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RIM 3010- Final:Test 3
RIM 3010- Final:Test 3
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102 Terms
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1
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what is the microphone dBu level?
-60 dBu
2
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Professional line level is?
+4 dBu
3
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Gain Structure is?
The audio levels at different points in the signal flow
4
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Signal Flow
The path the audio takes through the audio chain
5
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The function of the pan pot could be to?
Vary the relative gain being being fed to both slides of a set of speakers.
6
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An audio bus is a?
A common signal path
7
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A Pot is?
A potentiometer
8
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A fold back system..........?
Routes the signal to headphone monitors
9
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AFL and PFL are associated with the console?
Solo system
10
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The location where all devices in the studio can be interconnected is called the?
Patch bay or Jack field
11
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Look at symbol for an amplifier
12
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Look at symbol for "a switch"
13
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Given a console that is marketed as being a 48 X 8 X 2 console, how many inputs does the console have?
48
14
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The layout of analog patch bays typically has ........... over ...........
Outputs, inputs
15
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What is the recording console's first gain stage?
Microphone preamp
16
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This is the technical term (wiring term) used to describe a patch point that automatically connects an output to an input without using patch cables?
Normalled
17
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This type of cable wiring is used in professional audio systems because it helps reject noise
balanced
18
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When creating a headphone mix, you want your auxiliary sends to be set as.............. so that they are independent of the console fader.
pre-fader
19
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You would use this connection point on the console to add an external compressor to the signal chain.
Insert
20
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The most common professional microphone connector is called a?
XLR plug
21
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balanced inputs have what advantage over unbalanced inputs?
CMR noise rejection
22
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To connect an electric guitar directly into a console preamplifier you need a?
DI Box
23
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An unbalanced Cable is
high impedance
24
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Most budget mixers as well as home stereos have this kind of EQ for the treble and bass
Shelving
25
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Filters are usually identified by?
Cut of frequency
26
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All analog EQ's and many digital EQ's create........ when used?
Phase Shift
27
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Parametric means that these qualities on an EQ are variable?
Level, frequency and "Q"
28
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What control on a compressor tells it how much to attenuate the output?
Compression ratio
29
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The side chain input on a compressor might also be called the?
Key input
30
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An expander is normally used in the studio to?
Control noise and leakage
31
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A compression ratio is a ratio of?
input to output
32
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A threshold control of a compressor/limiter?
Sets the dB level above which compression will begin to be applied
33
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If a compressor threshold is set at 0 dB and the compression ratio at 2:1 an input signal os +12 dB would produce and output at?
+6 dB
34
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A time processor effect replicating an instrument playing the same part over again is known as?
ADT
35
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Which of the following best describes the flanging effect?
A shifting comb filter with harmonically related null points.
36
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Spring reverb is known for its?
"Twangy", sound
37
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An echo chamber?
Creates natural sounding reverberation
38
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The decay time of a reverb is measured......
As how long it takes the initial sound to decay 60 dB
39
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This type of reverb device uses an electromechanical transducer to create a vibration in a large piece of sheet metal.
plate
40
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What brought about the need for developing and applying artificial reverb?
Close mixing and multi-tracking
41
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The more reverb effect used on an instrument signal.......
The further away that instrument sounds
42
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Review: Two prong XLR connector:
43
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Low impedance
low voltage and potentially high current
44
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High impedance
low current and potentially high voltage
45
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A connector used on microphones unbalanced
XLR connectors
46
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Review: 1/4" TRS connector (What it looks like)
47
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Review: TT- "Tiny Telephone" connector (What it looks like)
48
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Review: 1/4" phone or TS connector (What it looks like)
49
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Review: What is slope, (6 dB per octave on graph)
for each octave (doubling of frequency) above 4000 Hz, the level of frequencies will be diminished by an additional 6 dB.
50
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Voltage
The amount of work required in moving one \n electric charge from one point to the other.
51
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Current
The amount of charge passing through the \n circuit in unit time.
52
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Resistance
The opposition offered by the flow of \n current in the circuit.
53
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Power:
The product of work done and the number of \n electrons passing through the circuit in unit time. Watt \n is the unit
54
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the 4 basic units of electricity are
volts, amps, \n ohms, and watts.
55
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What is the formula for power
10log (P1/P2)
1 Watt to 2 Watts
10 x log 2W/1W
10 x log 2
10 x .3
3
56
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a doubling of power yields a
3 dB increase
57
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What is the formula for Voltage
20log (V1/V2)
58
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double of voltage (pressure)
6 dB increase
59
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Doubling the distance
DECREASES the Sound \n Pressure Level by 6 dB
60
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Halving the distance
INCREASES the Sound \n Pressure Level by 6 dB.
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dBm
Power Reference
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dBu
Voltage Reference
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dBFS
Digital Audio
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dB SPL
Acoustical sound pressure level
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Analogs
66
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Digital
67
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Nyquist frequency
(highest frequency \n to be recorded
68
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The most common system for analog to digital conversion
PCM - Pulse Code Modulation
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Sampling frequency determines
Bandwidth
70
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Bit Depth determines
Dynamic Range
71
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Violation of Nyquist’s law
(having audio \n frequencies above ½ the sampling frequency) \n results in the creation of alias waves.
72
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Time interval names
Nyquist rate, sampling frequency, sampling rate
73
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What is used to prevent incorrect sampling of frequencies
Anti-Aliasing Filter(High cut filter)
74
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What is the analog version of anti-aliasing filter
Brick wall analog filter
75
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What is the process of converting analog to digital 0101010001
Quantization
76
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What is digital word length
Bit Depth
77
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Binary numbers
01001011
78
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Formula to find The number of bits per second or bit rate
Bit depth multiplied by the sampling frequency
79
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What is a Rounding error in bits
Quantizing error (Noise)
80
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Large errors are concealed using
Interpolation
81
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If an error cants be corrected what happens
It will be concealed
82
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Jitter
Error in timing of the sampling
83
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How can you reduce a jitter
The use of a master time clock
84
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digital audio interface will provide two or more \n inputs and outputs, in analog and/or digital (
S/PDIF, \n AES/EBU, ADAT, TOSlink, TDIF, etc.) formats.
85
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What does digital signal processing allow
provides for the ability \n to adjust levels, do equalization, dynamic \n processing, create special effects, edit ,and mix \n digital audio data
86
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Native DSP use
the processing power of the DAW’s \n host computer (MAC or PC
87
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Non-Native DSP use
the processing power of an \n external processing unit (ex. Pro Tools HDX, UAD-2 \n Powered Plug-ins)
88
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Rex files
loops are created in ReCycle by beat slicing.
89
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Looping
The basic idea behind groove-based tools rests with \n tempo matching
90
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dynamic range of \n most pro analog devices
\+24 dBu
91
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Consumer line \n level
\-10 dBV
92
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Dynamic range
the ranges, in dB, between the lowest \n amplitude and the highest amplitude sound
93
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Thermal noise
always present in electrical \n circuits
94
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Diaphragm noise
\
in microphones
95
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Electrostatic and electromagnetic noise
noise \n picked up by cables, circuits, and during radio \n transmission)
96
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dynamic range is limited at \n the loud end by harmonic distortion. What is this called?
Overload
97
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\
When the signal level tries to exceed the \n maximum level the overload occurs. This is called?
Clipping (Harmonic Distortion)
98
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signal to noise ratio is the number of dBs \n between the noise level and specified line or \n reference level
usually +4 dBu
99
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Pro line level of +4 dBu will equal
0 VU
100
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Reason for audio meters
In order for the engineer to know where the \n audio signal is in relation to the dynamic range
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