Modes of Film and Video Production Midterm

0.0(0)
studied byStudied by 0 people
0.0(0)
full-widthCall with Kai
GameKnowt Play
New
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/56

encourage image

There's no tags or description

Looks like no tags are added yet.

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

57 Terms

1
New cards

What Determines Exposure?

The size of the aperture

2
New cards

Aperture

How much light is coming through the lens, measured in f-stops

3
New cards

F-Stop

Measurement of aperture size, each one letting in half as much light

4
New cards

Depth of Field

How much of the image is in focus

5
New cards

What determines depth of field?

Aperture, focal length, distance from subject

6
New cards

ISO

International Standardization Organization, quantifies how sensitive the film sensor is to light

7
New cards

Color Temperature

Light temperatures have different energy levels (measured in Kelvin), create different color temperatures of light

8
New cards

White Balance

Setting this correctly helps the colors in your image look more accurate

9
New cards

Focal Length

the optical measurement of a lens

10
New cards

Prime Lenses

Fixed focal length

11
New cards

Zoom lenses

adjustable focal length

12
New cards

Wide Angle Lens (20 mm and under)

Depth is exaggerated, straight lines are distorted

13
New cards

Normal Lens (25-50mm)

Image is similar to our eyes

14
New cards

Telephoto Lens (70mm and up)

Compresses depth and magnifies

15
New cards

Camera height

The position of the camera above the ground & in relation to the subject.

16
New cards

Camera Angle

The angle at which the camera is pointed at the subject

17
New cards

Shot Size

Refers to the size of your subject in the frame

18
New cards

Wide Shot/Establishing Shot

Usually full-body image

19
New cards

Medium shot

waist up

20
New cards

Close-up

Head and shoulders

21
New cards

Screen Direction

When people leave the right side of the frame, they enter on the left (maintaining continuity)

22
New cards

180 degree rule

A pretend axis that goes between two characters to preserve an on-screen spatial relationship

23
New cards

When is it okay to break the 180 degree rule (cross the line)?

subject changes direction on camera, POV shots, camera crosses the line in continuous shot

24
New cards

Compositional Guidelines

Rule of thirds, head room, balance, angles, frame within a frame, leading lines, backgrounds

25
New cards

Cutting on Action

Cutting from one shot to another while the subject is still in motion

26
New cards

Clean Entrances/Exits

Holding a shot before and after an action occurs

27
New cards

Exterior Lighting

Place subject facing the sun, use a reflector, or use a fill light to brighten shadowed areas

28
New cards

Interior Lighting

focusing quartz, broads, and soft lights are all used for this

29
New cards

Fill Lighting

A light just bright enough to fill in the shadows made by the key light

30
New cards

Hard Lighting

illumination that creates sharp-edged shadows, created by using a narrow, focused area of light

31
New cards

Soft Lighting

Illumination that avoids harsh bright and dark areas, creating a gradual transition from highlights to shadows. Created by using more spread out light sources

32
New cards

Three-Point Lighting

A common arrangement using three directions of light on a scene: from behind the subjects (backlighting), from one bright source (key light), and from a less bright source balancing the key light (fill light).

33
New cards

Mise-en-scene

The staging, lighting, and framing of bodies, subjects, etc. Can also include: quality of light, setting, production design, costumes

34
New cards

Amplitude

Height of a sound wave (determines volume)

35
New cards

Frequency

the number of complete wavelengths that pass a point in a given time (determines pitch)

36
New cards

List the Microphone Types

lavalier, hand mike, supercardioid/shotgun mike

37
New cards

Lavalier Mike

A microphone that clips to a lapel (omnidirectional pickup pattern)

38
New cards

Hand Mike

All-purpose, can be dynamic or condenser (omnidirectional or cardioid pickup pattern)

39
New cards

Shotgun Mike

highly directional and is aimed from a distance at a specific area (supercardioid pickup pattern)

40
New cards

Omnidirectional

picks up sound in all directions

41
New cards

Cardioid

Heart-shaped pickup pattern of a unidirectional microphone.

42
New cards

Supercardioid

Very narrow area of sensitivity

43
New cards

Wild Sound

Recording a sound effect closeup and without picture

44
New cards

Presence/Room Tone

The sound of a location without any single sound dominating

45
New cards

3 Types of Listening

Reduced, semantic, causal listening

46
New cards

Syncresis

forging a connection between what we hear and what we see

47
New cards

Causal Listening

A form of listening that asks, what is causing this sound? (we do this instinctively)

48
New cards

Semantic Listening

Listening to understand meaning

49
New cards

Reduced Listening

Focused on the qualities and textures of sound

50
New cards

Acousmatic Sound

Sound we hear without seeing its source

51
New cards

Diegetic Music

Music that comes from the world of the film

52
New cards

Non-Diegetic Music

Music that does not come from the world of the film

53
New cards

Action Match Cuts

A cut from one shot to another where the two are similar in action

54
New cards

Graphic Match Cut

A cut from one shot to another where the two shots have similar imagery/shapes

55
New cards

Montage

A series of related shots used to condense time or distance, set a mood, or summarize information (work best using different angles/imagery)

56
New cards

Shooting Ratio

The amount of footage that was filmed compared to the amount seen in the final film

57
New cards

Walter Murch's Six Rules

Emotion, Story, Rhythm, Eye-Trace, 3-dimensional plane of screen, 3-dimensional continuity