SET 1 - History of Art: ID-2241: Exam 4

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Early Christian and

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<p>Name?</p><p>Date?</p><p>Period?</p><p>Facts?</p>

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Santa Pudenziana

Rome

410-417: Proliferation Period

Early Christian

  • Dedicate to Pudenziana 

    • A 2nd-century Christian girl who was killed because of her refusal to worship pagan Gods

  • Basilica Plan church

  • Apse Mosaic: "Christ Enthroned" 

    • mosiac

    • new figure for Christ

      • Emporer, teacher

      • Holds book, teachings will come through the church

    • Halo

    • Surrounded by architecture to represent his time on earth

    • influenece: Second style of Roman Wall Painting: Architectural 

    • Overlapping 

    • Planimetric separation

  • Altar placed below the mosaic 

    • Eucharist: Christian ritual

    • Commemoration of the “Last Supper”

    • Miraculous transformation of bread/wine into Christ 

  • Disciples: Roman senators

-Background: Jerusalem (Rome as "new Jerusalem")

-Symbols of the 4 evangelists (Matthew, Mark, Luke, John)

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Mausoleum of Galla Placidia, Ravenna

425

Early Christian

The plan is in cruciform 

  • Central Plan 

  • Ambulatory

  • Exterior

    • body unadorned, no decoration

    • avoids Greco/Roman orders

    • Brick: symbol of the human body

    • soil: ashes to ashes

    • earthly, we return to the earth

  • Interior

    • Mosaic - light reflections

    • immaterial 

    • symbolic of the soul or spirit

  • -Stark contrast with inside

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Mausoleum of Galla Placidia - “Good Shepherd” Mosaic, Ravenna

425 

Early Christian

  • Interacting with sheep now 

  • Sheep representing what he is here to protect

  • Holding a cross 

  • Christ has a a Halo

  • Christ is in human form

  • 3 sheep on both sides in a triangle

  • influenced by 2the nd Roman Wall Painting style: Architectural

  • Perspective systems

  • Overlapping + planimetric separation

  • Stark contrast with the outside

  • Cast Shadows - “earthliness human form of Christ “

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San Vitale, Ravenna

547

Byzantine

  • Dedicated to San Vitalis: martyred 2nd c.

  • Killed because of Christian practice during the persecution period

  • Central plan church

  • Ambulatory (walking place of church), gallery

    • Look down from the gallery above

  • Apse mosaic: "Second Coming"

  • Interior: mosaics (soul)

    • Central dome

    • Circular shapes around altar

    • High dome

    • Almost completely covered in glass and backed with gold 

    • light reflections

    • Windows bring in light to create refelctions reflections

    • soul/spirit

  • -Exterior: brick

    • human body

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"Second Coming" -  San Vitale, Ravenna

547

Byzantine

  • -Christ b/t two angels

  • -St. Vitalis and Bishop Ecclesius on the sides of Christ

  • Bishop is holding San Vitale 

    • Presenting the church to Christ in the second coming

  • Christ returns to judge and to rule

  • Christ is holding a Crown: earthly rule

  • Christ is holding a book: New Testament doctrine

  • Sitting on an orb

    • The Earth is a circular planet

    • round earth belief 

  • Shifting away from narrative, human, earthly, stories to spiritual concepts

  • Hieratic imagery

  • Flat perspective: "not earthly"

    • No perspective systems

    • Little to no overlapping

  • Golden sky: symbolic of heaven

  • No shadows: symbolic of souls/spirits

  • *Slanted feet: floating, non-corporeal

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"St. Apollinaris Amid Sheep" - Sant' Apollinare in Classe

549

Byzantine

  • Basilica Plan Church

  • Aspe

  • Nave

  • Apollinaris

    • Orant figure

    • as Christ-like

    • Good shepherd figura

    • has a halo

  • 12 sheep - 12 disciples

  • Hieratic imagery

  • Flat perspective: "not earthly"

  • Little overlapping

  • No shadows: symbolic of souls/spirits

  • Slanted feet: floating, non-corporeal

  • Hand floating in the Golden sky

    • Trying to anthropomize God the Creator

    • Stretching towards the earth

    • lines with Apollinaris and the altar 

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Hagia Sophia, Constantinople

537 

Byzantine

  • Justinian period was trying to combine the Eastern Empire and the Western Empire 

  • Reconcile and integrate the Central Plan church and the basilica plan church

  • Architect: Isidore of Miletus, physicist

    • Hemispheric dome

  • How to join a circle on a square?

