Homeric Heroes:

      • Often driven by intense emotions (e.g., Achilles’ wrath, Odysseus’ longing for home).

      • Their flaws and inner struggles are central to their narratives.

    • Roman Heroes:

      • Aeneas remains more stoic and duty-bound.

      • His emotional turmoil is subdued in favor of fulfilling his mission.

  5. Legacy and Social Responsibility:

    • Homeric Heroes:

      • Their status depends on communal honor and their place in society.

      • Losing personal honor is devastating (e.g., Achilles’ loss of Briseis).

    • Roman Heroes:

      • Social responsibility is essential for maintaining status.

      • Aeneas’s heroism extends beyond personal glory; it serves Rome’s destiny.

In summary, while both types of heroes exhibit courage and valor, their cultural contexts, values, and emotional landscapes distinguish them. Homeric heroes thrive in the tumultuous world of Greek mythology, while Roman heroes like Aeneas uphold Rome’s destiny and societal ideals12345.

25
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Give a quote from Martin about what Hector and Aeneas are as heroes.

“Hector and Aeneas are examples of what we may call heroes of pietas – heroes subject to duties”

26
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Give a quote from Martin about Aeneas purpose.

“Aeneas' purpose and quest are specifically Roman, and he is set apart only by his excellence and semi-divinity.”

27
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How is family portrayed in the Aeneid?

In Virgil’s epic poem, “The Aeneid,” family plays a central role, reflecting the cultural values and norms of ancient Rome. Here are some key aspects of family portrayal in the poem:

  1. Father-Son Relationship:

    • The father-son bond is paramount in “The Aeneid.” It holds more significance than any other family relationship.

    • The story features several father-son pairs: Anchises-Aeneas, Aeneas-Ascanius, Mezentius-Lausus, and even Aeneas-Pallas (a surrogate father-son relationship).

    • In the conservative, male-dominated society depicted in the poem, being dutiful to one’s father is seen as an act of piety. By honoring their fathers, characters preserve the past and ensure its continuity into the future.

  2. Role of Women:

    • The portrayal of women in families is multifaceted. While some female characters, like Dido, have prominent roles, others receive skimpy portrayals.

    • Marriage is depicted as more about politics than love. Alliances and political considerations often drive marital decisions.

  3. Sibling Relationships:

    • Two characters, Dido and Turnus, have prominent sisters (Anna and Juturna).

    • Comparing these sibling relationships reveals different dynamics and complexities within families.

In summary, “The Aeneid” portrays family relationships as influenced by both nature and customs, emphasizing duty, lineage, and the preservation of tradition. Marriage, too, is intertwined with political considerations. 📜🔍

For more insights, you can explore the theme of family in Virgil’s epic1

28
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How is friendship portrayed in the Aeneid?

In Virgil’s epic poem, “The Aeneid,” friendship is a recurring theme, and its portrayal reflects the complexities of human relationships. Let’s explore how friendship is depicted:

  1. Aeneas and Achates:

    • Achates, Aeneas’s loyal companion, exemplifies unwavering friendship. He stands by Aeneas during their journey from Troy to Italy.

    • Their bond is marked by mutual trust, shared hardships, and a commitment to their mission. Achates’s unwavering support symbolizes the strength of true friendship.

  2. Nisus and Euryalus:

    • Among the most poignant examples, Nisus and Euryalus are inseparable friends.

    • Their deep affection for each other leads them to undertake a daring mission behind enemy lines during the war in Italy.

    • Tragically, they meet their end together, emphasizing the sacrificial nature of true friendship.

  3. Pietas and Friendship:

    • The concept of pietas (duty, loyalty, and devotion) is closely tied to friendship in the Aeneid.

    • Aeneas’s sense of duty toward his family, gods, and destiny often conflicts with his personal feelings and friendships.

    • His choices reveal the tension between fulfilling obligations and maintaining close relationships.

  4. Betrayal and Rivalry:

    • Not all friendships are positive. Turnus, Aeneas’s rival, feels betrayed by his friend Mezentius.

    • Mezentius switches sides, aligning with Aeneas, which leads to Turnus’s resentment and fuels the conflict.

