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A set of 60 vocabulary flashcards defining music theory terminology, 1800s bicycle developments, and compositional/listening techniques from the lecture notes.
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Music
Sound organized in time.
Pitch
The highness or lowness of a sound.
Harmony
Two or more pitches sounding at the same time.
Consonance
Stable, resolved harmony.
Dissonance
Tense, unresolved harmony.
Chord
Three or more pitches sounding simultaneously.
Triad
A three-note chord made of two intervals of a third.
Triad Qualities
Major (M), minor (m), diminished (∘), and augmented (+).
Interval
The distance between any two pitches.
Scale
Pitches arranged in ascending/descending order using whole and half steps.
Tonic
The foundational "home note" (1st scale degree).
Leading Tone
The 7th scale degree that pulls back to the tonic.
Diatonic
Chords/melodies that occur naturally within a key.
Chromatic
Notes that use accidentals from outside the key.
Monophony
A single, completely unaccompanied melody line.
Homophony
A primary melody supported by harmony chords.
Polyphony
Multiple independent melody lines tracking together.
Heterophony
Varied versions of the same melody overlapping out of sync.
Rhythm
Music moving through time using notes of varying durations.
Beat
The steady, constant underlying pulse of the music.
Tempo
The speed of the beat.
Ritardando
Gradually slowing down the tempo.
Accelerando
Gradually speeding up the tempo.
Measures (Bars)
Groups of beats separated visually by bar lines.
Meters
Duple (groups of 2), Triple (groups of 3), Quadruple (groups of 4).
Mixed Meter
Multiple different meters occurring in succession.
Irregular Meter
Meters featuring asymmetric or irregular beat groupings.
Polymeter
Multiple unique meters sounding at the exact same time.
Simple Meter
Beats subdivide cleanly into 2 equal parts.
Compound Meter
Beats subdivide cleanly into 3 equal parts.
Conjunct
Smooth, step-wise melodic movement.
Disjunct
Melodic movement characterized by sudden leaps.
Motive
A small, distinct musical idea.
Phrase
A cohesive musical thought.
Cadence
Musical punctuation that completes or pauses a phrase.
Crescendo
Gradually growing louder.
Decrescendo / Diminuendo
Gradually growing softer.
Articulation
The manner in which a note is begun, sustained, and released.
Staccato
Short, detached notes.
Legato
Smooth, connected notes.
Dandyhorse
Two wheels, no pedals; riders push feet against the ground to move.
Vélocipède
Nicknamed the "boneshaker"; introduced pedals, but its wooden wheels shook violently on cobblestones.
Penny-farthing
Nicknamed the "widow-maker"; had a huge front wheel and tiny back wheel; rider sat incredibly high up and it was highly dangerous.
Rover
Known as the "safety bicycle"; featured two equal-sized wheels and rubber tires.
Tandem
A bicycle built for two riders; in early versions, the rider in the back did the steering.
Vocoder / Vocaloid4
Software used by Hiroshi Tamawari to interweave electronic, non-human voices in "Daisy Bell".
Ostinato
A repeating melodic or rhythmic pattern used heavily in minimalist styling.
Delirando
An uncommon, frantic tempo marking used by John Adams to evoke a wild Ferrari ride.
Programmatic
Music that is explicitly designed to portray a real-world story, scene, or journey.
Flutter-tongue
A flute technique used to mimic rapid train whistle sound effects.
Oscillating Glissandos
Smoothly sliding pitch effects used in clarinets for train whistles.
Horn Glissandos
Sliding pitches in the brass section to emulate a steam engine groaning.
Sul Ponticello
Playing string instruments closer to the bridge than usual to create a thin, scratchy sound (mimics squealing train brakes).
Block Voicing
Moving chords in parallel patterns, typical of big-band swing.
Call-and-Response
Alternating conversational patterns between different instrument sections.
Riff
A short, catchily repeated melodic pattern in jazz.
Whole-Tone Scale
A scale built entirely of whole steps, used in the piano intro of "Take the 'A' Train".
Hemiola
A rhythmic trick that provides the effect of a temporary meter change.
Strains
Multi-themed structural sections used to layer melodies in a traditional march.
Stinger
A final, heavily accentuated staccato chord played by the full ensemble to end a march.