CLAS242 - The Flavian Period

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1
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<p>Identify and Analyze</p>

Identify and Analyze

Portrait of Vespasian, Musei Capitolini, Rome

The Flavian Period

69 CE - 96 CE

  • Next Emperor

    • Nero was a weak emperor at the end

      • various uprisings before Nero commits suicide after the praetorian guards turned on him

    • Year of the Four Emperors

      • many people trying to claim the throne

      • Order of the 4

        • Galba, magistrate, proclaims himself against Nero, becomes Emperor

        • Otho kills Galba, becomes Emperor

        • Vitellius beats Galba in battle, Galba kills himself, Vitellius becomes Emperor

        • Vespasian kills Vitellius, now he is the new Emperor

  • Back to Italian Verism

    • consciously rejecting Augustan Classicism

    • differentiating himself from the Julio-Claudians

    • balding, wrinkles, nasolabial lines, etc.

      • actually looks his true age

    • “forget the chaos of the wars etc.”

      • age showing wisdom as a steady, calming, guiding hand

  • Message still more important thank showing what he truly looked like

2
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<p>Identify and Analyze</p>

Identify and Analyze

Portrait of Titus, Rome

The Flavian Period

69 CE - 68 CE

  • Next Emperor

    • Son of Vespasian

  • Verism

    • carried on from his father

    • jowls, big jaw, thinning hair, etc

    • so much consistency in Titus’ portraits that it can only be assumed that there was really only one model that was sent to artists

  • Change in Proportions

    • Augustus as Pontifex

      • tall and thin

    • Titus

      • squared off and more squat

      • mimicking of Italic relief sculpture, also seen on the Tomb of the Breadmaker

  • Magistrate

    • outfit with scroll in hand

3
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<p>Identify and Analyze (two images)</p>

Identify and Analyze (two images)

Colosseum, Rome, plan and elevation drawing

The Flavian Period

69 CE - 96 CE

  • aka, the Flavian Amphitheatre

  • known as Colosseum for its proximity to he Colossus Neronis

    • a 120 foot tall bronze statue of Nero meant to mimic the Colossus of Rhodes

  • Golden Palace destroyed by Flavians

    • wanted to give the land back to the people

    • dedicated the colosseum in 80CE

  • Not only amphitheatre at time, nor very innovative

    • just the biggest/most lavish in Rome

    • everything that could be put into a colosseum was put into this

  • Features

    • Brickwork + Marble Panelling on outside

    • Use of concrete as a structural support for large-scale buildings with great unsupported spaces

    • Sections related to ticket prices

      • each entrance with specific numbers for seating

    • Retractable (kind of) roof

      • a giant tarp covered the top 3rd

      • ropes and pulleys on wenches on ground

        • sailors were hired to man the rigging since they had the experience

    • Sand floor

      • trap doors for animals to suddenly appear from

      • dollies/people to be lowered/raised up from

    • Watertight cement base

      • could flood the central area to recreate naumachiae

        • sea/naval battles

    • Basement

      • gladiator changerooms

      • cages for animals

  • Entertainment

    • reenactments of myth/historical fights

      • all the ones where Rome won, of course

    • public executions

  • 3 Tiers

    • Tuscan columns on bottom

    • Ionic on the second

    • Corinthian on the 3rd

  • Meant to show the power of the Flavian emperors/their control over the resources of the empire

