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Juan Crisostomo Ibarra
main character of the novel
son of Don Rafael Ibarra
gentleman who studied in Europe, full of idealism and dream to contribute to the country
Don Rafael Ibarra
belonged to the high part of society, but had a heart for the poor
former friend of Padre Damaso
Elias
rebel in the novel
saved Crisostomo from a crocodile
symbolizes less fortunate Filipinos
Maria Clara
Crisostomo’s lover
symbolized a Filipina
real child of Padre Damaso
Sisa
Mother of Crispin and Basilio
from a rich family and married a man who was engaged in gambling
symbolized mothers who would do everything for the sake of her children
Kapitan Tiago
aka Don Anastacio de los Santos
one of the richest men in San Diego
“father” of Maria Clara
symbolized the Filipinos who were passive and thought of their welfare first
Padre Damaso
head priest of San Diego for 20 years
symbolized the abusive leaders of the church and society
Dona Victorina
wife of Don Tiburcio de Espadana (doctor)
social climber
symbolized Filipinos who would give up their principles and identities as a Filipino just to be a part of the higher society
Dona Patrocino
had an ellicit love affair with the Alferez
symbolized the Filipina who always prayed and joined the activities in the church just to hide her bad attitudes
Pilosopo Tasio
considered insane
intelligent and assertiveness
Crisostomo referred to him for truth and knowledge
symbolized Filipinos who were intelligent and spoke of principles
March 5, 1887
Date Rizal wrote to Felix Hidalgo in French about Noli Mi Tangere
Gospel of St. Luke
Rizal’s erroneous reference to “touch me not” from the Bible
Gospel of St. John (20:13-17)
Correct Gospel reference for “touch me not”
63 chapters and 1 epilogue
Number of chapters and epilogue
Nation and women, victims of social cancer
Symbolism of a woman’s head atop a Maria Clara bodice
Causes of cancer
symbolism of friar’s feet
aggravating causes of oppression and discrimination
symbolism of guard’s helmet, iron chains, teacher’s whip, Alferez’s scourge
the people, forever in the background of the background of their own country’s history
symbolism of bamboo stands at the backdrop
religious policy, the misdirected ardor, the people strangled as a result of these all
symbolism of cross, maze, flowers, and thorny plants with flame
enlightenment, hope, progress, seeking reform
symbolism of lamp
ignorance, oppression, and injustices of colonialism
symbolism of darkness
flow of change or the societal division between rich and poor
symbolism of the Pasig River
societal upheaval or the potential for revolution
symbolism of storm
potential for education to empower Filipinos and break the cycle of oppression
symbolism of school
hypocrisy
symbolism of friar’s habit
rebellious nature and willingness to fight for change, even if it’s violent
symbolism of Tasmanian devil
purity, innocence, and idealized love
symbolism of the color white
corruption, evil, and oppressive nature of colonialism
symbolism of the color black
social hierarchy and class distinctions
symbolism of tinola neck part