Harmony and Voice Leading 6

Review of “Harmony and Voice Leading” textbook unit 6

Leading tone or 7th of seven chords

Never double the _____.

5th

The ___ may be omitted from a root-position triad.

Root

If 5th is omitted from a triad, triple the ____ (double in seventh chords).

An octave

The distance between adjacent voices should not exceed ____ except for bass and tenor.

Close position

Upper three voices are as close together as possible

Open position

Upper voices are separated so that a chord tone could be inserted between 2 adjacent voices

Keyboard style

Distance between soprano and tenor is an octave or less and vocal ranges not strictly observed (esp. tenor)

Conjunct motion

Stepwise motion

Disjunct motion

Leaps, used in soprano voice to add variety

Bass voice

The _____ will include many leaps, especially toward phrase endings.

Augmented 2nd

Forbidden melodic interval

Parallel, similar, oblique, contrary

4 types of simultaneous motion

Unisons, octaves, perfect 5ths

Forbidden parallels

d5

P5 followed by ____ is usually ok.

P5

d5 followed by ____ is usually not ok.

Hidden 5ths of octaves

5th or octave is approached by similar motion

Outer

Avoid hidden octaves in ______ voices unless soprano moves by step.

Voice crossing

Avoid ______ in outer voices.

Overlap

Avoid ________ except in keyboard style.

Doublings at the octave

_______ are not parallel octaves when used in instrumental music for variety of sound or emphasis.