  5. Friendship and Fate:

    • The Aeneid underscores how friendships can shape destiny. Aeneas’s interactions with others influence his path.

    • Whether it’s the guidance of Anchises, the loyalty of Achates, or the tragic fate of Nisus and Euryalus, friendships impact the hero’s journey.

  6. Complexities and Choices:

    • Virgil portrays friendship as multifaceted—sometimes supportive, sometimes challenging.

    • Characters must navigate conflicting loyalties, personal desires, and societal expectations.

In summary, the Aeneid portrays friendship as a force that shapes destinies, tests loyalties, and reveals the human condition. Whether through sacrifice, betrayal, or unwavering support, friendships play a crucial role in the epic narrative. 📜🤝

For further exploration, consider analyzing specific interactions and character dynamics related to friendship in Virgil’s masterpiece123.

29
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What were women's position in society in the Aenied?

In Virgil’s epic poem, “The Aeneid,” the portrayal of women reflects the cultural norms and values of ancient Rome. Let’s delve into their roles:

  1. Dido:

  2. Venus:

  3. Juno:

  4. Other Women:

    • Beyond the central characters, other women play diverse roles. Some are seers, warriors, or queens.

    • Their actions impact Aeneas positively or negatively, emphasizing the interconnectedness of fate and human agency.

  5. Roman Society Context:

In summary, women in “The Aeneid” serve as catalysts for the hero’s journey, embodying love, power, and vulnerability. Their actions shape the narrative and reveal the intricate interplay between human emotions and destiny. 📜🌟

For further exploration, consider analyzing the nuanced roles of women in Virgil’s epic13.

30
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What did Harrison say about Dido?

'Dido is neither mad nor bad, indeed she is highly sympathetic to modern readers‘

31
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Who said that ‘Aeneas’ general concern to faciliate (make easier) fate is the cornerstone of his pietas’?

Mackie

The cornerstone of Aeneas’ pietas

32
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Who said the structure of book 4 is like ‘that of a Greek tragedy’ and give examples.

Gransden

<p>Gransden</p>
33
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What did Hardie say about the Aeneid justifying the role of Rome in ___? - no quote

The Aeneid is the epic that defines and justifies the role of the Romans in history

34
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Who said that Dido is certainly a victim of circumstances and the gods - no quote

deQuesney - dido

35
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wHAT DID MORGAN SAY ABOUT DIDO AND CAMILLA?

‘have license to perform in the poem for as long as they act like men’

36
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What did Morgan say about the relation of the Aeneid and the Gods - no quote

The Aeneid is a battle of giants against gods

37
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What did Jenkyns say about Juno and Aeneas?

Aeneas suffers the wrath of Juno in order to become great - no quote

38
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What did Morgan say abut the role of women in the Aeneid? - two things, one quote

'This is a poem that makes great efforts to side-line, to marginalise women.’

But the women, fundamentally, we can credit for the story of the Aeneid - no quote

39
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Give two seperate quotes from Morgan and Jenkyns about Pallas and Evander - no quote

Pallas “could be as great as Aeneas but cut off too soon” Morgan

Evander is a king who is “both grand and humble” enkyns

40
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What did camps say about Anchises?

'Anchises is a source of encouragement and inspiration to his son –

41
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What did Morgan say about Turnus? - no quote

Turnus is a  great leader and a great warrior

42
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What did Williams say about Turnus and Aeneas? - no quote

Turnus cares primarily for himself and Aeneas primarily for others

43
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Who said that ‘[The gods] values and behaviour do not respond to human moral standards’

Harrison, the gods

44
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What did Feeney say about what the Aeneid describes? - no quote

The poem describes events of war and diplomacy

45
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Give a quote from Quesnay about what leads to Dido’s death

“The unhappiness which leads to her suicide is the result of the intervention of the gods.”

46
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Who said “That prejudice must counteract our pity for the suffering of a woman in love” and give context

. It is the memory of that war, of

which Dido's dying curse was the 'origin', which makes her a more dangerous and sinister

threat to Rome. T

47
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What are two things Camps said about the characters of the Aeneid in relation to fate? - no quotes

Dido and Turnus are victims of the higher powers

Aeneas is not a free agent, he is bound by fate

48
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Who called Carthage '“Rome's greatest enemy and
the single greatest obstacle to the glorious destiny predicted by Jupiter.”

