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cyclical narrative
repetition of the phone calls
Ending
Cliffhanger
Genres
Well-made play
morality play
Crime thriller
Greek tragedy
Well-made play
An intricate and complex plot
The action builds to a climax
Concerned with events that happen before the play
Usually ends with a return to order
It is easy to manipulate the audience - they don’t know what happened before the play, and each revelation adds to the drama
Each character represents a problem in society and is revealed through the revelations - 7 deadly sins
Morality play
Sought to teach the audience lessons that focused on the 7 deadly sins:
Lust, gluttony, greed, sloth, wrath, envy and pride
Teaches the audience a series of lessons - Priestley relates these to beliefs about social responsibility, age, gender and class
Priestley delivers his beliefs of social responsibility through this genre- giving a moral lesson
Crime thriller
Centres around the suicide of Eva Smith - initially as a suicide investigation and not a murder investigation with no clear suspect
The behaviour of characters changes this
Encourages audience to become involved in the events of the play
Allows Priestley to deliver a message of social responsibility - reflect on actions as members of society
Greek tragedy
Follows the three unities of time, place and action
Time - the action of the play lasts as long as the play itself
Action - only 1 plot line
Place - everything takes place in 1 setting
Usually, a Greek tragedy follows the downfall of a single character whose hamartia leads to their downfall- in this case, it's all the character’s downfalls
Used to teach the audience about morally correct behaviour that fit the social normalities of that period and culture
Priestley uses genre to deliver messages on socialism and social responsibility to show the consequences of wrongdoings