Quiz 2 Baroque Art
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“Bacchic Scene”
Pietro Bernini
1616-17
Patron: Unknown
“Pluto and Persephone”
Bernini
1621-22, Rome
Patron: Scipione Borghese
“Rape of the Sabines”
Giambologna
1579-83, Rome
“Hercules”
Farnese Gallery
Ancient
“David”
Bernini
1623-24, Rome
Patron: Scipione Borghese
“Polyphemus”
Annibale Carracci
“Discobolus”
Ancient
“Apollo and Daphne”
Bernini
1623-24, Rome
Patron: Scipione Borghese
“Apollo Belvedere”
Ancient
“Donna Olimpia Maidalchini”
Algardi
1650, Rome
“Scipione Borghese”
Bernini
1632, Rome
Presented in Karen Lloyd’s talk
“Francesco d’Este”
Bernini
1652, Rome
Demonstrates more animated style of secular rulers.
“Donna Olimpia Maidalchini”
Velasquez
“Saint Susanna”
Duquesnoy
1633, Rome
Commissioned by Baker’s Guild for church of Santa Maria di Loreto
“Saint Mary Magdalene”
Algardi
1629
Painted stucco
Commissioned by Baker’s Guild for church of Santa Maria di Loreto
“Saint Bibiana”
Bernini
1626
Commissioned by Baker’s Guild for church of Santa Maria di Loreto
“Urania”
Ancient
“St. Philip Neri with an Angel”
Algardi
1638
Patron: Pietro Boncompagni
“Cornaro Chapel”
Bernini
1652
Santa Maria della Vittoria, Rome
“Ecstasy of Saint Teresa”
Bernini
1652
Santa Maria della Vittoria, Rome
“St. Cecilie”
Maderno
1600
Trastevre, Rome
Patron: Cardinal
“Baldacchino” (Canopy of St. Peter)
Bernini
1633
Bronze and gilt
St. Peters’, Rome
Patron: Barberini
“Le Braccia” (St. Peter’s Colonnade)
Bernini
1655-67
“Self-Portrait”
Rubens
1623
“Self-Portrait with Isabella Brant”
Rubens
1609
“Self-Portrait with Family”
Rubens
1635
“Helene Fourment with a Fur”
Rubens
1636
“Venus pudica” pose
“Four Philosophers”
Rubens
1612
“Seneca”
Rubens
“The Fall of Phaeton”
Rubens
1605
“Consequences of War”
Rubens
1639
“Rape of the Daughters of Leucippus”
Rubens and Jan Wildens
1618
“Madonna and Child in Wreath”
Rubens and Jan Brueghel the Elder
1620
Marie de Medici cycle
Rubens
1625
Originally Luxembourg Palace, now Louvre
“Education of Marie de Medici”
Rubens
From Marie de Medici cycle
“Presentation of Marie’s Portrait to Henri IV”
Rubens
From Marie de Medici cycle
“Arrival at Marseilles”
Rubens
From Marie de Medici cycle
“Apotheosis of Henri IV”
Rubens
Frome Marie de Medici cycle
“Marie de Medici”
Rubens
1622
“Marie de Medici as France”
Rubens
“Venus and a Black Attendant”
Rubens
1615
“Diana and Callisto”
Rubens
1637
“Diana and Actaeon”
Titian
1559
“Mulay Ahmad”
Rubens
1609
“Four Views of a Black African Man”
Rubens
1615
“Blinding of Samson”
Rembrandt
1636
House of Orange
“Martyrdom of St. Matthew”
Caravaggio
“Raising of the Cross”
Rubens
1614
Antwerp Cathedral
“Descent from the Cross”
Rubens
1614
Antwerp Cathedral
“Raising of the Cross”
Rembrandt
1633
House of Orange
“Descent from the Cross”
Rembrandt
1633
House of Orange
“Portrait of Castiglione”
Raphael
Depicts sprezzatura, inspired Rembrandt
“Christ Crucified Between Two Thieves”
Rembrandt
Etching
“Christ Preaching”
Rembrandt
Etching
“Self-Portrait with Saskia”
Rembrandt
1636
Etching
“Saskia and Self-Portrait as Prodigal Son”
Rembrandt
1630s
“Geertje Dircx Bathing”
Rembrandt
1640s
“Susanna and the Elders”
Rembrandt
1640s
“Portrait of Hendrickje Stoffels”
Rembrandt
1650s
“Bathsheba at Her Bath”
Rembrandt
1640s
“The Night Watch”
Rembrandt
1642
Musketeers Meeting Hall, Amsterdam
“The Anatomy Lesson”
Rembrandt
1632
“Study of Two Black Men”
Rembrandt
1650s
“Portrait of Joris Caullerij”
Rembrandt
1632
This painting, according to Mark Ponte, confirms the identities of the two men in Rembrandt’s “Two Black Men” painting, as Joris was their captain.
“Self-Portrait”
Judith Leyster
1630
“The Proposition”
Judith Leyster
1631
“Gallant Conversation”
Ter Borch
1654
“Woman Holding a Balance”
Vermeer
1664
“The Love Letter”
Vermeer
1670
“Oyster Breakfast”
Pieter Claesz
1638
Still Life
Rachel Ruysch
1680
Allegorical Still Life
Clara Peeters
1618
“The Parrot Cage”
Jan Steen
1665
“Forest Scene”
Jacob van Ruisdael
1655
“Penitent Mary Magdalene”
Artemisia Gentileschi
Research by Jesse Locker
What sculptures did Scipione Borghese commission from Bernini?
“Apollo and Daphne,” “Pluto and Persephone,” and “David.”
Mark Ponte article, “Black in Amsterdam Around 1650”
Small black community in Amsterdam of sailors and previously enslaved African individuals who were brought by Portruguese Jewish population (Sephardic Jews). Codes of law banned slavery.
Rubens characteristics
Catholic
Carracci style
Verosimile
Loose brushwork
Does not attempt to conceal art (showing off)
Rembrandt characteristics
Protestant
Caravaggisti style
Vero
Impasto
Depicts Christ with humility
Why was genre painting valued in Dutch Netherlands?
Rise in Protestantism
Wealthy Dutch didn’t want religious art
Humanism was viewed as at odds with Protestantism
Sprezzatura
A term coined by Castiglione which refers to the art of nonchalance
Rembrandt used this concept in his future self-portraits
Geertje Dircz
Rembrandt’s first mistress after the death of his wife
She sued him for breach of promise
Hendrickje Stiffels
Rembrandt’s second mistress who entered the house as a maid
Simon Schama article, “Wives and Wantons”
Vice and virtue are rarely a binary
Maids were commonly viewed as responsible for cleanliness but at risk of corruptive behavior