Nelis, carthage

49
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Give two things stated from Harrison and Reinhardt about the Gods.

they have “sublime frivolity”


they are Homeric gods.

50
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What did Williams say about Turnus in relation to destiny - not quote

he must suffer because his hopes and aspirations are contrary to those of destiny

51
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Who said that “this flexibility allows for the continued operation of human will'. about fate?

circumstances remain flexible…. - gransden

52
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What did Gransden say about War?

War is madness and it spares none

53
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Who said 'it is elaborately and carefully composed'?

Williams, structure of the Aeneid

54
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Who said the "greatest" and most "Roman of Roman virtues is self-control"

Braun

55
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What did Harrison say about Romans vs emotions - no quotes

Roman's saw the suppression of personal emotion as in the interest of the state.

56
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Who said about his “- 'In Virgil's poetry everything participates in the inner drama” similie usage?

Poschl - purpose similies

57
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What did Gransden say about Virgil’s war narrative in relation to Homer? - no quote

Virgil's war narrative contains many echoes of, and references to, Homer

58
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What is the effect of Virgil’s narrative and language techniques? - 8 points

  1. Builds tension

  2. Builds drama

  3. Irony

  4. Humor

  5. Entertains readers

  6. Fulfills Homeric influence

  7. Fulfills Augustinian / promotion of Rome framework

  8. Makes the story remember-able

59
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Give instances from Book 1 where Virgil’s purposes / themes are shown - Glorifying Rome - 2

  1. Jupiter’s prophecy

  2. comparison of carthage to rome - civilised

60
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Give instances from Book 1 where Virgil’s purposes / themes are shown - Glorifying Augustus - 2

  1. Orator similie - wo;; soothe the peoples hearts and command the world

  2. Jupiters prophecy

61
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Give instances from Book 1 where Virgil’s purposes / themes are shown - Imitating Homer - 9

  1. Ekphrasis

  2. Furor of the gods

  3. speech

  4. self-centered gods / scheming gods

  5. disguised gods

  6. pathos

  7. fate

  8. war

  9. prophecy

62
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Give instances from Book 1 where Virgil’s purposes / themes are shown - Entertaining story - 7

  1. storm

  2. junos character

  3. aeneas character + speech - backstory

  4. venus scheming

  5. jupiters prophecy

  6. new city - carthage

  7. didos backstory

63
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Give instances from Book 6 where Virgil’s purposes / themes are shown - glorifying rome - 5

  1. apollo temple

  2. trojan destiny theme

  3. anchises parade of roman heroes

  4. prophecy theme

  5. divine involvement - apollo possessing the sybil

64
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Give instances from Book 6 where Virgil’s purposes / themes are shown - glorifying augustus - 4

  1. apollo

  2. heroes parade - golden age, ceasar and augustus direct reference

  3. prophecy

  4. golden bough

65
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Give instances from Book 6 where Virgil’s purposes / themes are shown - imitating homer + entertaining story - 8

  1. ekphrasis

  2. descriptions

  3. gods

  4. prophecy

  5. possession

  6. sacrifice

  7. personification

  8. underworld storytelling / desc

66
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Give instances from Book 8 where Virgil’s purposes / themes are shown - Glorifying rome - 3

  1. divine lineage mention - on da shield

  2. aeneas shield

  3. roman gods

67
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Give instances from Book 8 where Virgil’s purposes / themes are shown - glorifying augustus - 4

  1. divine lineage mention

  2. golden age mention on the shield

  3. shield of aeneas

  4. divine presence - hill that has a grove which has a god but people dont know which - augustus reference

68
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Give instances from Book 8 where Virgil’s purposes / themes are shown - imitating homer + entertaining story

  1. diomedes inclusion

  2. theme of war

  3. gods

  4. monologues / speeches

  5. sacrifice

  6. father son relationship

  7. omens

  8. myths

  9. shield of achilles / aeneas comparison

  10. backstory

69
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Give a quote from Haubold about Aeneas character.


<p><br></p>
70
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how the fuck do you spell the book title

spelling of book - Aeneid