    • Pendentives

    • Wall pier

  • -"Holy Wisdom"

  • Earthquake collapsed the original dome

    • nephew of Isodore, Isodore the Younger designed the new dome

    • lighter materials

    • made it taller

    • Added Cleresotry

      • 40 windows

      • allows light into the interior

      • less amount of mass

      • created a “floating effect“

  • Covered in mosaics

  • Used materials from the western and eastern empires

  • later transformed into an Islamic mosque

    • mosaic covered in white plastered in the 15th century during the conversion to Islamic mosque

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Important Info (Byzantine Art)

-Hieratic imagery

-Basilica plan: see Important Info (Early Christian Art)

-Dome: Hemispheric, onion

-Clerestory: upper part of nave + transepts containing many windows

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Early Christian Art characteristics

  • Conataine conveted to Christianity

    • Making it the state religion

  • Shemata representing human form

    • short, flat bodies

      • “Christian body deempahsized“

    • large heads

      • “Christian soul emphasized“

    • three: Trinity (Father, Son, Holy Spirit)

    • Moving from pagan times to Christian times

    • 1st to 5th century

    • religion of salvation

      • teaching ritual practice

    • religion of the afterlife 

      • funerary earthly body/ immortal soul doctrine

    • Period Of Persecution 

      • 1st and 3rd century

      • Killed for practicing Christianity 

      • Before Constaine converted 

      • Had to practice in secret before it was changed to the state religion

    • Period of Proliferation

      • 4th and 5th century

      • Having to make large churches for now a larger body 

      • Very specific purpose 

    • 410 Rome fell to the Visigoth invasion (King Alaric)

      • Resulted in the relocation of the capital of the Western Empire to Ravenna 

      • Surrounded by swamps (defensible)

      • on Adriatic Sea

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catacombs

funerary and scared

60 miles of subterranean tunnels in tufa beneath the city of Roman

Uses reserve columns

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Loculi

Catacombs: funerary shelves in the Catacombs which christian bodies were entombs

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“Roman Wall Painting“ - Catacombs, Rome

1st - 3rd Century

Early Christian Art- Persecution Period

  • Had to be ambiguous, so if caught, would be killed

  • Orant figure 

    • Christ Crucifixion

    • Mother and Child

  • Virgin Mary and Christ Child: Navity 

    • Christ in the temple

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Orant figure

prayerful pose, a cross

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figura

character type

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“Good Shepard“

1st - 3rd Century

Early Christian Art- Persecution Period

  • Figura of Christ

  • “I am the Good Shepherd “

  • youthful “human” schema: large head/de-emphasized body

  • rescue (salvation)

  • sheep/lamb on shoulders

  • Sheep/lamb being rescued by the Good Shepherd

  • Creates a cross (cruxifiction story)crucifixion

  • Avoids confusion with pagan gods

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“Old St. Peter’s“

320 

Early Christian Art- Proliferation Period

  • Burial site of Peter

  • Demolished in 1605 and restructed to New St, Peters

  • Provide large public space for worship

    • 3,000-4,000 worshippers

  • teach rituals 

  • Avoid similarity to pagan temples

    • No order (Doric, Ionic, Corinthian)

    • No use of monolithic columns

    • Reduce use of concrete

  • Mostly made out of wood

  • Basilica Plan Church 

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basilica plan church

  • Aspe: where the scared altar is located

    • Circular: scared

  • nave: procession way (the largest space in the church)

    • Longitudinal axis

    • Rectangular

  • aisle: three-part division (symbol to trinity)

  • Narthex: antechamber (entrance into church)

    • Transition from earthly/secular to sacred place

  • Cross-like shape: Cruciform

    • Transpet: crossing of nave

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Mosaic

glass, stone applied to a surface, tesserae

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tesserae

individual sections

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halo

a ring of ling that radiates from or around the head:holy, divine

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Central Plan

focused on the center

Makes use of ambulatory

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Ambulatory

walking path around interior

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Hieratic imagery

imagery that is not realistic in terms of representing space or figures

Imagery whose primary focus is to convey religious meaning/symbolism

“Spiritual event“

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Justinian mosaic panel - San Vitale, Ravenna

547

Byzantine

  • Left of Altar

  • Justinian the Great - emperor of the Eastern Roman Empire, 527-565

  • Eucharist: presentation of the bread to the altar 

  • Hieratic imagery

    • Golden sky

    • Slanted feet

    • no shadows

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Theodora mosicaic panel - San Vitale, Ravenna

547

Byzantine

  • Right of Altar

  • Theodora - wife of Justinian

  • Eucharist: presentation of the wine to the altar 

  • Hieratic imagery

    • Golden sky

    • Slanted feet

    • no shadows

  • Tesserae

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Pendentives

Concaves triangular supports of dome

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Wall pier

wall section supporting pendentive

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Apse mosaic: “Second Coming” - San Vitale, Ravenna

547

Byzantine

  • Christ is sitting was is on the world

  • angels on side of him 

  • floating in air 

  • golden sky

  • halo

  • mosiac