    • also benefits that their rule brings to Rome

<p>Colosseum, Rome, plan and elevation drawing</p><p>The Flavian Period</p><p>69 CE - 96 CE</p><ul><li><p>aka, the Flavian Amphitheatre</p></li><li><p>known as Colosseum for its proximity to he Colossus Neronis</p><ul><li><p>a 120 foot tall bronze statue of Nero meant to mimic the Colossus of Rhodes</p></li></ul></li><li><p>Golden Palace destroyed by Flavians</p><ul><li><p>wanted to give the land back to the people</p></li><li><p>dedicated the colosseum in 80CE</p></li></ul></li><li><p>Not only amphitheatre at time, nor very innovative</p><ul><li><p>just the biggest/most lavish in Rome</p></li><li><p>everything that could be put into a colosseum was put into this</p></li></ul></li><li><p>Features</p><ul><li><p>Brickwork + Marble Panelling on outside</p></li><li><p>Use of concrete as a structural support for large-scale buildings with great unsupported spaces</p></li><li><p>Sections related to ticket prices</p><ul><li><p>each entrance with specific numbers for seating</p></li></ul></li><li><p>Retractable (kind of) roof</p><ul><li><p>a giant tarp covered the top 3rd</p></li><li><p>ropes and pulleys on wenches on ground</p><ul><li><p>sailors were hired to man the rigging since they had the experience</p></li></ul></li></ul></li><li><p>Sand floor</p><ul><li><p>trap doors for animals to suddenly appear from</p></li><li><p>dollies/people to be lowered/raised up from</p></li></ul></li><li><p>Watertight cement base</p><ul><li><p>could flood the central area to recreate naumachiae</p><ul><li><p>sea/naval battles</p></li></ul></li></ul></li><li><p>Basement</p><ul><li><p>gladiator changerooms</p></li><li><p>cages for animals</p></li></ul></li></ul></li><li><p>Entertainment</p><ul><li><p>reenactments of myth/historical fights</p><ul><li><p>all the ones where Rome won, of course</p></li></ul></li><li><p>public executions</p></li></ul></li><li><p>3 Tiers</p><ul><li><p>Tuscan columns on bottom</p></li><li><p>Ionic on the second</p></li><li><p>Corinthian on the 3rd</p></li></ul></li><li><p>Meant to show the power of the Flavian emperors/their control over the resources of the empire</p><ul><li><p>also benefits that their rule brings to Rome</p></li></ul></li></ul><p></p>
4
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<p>Identify and Analyze (two images)</p>

Identify and Analyze (two images)

Colosseum, Rome, facade and detail of entrance arcade

The Flavian Period

69 CE - 96 CE

  • aka, the Flavian Amphitheatre

  • known as Colosseum for its proximity to he Colossus Neronis

    • a 120 foot tall bronze statue of Nero meant to mimic the Colossus of Rhodes

  • Golden Palace destroyed by Flavians

    • wanted to give the land back to the people

    • dedicated the colosseum in 80CE

  • Not only amphitheatre at time, nor very innovative

    • just the biggest/most lavish in Rome

    • everything that could be put into a colosseum was put into this

  • Features

    • Brickwork + Marble Panelling on outside

    • Use of concrete as a structural support for large-scale buildings with great unsupported spaces

    • Sections related to ticket prices

      • each entrance with specific numbers for seating

    • Retractable (kind of) roof

      • a giant tarp covered the top 3rd

      • ropes and pulleys on wenches on ground

        • sailors were hired to man the rigging since they had the experience

    • Sand floor

      • trap doors for animals to suddenly appear from

      • dollies/people to be lowered/raised up from

    • Watertight cement base

      • could flood the central area to recreate naumachiae

        • sea/naval battles

    • Basement

      • gladiator changerooms

      • cages for animals

  • Entertainment

    • reenactments of myth/historical fights

      • all the ones where Rome won, of course

    • public executions

  • 3 Tiers

    • Tuscan columns on bottom

    • Ionic on the second

    • Corinthian on the 3rd

  • Meant to show the power of the Flavian emperors/their control over the resources of the empire

    • also benefits that their rule brings to Rome

  • Vomitorium

    • “spit the people out of the building”

