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Triad
A three
Root
The fundamental pitch of a chord.
Third
The note a third above the root in a triad.
Fifth
The note a fifth above the root in a triad.
Major Triad
Built from a major third and perfect fifth above the root.
Minor Triad
Built from a minor third and perfect fifth above the root.
Diminished Triad
Built from a minor third and diminished fifth above the root.
Augmented Triad
Built from a major third and augmented fifth above the root.
Seventh Chord
A four
Major Seventh Chord
Major triad + major seventh.
Dominant Seventh Chord
Major triad + minor seventh.
Minor Seventh Chord
Minor triad + minor seventh.
Half
Diminished Seventh
Fully Diminished Seventh
Diminished triad + diminished seventh.
Roman Numeral Analysis
A way to label chords by scale degree and quality (I, ii, V7, etc.).
Tonic Function
Provides stability and rest in tonal harmony.
Dominant Function
Creates tension that resolves to the tonic.
Subdominant Function
Prepares the dominant and expands harmonic motion.
Inversion (of chords)
Changing which chord tone is in the bass.
Root Position
The root of the chord is in the bass.
First Inversion
The third of the chord is in the bass.
Second Inversion
The fifth of the chord is in the bass.
Figured Bass
A numerical shorthand indicating intervals above a bass note.
Cadence
A harmonic or melodic closure at the end of a phrase.
Authentic Cadence
V → I (strong final cadence).
Half Cadence
Ends on V (incomplete, unresolved).
Plagal Cadence
IV → I (“Amen” cadence).
Deceptive Cadence
V → vi (surprising, unresolved sound).
Voice Leading
The smooth movement of individual melodic lines between chords.
Parallel Motion
Two voices move in the same direction by the same interval.
Contrary Motion
Two voices move in opposite directions.
Oblique Motion
One voice stays the same while another moves.
Common Tone
A pitch shared by two successive chords.
Chord Progression
A sequence of chords that creates harmonic motion.