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pp. 37 - 55 ^ (Renaissance and Asian Architecture)
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Functionalism
Form follows function.
Louis Sullivan became a dominant trend in Modernist architecture.
Strive for "honest" approaches to building design that focused on functional efficiency. Belief that forms can be developed specifically to suit the function they serve.
Brutalism
French phrase béton brut, or raw concrete, to describe the construction of his rough, concrete building
High Tech/Technoism
Known as Late Modernism or Structural Expressionism, which emerged in the 1970s, incorporating elements of high-tech industry and technology into building design. Appeared as a revamped of Modernism, and some of the features where later absorbed into the style of Neo-Futurism.
True
T/F: Technoism is referred as "Serviced Sheds" by historian Reyner Banham because of the exposure of mechanical services in addition to the structure. Most of these early examples used exposed structural steel as their material of choice.
Industrial Period
Machine - New Source of Energy Brought about by the use of machinery and steam power for the manufacture of goods as a result of the invention of the steam engine by James Watt in 1769.
Around 1850
When is the section Industrial Revolution?
Beaux Art Architecture
Also known as Beaux Arts Classicism, Academic Classicism, or Classical Revival.
Agrarian revolution
is a revolution of a society that depends on agriculture as its primary means for support and sustenance. Wealth comes from the land. This type of society acknowledges other means of livelihood and work habits, but stresses the importance of agriculture and farming
Vassalage
a position of subordination or submission (as to a political power).
Moorish
The Alhambra in Spain is characteristic of style
Baroque
The word means misshapen with reference to pearls.
Baroque
Theatrical and emotional qualities made it powerful as political propaganda but its purest achievements are churches in Rome.
New architectural concerns for color, light and shade, sculptural values and intensity.
Plateresque
richly ornamented in a low-relief style suggesting silver work.
Renaissance
The Dawn of a New Age
Rebirth
Rinascimento where “ri” again + “nascere” be born
Renaissance
Time of the great Revival of art, literature, and learning in Europe, marking the transition from the medieval to the modern world.
Filippo Brunelleschi
First Renaissance architect Goldsmith, inventor of the mathematics of perspective in painting, and an architect, Development of Linear Perspective.
made a painting of the Florence Baptistry by delineating a grid at the door of the Cathedral and reproducing each cell in his grid onto a gridded panel.
Leon Battista Alberti
First architectural theorist of the Renaissance.
was one of the foremost theorists on Renaissance architecture and art, known for codifying the principles of linear perspective (in On Painting, 1436).
Carlo Maderna
lengthened the nave to form a Latin cross plan and added the present façade and portico
Donato Bramante
Moved from Milan to Rome where he initiated the High Renaissance phase of architecture, characterized by harmony, simplicity and repose.
Michelangelo
MICHELANGELO DI LODOVICO BUONAROTTI SIMONI
Michelangelo
He was an Italian Renaissance sculptor, painter, architect, and poet who exerted enormous influence in the development of Western art, universally acknowledged as a supreme artist in his own lifetime and considered the first "artistic genius.".
Giacomo Vignola
Leading architect in generation after Michelangelo.
Church the Gesu (begun 1568) was designed in accord with the Counter-Reformation emphasis on preaching.
Antonio da Sangallo
the Younger, altered the plan with an extended vestibule, lofty campanile and an elaborate central dome.
Andrea Palladio
He was a stone mason and the most influential architect of the Renaissance period. Although all his buildings are in northern Italy, his teachings in "The Four Books of Architecture" gained widespread recognition. He crafted symmetrical buildings with a distinct lack of Mannerist restlessness.
Rococo
This style is characterized by pastel colors and a lot of gilding.
The late Baroque phase from around 1700, fashionable in France and Germany, catered to Parisian taste with elegant, light-hearted decor, pastel colors, and less structural bravado.
Mannerism
Transition style from Renaissance to Baroque