1/56
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced |
---|
No study sessions yet.
What Determines Exposure?
The size of the aperture
Aperture
How much light is coming through the lens, measured in f-stops
F-Stop
Measurement of aperture size, each one letting in half as much light
Depth of Field
How much of the image is in focus
What determines depth of field?
Aperture, focal length, distance from subject
ISO
International Standardization Organization, quantifies how sensitive the film sensor is to light
Color Temperature
Light temperatures have different energy levels (measured in Kelvin), create different color temperatures of light
White Balance
Setting this correctly helps the colors in your image look more accurate
Focal Length
the optical measurement of a lens
Prime Lenses
Fixed focal length
Zoom lenses
adjustable focal length
Wide Angle Lens (20 mm and under)
Depth is exaggerated, straight lines are distorted
Normal Lens (25-50mm)
Image is similar to our eyes
Telephoto Lens (70mm and up)
Compresses depth and magnifies
Camera height
The position of the camera above the ground & in relation to the subject.
Camera Angle
The angle at which the camera is pointed at the subject
Shot Size
Refers to the size of your subject in the frame
Wide Shot/Establishing Shot
Usually full-body image
Medium shot
waist up
Close-up
Head and shoulders
Screen Direction
When people leave the right side of the frame, they enter on the left (maintaining continuity)
180 degree rule
A pretend axis that goes between two characters to preserve an on-screen spatial relationship
When is it okay to break the 180 degree rule (cross the line)?
subject changes direction on camera, POV shots, camera crosses the line in continuous shot
Compositional Guidelines
Rule of thirds, head room, balance, angles, frame within a frame, leading lines, backgrounds
Cutting on Action
Cutting from one shot to another while the subject is still in motion
Clean Entrances/Exits
Holding a shot before and after an action occurs
Exterior Lighting
Place subject facing the sun, use a reflector, or use a fill light to brighten shadowed areas
Interior Lighting
focusing quartz, broads, and soft lights are all used for this
Fill Lighting
A light just bright enough to fill in the shadows made by the key light
Hard Lighting
illumination that creates sharp-edged shadows, created by using a narrow, focused area of light
Soft Lighting
Illumination that avoids harsh bright and dark areas, creating a gradual transition from highlights to shadows. Created by using more spread out light sources
Three-Point Lighting
A common arrangement using three directions of light on a scene: from behind the subjects (backlighting), from one bright source (key light), and from a less bright source balancing the key light (fill light).
Mise-en-scene
The staging, lighting, and framing of bodies, subjects, etc. Can also include: quality of light, setting, production design, costumes
Amplitude
Height of a sound wave (determines volume)
Frequency
the number of complete wavelengths that pass a point in a given time (determines pitch)
List the Microphone Types
lavalier, hand mike, supercardioid/shotgun mike
Lavalier Mike
A microphone that clips to a lapel (omnidirectional pickup pattern)
Hand Mike
All-purpose, can be dynamic or condenser (omnidirectional or cardioid pickup pattern)
Shotgun Mike
highly directional and is aimed from a distance at a specific area (supercardioid pickup pattern)
Omnidirectional
picks up sound in all directions
Cardioid
Heart-shaped pickup pattern of a unidirectional microphone.
Supercardioid
Very narrow area of sensitivity
Wild Sound
Recording a sound effect closeup and without picture
Presence/Room Tone
The sound of a location without any single sound dominating
3 Types of Listening
Reduced, semantic, causal listening
Syncresis
forging a connection between what we hear and what we see
Causal Listening
A form of listening that asks, what is causing this sound? (we do this instinctively)
Semantic Listening
Listening to understand meaning
Reduced Listening
Focused on the qualities and textures of sound
Acousmatic Sound
Sound we hear without seeing its source
Diegetic Music
Music that comes from the world of the film
Non-Diegetic Music
Music that does not come from the world of the film
Action Match Cuts
A cut from one shot to another where the two are similar in action
Graphic Match Cut
A cut from one shot to another where the two shots have similar imagery/shapes
Montage
A series of related shots used to condense time or distance, set a mood, or summarize information (work best using different angles/imagery)
Shooting Ratio
The amount of footage that was filmed compared to the amount seen in the final film
Walter Murch's Six Rules
Emotion, Story, Rhythm, Eye-Trace, 3-dimensional plane of screen, 3-dimensional continuity