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Early Christian and
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Santa Pudenziana
Rome
410-417: Proliferation Period
Early Christian
Dedicate to Pudenziana
A 2nd-century Christian girl who was killed because of her refusal to worship pagan Gods
Basilica Plan church
Apse Mosaic: "Christ Enthroned"
mosiac
new figure for Christ
Emporer, teacher
Holds book, teachings will come through the church
Halo
Surrounded by architecture to represent his time on earth
influenece: Second style of Roman Wall Painting: Architectural
Overlapping
Planimetric separation
Altar placed below the mosaic
Eucharist: Christian ritual
Commemoration of the “Last Supper”
Miraculous transformation of bread/wine into Christ
Disciples: Roman senators
-Background: Jerusalem (Rome as "new Jerusalem")
-Symbols of the 4 evangelists (Matthew, Mark, Luke, John)

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Mausoleum of Galla Placidia, Ravenna
425
Early Christian
The plan is in cruciform
Central Plan
Ambulatory
Exterior
body unadorned, no decoration
avoids Greco/Roman orders
Brick: symbol of the human body
soil: ashes to ashes
earthly, we return to the earth
Interior
Mosaic - light reflections
immaterial
symbolic of the soul or spirit
-Stark contrast with inside

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Mausoleum of Galla Placidia - “Good Shepherd” Mosaic, Ravenna
425
Early Christian
Interacting with sheep now
Sheep representing what he is here to protect
Holding a cross
Christ has a a Halo
Christ is in human form
3 sheep on both sides in a triangle
influenced by 2the nd Roman Wall Painting style: Architectural
Perspective systems
Overlapping + planimetric separation
Stark contrast with the outside
Cast Shadows - “earthliness human form of Christ “

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San Vitale, Ravenna
547
Byzantine
Dedicated to San Vitalis: martyred 2nd c.
Killed because of Christian practice during the persecution period
Central plan church
Ambulatory (walking place of church), gallery
Look down from the gallery above
Apse mosaic: "Second Coming"
Interior: mosaics (soul)
Central dome
Circular shapes around altar
High dome
Almost completely covered in glass and backed with gold
light reflections
Windows bring in light to create refelctions reflections
soul/spirit
-Exterior: brick
human body

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"Second Coming" - San Vitale, Ravenna
547
Byzantine
-Christ b/t two angels
-St. Vitalis and Bishop Ecclesius on the sides of Christ
Bishop is holding San Vitale
Presenting the church to Christ in the second coming
Christ returns to judge and to rule
Christ is holding a Crown: earthly rule
Christ is holding a book: New Testament doctrine
Sitting on an orb
The Earth is a circular planet
round earth belief
Shifting away from narrative, human, earthly, stories to spiritual concepts
Hieratic imagery
Flat perspective: "not earthly"
No perspective systems
Little to no overlapping
Golden sky: symbolic of heaven
No shadows: symbolic of souls/spirits
*Slanted feet: floating, non-corporeal

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"St. Apollinaris Amid Sheep" - Sant' Apollinare in Classe
549
Byzantine
Basilica Plan Church
Aspe
Nave
Apollinaris
Orant figure
as Christ-like
Good shepherd figura
has a halo
12 sheep - 12 disciples
Hieratic imagery
Flat perspective: "not earthly"
Little overlapping
No shadows: symbolic of souls/spirits
Slanted feet: floating, non-corporeal
Hand floating in the Golden sky
Trying to anthropomize God the Creator
Stretching towards the earth
lines with Apollinaris and the altar