    • barrel vaults for entrances/exits

<p>Colosseum, Rome, facade and detail of entrance arcade</p><p>The Flavian Period</p><p>69 CE - 96 CE</p><ul><li><p>aka, the Flavian Amphitheatre</p></li><li><p>known as Colosseum for its proximity to he Colossus Neronis</p><ul><li><p>a 120 foot tall bronze statue of Nero meant to mimic the Colossus of Rhodes</p></li></ul></li><li><p>Golden Palace destroyed by Flavians</p><ul><li><p>wanted to give the land back to the people</p></li><li><p>dedicated the colosseum in 80CE</p></li></ul></li><li><p>Not only amphitheatre at time, nor very innovative</p><ul><li><p>just the biggest/most lavish in Rome</p></li><li><p>everything that could be put into a colosseum was put into this</p></li></ul></li><li><p>Features</p><ul><li><p>Brickwork + Marble Panelling on outside</p></li><li><p>Use of concrete as a structural support for large-scale buildings with great unsupported spaces</p></li><li><p>Sections related to ticket prices</p><ul><li><p>each entrance with specific numbers for seating</p></li></ul></li><li><p>Retractable (kind of) roof</p><ul><li><p>a giant tarp covered the top 3rd</p></li><li><p>ropes and pulleys on wenches on ground</p><ul><li><p>sailors were hired to man the rigging since they had the experience</p></li></ul></li></ul></li><li><p>Sand floor</p><ul><li><p>trap doors for animals to suddenly appear from</p></li><li><p>dollies/people to be lowered/raised up from</p></li></ul></li><li><p>Watertight cement base</p><ul><li><p>could flood the central area to recreate naumachiae</p><ul><li><p>sea/naval battles</p></li></ul></li></ul></li><li><p>Basement</p><ul><li><p>gladiator changerooms</p></li><li><p>cages for animals</p></li></ul></li></ul></li><li><p>Entertainment</p><ul><li><p>reenactments of myth/historical fights</p><ul><li><p>all the ones where Rome won, of course</p></li></ul></li><li><p>public executions</p></li></ul></li><li><p>3 Tiers</p><ul><li><p>Tuscan columns on bottom</p></li><li><p>Ionic on the second</p></li><li><p>Corinthian on the 3rd</p></li></ul></li><li><p>Meant to show the power of the Flavian emperors/their control over the resources of the empire</p><ul><li><p>also benefits that their rule brings to Rome</p></li></ul></li><li><p>Vomitorium</p><ul><li><p>“spit the people out of the building”</p></li><li><p>barrel vaults for entrances/exits</p></li></ul></li></ul><p></p>
5
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<p>Identify and Analyze</p>

Identify and Analyze

Colosseum, Rome, sestertius of the amphitheater

The Flavian Period

69 CE - 96 CE

The Flavian Period

69 CE - 96 CE

  • aka, the Flavian Amphitheatre

  • known as Colosseum for its proximity to he Colossus Neronis

    • a 120 foot tall bronze statue of Nero meant to mimic the Colossus of Rhodes

  • Golden Palace destroyed by Flavians

    • wanted to give the land back to the people

    • dedicated the colosseum in 80CE

  • Not only amphitheatre at time, nor very innovative

    • just the biggest/most lavish in Rome

    • everything that could be put into a colosseum was put into this

  • Features

    • Brickwork + Marble Panelling on outside

    • Use of concrete as a structural support for large-scale buildings with great unsupported spaces

    • Sections related to ticket prices

      • each entrance with specific numbers for seating

    • Retractable (kind of) roof

      • a giant tarp covered the top 3rd

      • ropes and pulleys on wenches on ground

        • sailors were hired to man the rigging since they had the experience

    • Sand floor

      • trap doors for animals to suddenly appear from

      • dollies/people to be lowered/raised up from

    • Watertight cement base

      • could flood the central area to recreate naumachiae

        • sea/naval battles

    • Basement

      • gladiator changerooms

      • cages for animals

  • Entertainment

    • reenactments of myth/historical fights

      • all the ones where Rome won, of course

    • public executions

  • 3 Tiers

    • Tuscan columns on bottom

    • Ionic on the second

    • Corinthian on the 3rd

  • Meant to show the power of the Flavian emperors/their control over the resources of the empire

    • also benefits that their rule brings to Rome

  • Vomitorium

    • “spit the people out of the building”

    • barrel vaults for entrances/exits

6
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<p>Identify and Analyze</p>

Identify and Analyze

Wall mosaic of Neptune and Amphitrite, Herculaneum

The Flavian Period

69 CE - 96 CE

  • Herculaneum

    • maybe a Greek colony as there are many Greek things there

      • slowly taken over by Italians in this sense

  • Wall Mosaic

    • not floor, wall

      • concrete, little cartoon plan, and then add on the tessarae

        • little squares that make up a mosaic

        • Tesselated - made up of tessarae

    • Polychromy

      • lots and lots of colours

      • most mosaics in Rome were black and white

        • easier in shades

      • far more expensive/elaborate

  • similarity to 3rd style

    • just that everyone is always playing off of everyone else

    • similarities coming from trends/inspirations

  • Marriage of Neptune and Amphitrite

    • more represented in Roman art than Greek

7
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<p>Identify and Analyze</p>

Identify and Analyze

Hercules painting, Sacellum of the Augustales, Herculaneum

The Flavian Period

69 CE - 96 CE

  • Meaning of Name:

