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One of the most challenging pieces of music technically and formally in the baroque era is:
the fugue
The most famous composer in Germany during the baroque era is:
G.P. Telemann
The cantata was developed from which Christian denomination
Lutheran
The most famous oratorio written by Handel is:
The Messiah
The J.S. Bach Cantata we listened to in class was:
4
J.S. Bach taught Latin at St. Thomas’s school in addition to being cantor in:
Leipzig
The composer who grew up in Germany, composed opera in Italy, and wrote his most famous compositions in England was:
Handel
Which of the following is true about Antonio Vivaldi?
He was an ordained priest
The King of England stood on which chorus of Handel’s “Messiah”?
Alleluia
Which composer was the first to specifically title his work to be performed by instruments?
Scheidt
Augmentation
the lengthening of a musical idea
Diminution
the shortening of a musical idea
Purcell
most famous composer born in England
Vivaldi
composed the “Four Seasons”
Subject
the melody of a fugue
Handel
composed the “Fireworks” music
Telemann
was noted for his playable music
Sonata
the first strictly instrumental form
Chorale
the early form of the hymn
J.S. Bach –
composed “Jesu, Joy of Man’s Desiring”
What is the doctrine of the affections?
a Baroque music idea that said music should make people feel emotions like joy, anger, or love. In the late 1600s, composers would write a whole piece of music based on just one emotion. The mood was set at the beginning and stayed the same until the end. This is different from later music styles, like Classical and Romantic, where a piece could have many different emotions.
What was the concept of internationalism?
it meant that different countries shared their music styles instead of focusing only on their own. Italian melodies, French dance rhythms, German harmonies, and English choral songs all mixed together to create a European style of music. This was different from later times when countries wanted to keep their music unique to their own culture.