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The study of music in its cultural and social contexts. People making music
The merging of formerly distinct styles and idioms into new forms of musical expression.
The process of composing in the moment of performance;
taking existing musical work and transforming it into something new while still retaining its core musical identity.
Underlying pulse; fundamental unit of rhythmic organization.
The organization of individual beats into groups (duple, triple, etc.).
An accent or other note that falls in-between main beats.
musical rhythm with no discernible beat or meter
A series of pitches played in sequence that defines the identity of a song or other piece of music as it unfolds
The sequence of movement from one chord to another
Music with two or more distinct parts.
First proposition in music
Basic property of all music is sound
Tone
sound whose principal identity is a musical identity as defined by people( though not necessarily all people) who make or experience that sound.
Second proposition in music
The sounds and silence that comprise a musical work are organized in some way
Third proposition in music
Sounds are organized into music by people, thus music is a form of humanly organized sound
Fourth Proposition in music
Music is a product of human intention and perception
Fifth Proposition in music
Music is inescapably tied to Western Culture and its assumptions
Duration
The length of a tone
Frequency
The highness or lowness of a note; basis of pitch in music
Amplitude
The loudness of a tone
Timbre
Sound quality, or “tone color’; what particular notes, instruments, or voices “sound like.”
texture
Musical element defined by the relationships and interactions between the different parts
harmonics/overtones
The overtones, or partials, of a tone (as distinct from the fundamental of that tone).
backbeat
A rhythmic emphasis placed on the second and fourth beats of a measure, commonly used in popular music styles.