    • little room for Priest of Augustus

  • anyone was able to come in and worship a deified emperor

  • Mythological scenes

    • Hercules, mythical founder of the city

      • also a favourite of the emperors

    • Greek Style

      • similar to sculpture

      • contrapossto, heroic nudism, curly hair and beard

      • all speaks the the history of Herculaneum

  • Egyptian blue

    • first synthetic paint ever created

      • meant to mimic the colour of lapis lazuli as a cheaper alternative

    • Romans call it cerulean

    • use of it demonstrates the wealth of Herculaneum

8
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<p>Identify and Analyze</p>

Identify and Analyze

Altar relief, Temple of the Deified Vespasian, Pompeii

The Flavian Period

69 CE - 96 CE

  • Sacrifice to Domitian

    • Next Emperor after Titus

      • brother of Titus, son of Vespasian

    • head covered - religious context

    • backdrop - temple

  • guy with ox and hammer for sacrifice

  • Greek Style

9
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<p>Identify and Analyze</p>

Identify and Analyze

Plan of the House of the Vettii, Pompeii, renovations

The Flavian Period

69 CE - 96 CE

  • Owned by Two Brothers

    • Aulus Vettius Conviva

    • Aulus Vettius Restitutus

    • freed slaves

      • got money and then presented their house as Roman like

    • example of a house that wasn’t owned by the rich

      • sub-elite commercial identity

  • House reorganized after earthquake in 62 CE

    • Tablinum

      • room in front for man of house to accept visitors/clients

      • does not exist here (removed) because they were slaves so no client system for them

      • house now opened directly into a peristyle garden

        • garden best styled/decorated in house in stead of atrium

        • now the most important reception area as well

  • Houses painting of Priapus

10
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<p>Identify and Analyze</p>

Identify and Analyze

Priapus painting, front foyer, House of the Vettii, Pompeii

The Flavian Period

69 CE - 96 CE

  • Priapus, god of Fertility

    • in charge of all kinds of fertility

      • yourself, peace, happiness, wealth, agriculture, children, etc.

    • representation of abundance

      • phallus on scale against a bag of money

        • “notice how they are balanced”

        • Priapus bringing fertility to money

      • cornucopia spilling out behind him

    • commercial rather that patrician identity

    • represented with large erect phallus

      • similar to Satyrs

      • always shown as erect because all they’re interested in is sex

        • comedic aspect of satyrs

  • Found in Entryway of House ofthe Vettii

    • Apotropaic

      • common attribute of entrance decoration

      • often incorporated phallic imagery

11
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<p>Identify and Analyze</p>

Identify and Analyze

Pinacotheca n, House of the Vettii, Pompeii

The Flavian Period

69 CE - 96 CE

  • Pinacotheca

    • literally a picture gallery

    • a room deocrated with mural paintings that replicate Greek panel paintings

      • often copies or variations of famous pictures

  • All paintings linked to Greek myths that reinforce religious authority

    • all fourth style paintings

    • Pasiphae

      • King Mino’s wife

      • Minos angered Poseidon by withholding a beautiful white bull (sacred to Poseidon) from sacrifice to him

      • Poseidon cursed Pasiphae to fall in love passionately with that bull

      • Pasiphae ordered Daedalus to build her a cow that she could climb inside which would then allow the bull to fall in love with the wooden cow so that she could be fucked by the bull

      • she fell pregnant with the Minotaur

12
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<p>Identify and Analyze</p>

Identify and Analyze

Pinacotheca p, House of the Vettii, Pompeii

The Flavian Period

69 CE - 96 CE

  • Pinacotheca

    • literally a picture gallery

    • a room deocrated with mural paintings that replicate Greek panel paintings

      • often copies or variations of famous pictures

  • All paintings linked to Greek myths that reinforce religious authority

    • all fourth style paintings

    • Baby Hercules

      • myth where two snakes crawled into his crib as a baby to kill him, sent by Hera (another bastard son of Zeus)

      • Hercules strangles them

      • based on Greek original from 5th century BCE

13
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<p>Identify and Analyze</p>

Identify and Analyze

Cupids as fullers, painted frieze, reception room Q, House of the Vettii, Pompeii

The Flavian Period

69 CE - 96 CE

  • Multiple Cupids at once- becomes comedic in Roman art

    • laugh with them, not at them

    • baby doing manual labour - a baby can’t do that! how funny

    • later leads to renaissance baby angels

  • Tasks relating to Love

    • jewelry making

    • perfume making

    • garland stringing

    • cloth dying

  • Vettii

    • fullers

      • dye wool/cotton/leather

      • the process of dying STANK

        • included urine for well-working properties

      • happened in the heart of Pompeii, that city STANK

14
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<p>Identify and Analyze</p>

Identify and Analyze

Paintings in the central hallway, lupanar, Pompeii

The Flavian Period

69 CE - 96 CE

  • Lupanar

    • a brothel

    • small cells, stone beds/pillows

      • contrats with evocative wall paintings in the hallway

  • Wall Paintings

    • erotic

      • meant to arose? menu items for the illiterate/couldn’t speak latin?