Hagia Sophia, Constantinople
537
Byzantine
Justinian period was trying to combine the Eastern Empire and the Western Empire
Reconcile and integrate the Central Plan church and the basilica plan church
Architect: Isidore of Miletus, physicist
Hemispheric dome
How to join a circle on a square?
Pendentives
Wall pier
-"Holy Wisdom"
Earthquake collapsed the original dome
nephew of Isodore, Isodore the Younger designed the new dome
lighter materials
made it taller
Added Cleresotry
40 windows
allows light into the interior
less amount of mass
created a “floating effect“
Covered in mosaics
Used materials from the western and eastern empires
later transformed into an Islamic mosque
mosaic covered in white plastered in the 15th century during the conversion to Islamic mosque
Important Info (Byzantine Art)
-Hieratic imagery
-Basilica plan: see Important Info (Early Christian Art)
-Dome: Hemispheric, onion
-Clerestory: upper part of nave + transepts containing many windows
Early Christian Art characteristics
Conataine conveted to Christianity
Making it the state religion
Shemata representing human form
short, flat bodies
“Christian body deempahsized“
large heads
“Christian soul emphasized“
three: Trinity (Father, Son, Holy Spirit)
Moving from pagan times to Christian times
1st to 5th century
religion of salvation
teaching ritual practice
religion of the afterlife
funerary earthly body/ immortal soul doctrine
Period Of Persecution
1st and 3rd century
Killed for practicing Christianity
Before Constaine converted
Had to practice in secret before it was changed to the state religion
Period of Proliferation
4th and 5th century
Having to make large churches for now a larger body
Very specific purpose
410 Rome fell to the Visigoth invasion (King Alaric)
Resulted in the relocation of the capital of the Western Empire to Ravenna
Surrounded by swamps (defensible)
on Adriatic Sea
catacombs
funerary and scared
60 miles of subterranean tunnels in tufa beneath the city of Roman
Uses reserve columns
Loculi
Catacombs: funerary shelves in the Catacombs which christian bodies were entombs

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“Roman Wall Painting“ - Catacombs, Rome
1st - 3rd Century
Early Christian Art- Persecution Period
Had to be ambiguous, so if caught, would be killed
Orant figure
Christ Crucifixion
Mother and Child
Virgin Mary and Christ Child: Navity
Christ in the temple
Orant figure
prayerful pose, a cross
figura
character type

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“Good Shepard“
1st - 3rd Century
Early Christian Art- Persecution Period
Figura of Christ
“I am the Good Shepherd “
youthful “human” schema: large head/de-emphasized body
rescue (salvation)
sheep/lamb on shoulders
Sheep/lamb being rescued by the Good Shepherd
Creates a cross (cruxifiction story)crucifixion
Avoids confusion with pagan gods

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“Old St. Peter’s“
320
Early Christian Art- Proliferation Period
Burial site of Peter
Demolished in 1605 and restructed to New St, Peters
Provide large public space for worship
3,000-4,000 worshippers
teach rituals
Avoid similarity to pagan temples
No order (Doric, Ionic, Corinthian)
No use of monolithic columns
Reduce use of concrete
Mostly made out of wood
Basilica Plan Church
basilica plan church
Aspe: where the scared altar is located
Circular: scared
nave: procession way (the largest space in the church)
Longitudinal axis
Rectangular
aisle: three-part division (symbol to trinity)
Narthex: antechamber (entrance into church)
Transition from earthly/secular to sacred place
Cross-like shape: Cruciform
Transpet: crossing of nave
Mosaic
glass, stone applied to a surface, tesserae
tesserae
individual sections
halo
a ring of ling that radiates from or around the head:holy, divine
Central Plan
focused on the center
Makes use of ambulatory
Ambulatory
walking path around interior
Hieratic imagery
imagery that is not realistic in terms of representing space or figures
Imagery whose primary focus is to convey religious meaning/symbolism
“Spiritual event“

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Justinian mosaic panel - San Vitale, Ravenna
547
Byzantine
Left of Altar
Justinian the Great - emperor of the Eastern Roman Empire, 527-565
Eucharist: presentation of the bread to the altar
Hieratic imagery
Golden sky
Slanted feet
no shadows

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Theodora mosicaic panel - San Vitale, Ravenna
547
Byzantine
Right of Altar
Theodora - wife of Justinian
Eucharist: presentation of the wine to the altar
Hieratic imagery
Golden sky
Slanted feet
no shadows
Tesserae
Pendentives
Concaves triangular supports of dome
Wall pier
wall section supporting pendentive

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Apse mosaic: “Second Coming” - San Vitale, Ravenna
547
Byzantine
Christ is sitting was is on the world
angels on side of him
floating in air
golden sky
halo
mosiac