MUSHIST CH 12, 13, 14 terms

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20 Terms

1

Concert Spirituel

the earliest significant European concert series, organized in Paris

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2

development

section after exposition and before recapitulation in sonata form. Develops themes with related keys before returning to the home key.

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3

divertimento

Italian for entertainment music. usually scored for a combination of solo instruments and was light in approach

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4

exposition

the opening portion of the sonata form, introduces the tonic and main secondary keys as well as main thematic material.

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5

minuet and trio

the triple-meter form used in the third movement of the four-movement Classical symphony.

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6

recapitulation

the final section of sonata form. the thematic material is restated in a way that ends in the tonic, often reinforced by a coda.

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7

rondo

a Classical form with an opening thematic section that alternates with “episodes,” then concludes with the theme (and often a coda); common in last movements of symphonies, concertos, and keyboard sonatas.

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8

sonata form

three part structure consisting of exposition, development, and recapitulation

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9

string quartet

a chamber ensemble of four string players—two violinists, a violist, and a cellist; also, a piece written to be performed by this group.

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10

Sturm und Drang

German for “storm and stress”; an aesthetic movement where Austrian and German composers aimed to depict emotional changes in the most dramatic way possible, sometimes leading to formal innovations.

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11

symphony

a substantial composition for full orchestra, typically in four movements, related tonally and often thematically

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12

thematic work

technique developed during Franz Joseph Haydn’s time to work out the potential of thematic material and maximize the music’s expressive potential.

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13

aesthetic

critical reflection on art, culture, and nature

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14

double exposition

opening of a concerto where the first part of an exposition is by the orchestra, all in the tonic key; and in the second part, the soloist enters and the music modulates for the first time.

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15

romanticism

a movement emphasizing inspiration, subjectivity, and the importance of the individual

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16

sinfonia concertante

multimovement successor to the concerto grosso that features two or more soloists who interact more with one another than with the larger ensemble.

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17

Singspiel

German for “singing play”; operatic works in German with spoken dialogue instead of a recitative.

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18

sublime

the notion of the great and incomprehensible, even the painful and terrifying, being greater than the merely beautiful.

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19

organicism

all movements of a musical composition are thematically related, based on the work’s opening measures.

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20

scherzo

Italian for “joke”; a movement that replaces the slower minuet and trio in a four-movement work

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