Music in World Cultures #2

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Music

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58 Terms

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Bagpipe
An aerophone with one or more drones and a chanter, all attached to an air reservoir, or bag, allowing for uninterrupted sound production
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Body of the Bagpipe
It is constructed of an airtight bag. In the past, this was made out of the skin of an animal, such as a sheep or goat, but today, most are made with synthetic materials such as Gore-Tex.
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Chanter
A pipe with finger holes on which a bagpiper plays the melody
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Blowpipe
The pipe through which a bagpiper blows to fill the air reservoir or bag
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Drone Pipes
Pipes that sound a constant tone but are not fingered to produce other pitches
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Highland Bagpipe
A large outdoor bagpipe associated with the Scottish Highland (the quintessential bagpipe)
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Uillean Pipes
A bellows-blown bagpipe of Ireland
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Grace Notes
The addition of one or more notes in slight anticipation of the main pitch to be played (they are quickly played before the main note)
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Cutting
A grace note that is used to divide a continuous tone into segments
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Doubling
A cluster of grace notes which circle around the main note and play it twice
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Birl
A doubling near the lowest pitch of the chanter’s ranger
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Grip
a rapid cluster of grace notes in the lower range that sounds like a voice breaking
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Canntaireched
a vocal technique that uses vocables to transmit a bagpipe melody and ornaments
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Semiotics
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Pibroch
A genre of solo bagpipe music that consists of a set of elaborate variations on a theme
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Diaspora
Coming from the Greek word for “dispersion,” this term is used to describe immigrant communities living outside their homeland, whether their migration is voluntary or forced.
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Chain Migration
A process in which initial movements of migrants lead to further movements from the same area to the same area
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Voluntary Migration
Individuals and groups move from their homeland by choice, motivated by an attraction to the new location.
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Forced Migration
A migration that pushes individuals to move to a new location
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Pull Motivation
The positive factors that influence the decision to immigrate to a location.
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Push Motivation
The negative factors influencing the decision to immigrate from a location
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Oral Transmission
Music is transferred from person to person through hearing the music performed
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Written Transmission
Written Source in music is transferred by
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War, Anarchy
Push Reasons for the Chinese Migration
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Economic Prosperity (the Gold Rush and the railroad)
Pull Reasons for the Chinese Migration
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Muyu
A genre of Chinese vocal music whose texts deal with concerns of everyday life, performed by men or women in public or private.
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Syllabic
Added vocables to the text of muyu
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Melismatic
Ornaments added to prolong for three or more pitches
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Ud
Plucked five-stringed Middle Eastern lutes with a short neck and a large body with a rounded back; Like many plucked chordophones, players often use a pick or plectra to play it, and some play this instrument with an eagle feather
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Quanun
a Middle Eastern trapezoidal zither with twenty-six sets of three strings, played polyphonically, with picks attached to both index fingers
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Maqam
the system governing pitch and melody in Arabic music. Like Indian Ragas, it goes beyond mere collections of pitches, incorporating characteristic ornamentation techniques and aesthetic convention, particularly melodic phrasing and modulation possibilities.
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Mawwal
a traditional Arab form that alternates sections in free rhythm and regular rhythm.
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Spiritual
a genre of songs, usually with verses and a refrain, that emerged from the musical expression of African American Slaves converted to New World Christianity.
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Call-and-response
a performance practice in which a leader makes a musical statement, and another performer (or group of performers) responds with a musical answer.
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Field Holler
a field holler, also called a holler, is an extemporized form of black American song, sung by southern laborers to accompany their work
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Fisk Jubilee Singers
A singing ensemble at Fisk University in Nashville, Tn, who became famous in the late 1860s and 1870s for their powerful concert versions of slave songs. Many of the group’s members are former slaves
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Tet
the celebration of lunar new year and spring
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Da Vu
popular music dance events referred to as Night dance, which often feature well-known Vietnamese singers.
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Tan Nhac
A Vietnamese popular song tradition of the French colonial period that used Western instruments and Vietnamese lyrics, and occasionally drew on Vietnamese folk melodies.
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Buddhism, Night Dances, Holidays, and Chamber Music
Traditions that Vietnamese migrants maintained
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Dan Bau
A Vietnamese zither with a pitch bending bar. This instrument is known as a monochord in cross-cultural terms. It consists of a single string, a resonating chamber, and a small bamboo shaft. It represents the spirit solidarity and kinship between ethnic groups. “Like two brothers of the same house.”
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Dan Tranh
a wooden zither with sixteen strings. Its musical traditions reflect the rise and fall of the kingdoms of Vietnam, reflecting Vietnam's relationship with China and its cultural values
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Dan Nhi
A Vietnamese 2-stringed lute
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Pham Duy
Best known Vietnamese composer; began his career as a musician in a traveling ensemble throughout Vietnam. Many songs are patriotic, based upon his experiences fighting the French colonial forces**, and much of his music is banned.**
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Song Cycle
A group of songs that are composed as sent, sometimes because they have texts by the same poet or are connected thematically in some other way; unified under one major concept
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Ru
Vietnamese lullaby improvised on Dan Bau
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Ho
a Vietnamese work song; interaction between villagers pounding rice to separate the grains and a traveler
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Ballad
a song genre commemorating important events and individuals in strophic form
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Corrido
a type of ballad, usually strophic, that commemorates important events and memorable individuals in Mexican and Mexican American history
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Hero Corrido
corridoes of the late nineteenth and early twentieth centuries on the actions of important individuals
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New Orleans Jazz
A style of small-ensemble jazz that originated shortly before World War I, became internationally known through recordings in the 1920s, and underwent a revival in the 1940s
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Second Line
People who follow the band in the jazz funeral, dancing as they go.
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Hymn
Sacred songs used of worship
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Dirge
instrumental laments played at a slow tempo
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Pizmon
Hymns sung by Syrian Jews, featuring sacred Hebrew texts set to popular Arab melodies.
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Contrafactum
A song in which new text is set to a borrowed or preexisting melody
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Sebat
Sabbath afternoon songfest held by Syrian Jews to commemorate special occasions.
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Haflah
A party held among Syrian Jews and other peoples of Middle Eastern descent to celebrate a special occasion such as an anniversary, usually featuring a professional vocalist who sings