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CREATIVE PRINCIPLES
The principles that guide the development and combination of architectural plans, masses, volumes, and exterior forms.
ARCHITECTURAL DESIGN
The process of developing an idea into a practical and aesthetically satisfying architectural solution.
FUNCTIONAL DESIGN
Design concerned with the practical arrangement, comfort, and structural efficiency of a building.
FUNCTIONAL DESIGN PURPOSE
Determines proper room sizes, circulation, lighting, ventilation, and structural layout.
AESTHETIC DESIGN
Design that combines beauty with function and structure to create architecture rather than mere building.
LOGICAL BEAUTY
A building that is functional but lacks the spirit and aesthetic quality of architecture.
FUNCTION OF THE STRUCTURE
Arranging volumes to suit human use and activities.
RELATIONSHIP OF UNITS
The correct placement of spaces to ensure proper circulation.
PHYSICAL QUALITIES OF UNITS
Spaces should have the correct size and shape for furniture, equipment, and human activities.
STRENGTH OF THE STRUCTURE
The logical and economical use of materials and construction.
RELATION TO FUNCTION
The structural system should suit the building's purpose and appearance.
ECONOMY OF MATERIALS
Arrange plan elements to avoid complicated construction and material waste.
ADEQUACY OF STRUCTURE
The structure must provide sufficient strength and protection.
HONESTY OF EXPRESSION
Materials should be used truthfully and should express their real nature rather than imitate others.
APPEARANCE OF THE STRUCTURE
A building should be organized aesthetically using sound compositional principles.
COMPOSITION OF MASS AND VOLUME
The arrangement of masses, volumes, surfaces, and details according to the principles of composition.
PRINCIPLES OF COMPOSITION
Contrast, Proportion, Scale, Balance, Rhythm, Unity, and Character.
PLAN COMPOSITION
The organization of a building plan based on a logical scheme or parti.
PARTI
The basic organizing idea or concept behind a plan.
AXIAL ARRANGEMENT
The organization of a plan around major and minor axes.
MAJOR AXIS
The primary organizing line of a composition.
MINOR AXIS
A secondary axis usually perpendicular to the major axis.
SYMMETRICAL PLAN
A plan where elements are balanced equally on both sides of a central axis.
UNSYMMETRICAL PLAN
A plan organized around an important element without requiring symmetry.
PLAN TYPES
A variety of geometric plan organizations derived from squares, rectangles, circles, crosses, courts, wings, and asymmetrical arrangements.
PROPORTION
The relationship between the size, shape, and tone of the parts of a composition.
RELATIVE PROPORTION
The relationship among the parts of an object.
ABSOLUTE PROPORTION
The relationship of the whole object to its individual parts.
GOLDEN MEAN
An ideal proportional rectangle based on the diagonal of a square.
INCLUSIVE RECTANGLE
A rectangle derived using the Golden Mean proportion.
EXCLUSIVE RECTANGLE
A second proportional rectangle based on the Golden Mean.
EQUILATERAL TRIANGLE
A triangle with equal sides and angles considered naturally well-proportioned.
CIRCLE AND SQUARE
Basic geometric forms commonly used as the foundation of architectural design.
CLASSICAL ORDERS
A proportional system standardized during the Renaissance through the works of Vignola and Palladio.
BASIS OF PROPORTION
Natural materials, manufactured dimensions, construction methods, government requirements, traditional standards, Ken, and the Modular.
HUMAN PROPORTIONS
The use of the human body as the basis for determining architectural proportions.
RULE OF THUMB
Traditional accepted dimensional standards used in design.
KEN
A Japanese proportional module based on the dimensions of a tatami mat.
MODULAR
Le Corbusier's proportional system based on human measurements.
SCALE
The relationship of architectural elements to one another and to the human body.
PURPOSE OF SCALE
To ensure buildings and spaces are comfortable and appropriate for human use.
GENERIC SCALE
The size of a building element relative to surrounding forms.
HUMAN SCALE
The size of a building element relative to the dimensions of the human body.
INTIMATE SCALE
A scale that creates a close, personal feeling.
NORMAL SCALE
A scale appropriate for everyday human activities.
MONUMENTAL SCALE
A scale that creates grandeur and importance.
SHOCKING SCALE
An exaggerated scale intended to surprise or create dramatic impact.
SCALAR SEQUENCE
The progression of scale used to create visual experience.
SIMPLE PROGRESSION
A gradual change in scale.
PREPARATION-SURPRISE
A sequence where ordinary spaces lead to a dramatic change in scale.
RULE OF SCALE
Architectural elements should maintain proportions familiar to human experience to avoid awkward or unrealistic designs.