    • typically heterosexual

      • homosexual, more risqué, threesomes etc. were reserved more for private settings/domestic homes

  • Napals Museum

    • “Secret Room”

      • all of these “explicit” findings from Pompeii (which were everywhere) were hidden in there

      • “innapropriate” for the public to see

        • even though most of them were erect phalluses that had been put up throughout the city as apotropaic/fertility images

      • contained

        • nude statues/paintings

        • penis statues

        • dildos

      • opened up this room to the 18+ public 10-15 years ago

15
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<p>Identify and Analyze</p>

Identify and Analyze

Floor mosaic from a Roman villa, Zliten, Libya, Flavian

The Flavian Period

69 CE - 96 CE

  • Roman’s Material Production + Wealth

    • an example

  • North Africa

    • Romans moving there and their culture follows

  • Expensive

    • lots of colours and types of decoration

    • fish

      • real fish you can catch in the Mediterranean

  • Dining Room

    • to show guests and the public

    • you’re serving fish to your guests and you say “look down! that’s the fish we’re eating right now”

  • Mosaic Border

    • Athletic contests/Gladiator fights

    • Venationes

      • animal hunts

        • included deer and ostriches

    • Big Cat + man Tied Up

      • damnatio ad bestias

        • condemnation to the animals

      • feeding the Christians to the lions in the colosseum

    • Roman Laws of Fights

      • some kinds of gladiator fights were not allowed

      • these rules wrre loose in the provinces

16
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<p>Identify and Analyze</p>

Identify and Analyze

Detail of arena events, floor mosaic from a Roman villa, Zliten, Libya, Flavian

The Flavian Period

69 CE - 96 CE

  • Roman’s Material Production + Wealth

    • an example

  • North Africa

    • Romans moving there and their culture follows

  • Mosaic Border

    • Athletic contests/Gladiator fights

    • Venationes

      • animal hunts

        • included deer and ostriches

    • Big Cat + man Tied Up

      • damnatio ad bestias

        • condemnation to the animals

      • feeding the Christians to the lions in the colosseum

    • Roman Laws of Fights

      • some kinds of gladiator fights were not allowed

      • these rules wrre loose in the provinces

17
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<p>Identify and Analyze</p>

Identify and Analyze

Portrait bust of Domitian, Rome

The Flavian Period

69 CE - 96 CE

  • Next Emperor

    • son of Vespasian, brother of Titus

    • Titus died prematurely from a fever

    • last of Flavian rulers

  • Poor reputation

    • Damnatio Memoriae - “Damnation of Memory”

      • where everyone hates you so much they chip your face and name off of all your statues

      • an attempt to erase them from history

      • this one unaffected

  • Classical Elements

    • smoothness of the face

18
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<p>Identify and Analyze</p>

Identify and Analyze

Statue of Domitian, face replaced with Nerva, Sacellum of the Augustales

The Flavian Period

69 CE - 96 CE

  • Next Emperor

    • son of Vespasian, brother of Titus

    • Titus died prematurely from a fever

    • last of Flavian rulers

  • Poor reputation

    • Damnatio Memoriae - “Damnation of Memory”

      • where everyone hates you so much they chip your face and name off of all your statues

      • an attempt to erase them from history

      • this one later re-carved as Nerva, a later emperor

  • Emperor on Horse

    • role portraiture of military might

19
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Portrait bust of a Flavian lady, Rome

The Flavian Period

69 CE - 96 CE

  • Greek Classical Style

    • makes it impossible to track styles/chronologies

    • everyone mean to look like Greek Goddesses

  • How to tell differences?

    • hair and clothing changes with times

  • Elaborate Hair

    • as a way of women presenting their wealth/personal taste

    • Thought this style was only artistic/not real/impossible to do in reality

      • a hairdressed recreated it in real life with simple tools that would have been available at time period

  • Sculpture

    • chunks of hair vs. individual strands

      • much easier to carve clumps of hair to give the impression of individual hairs

    • bow drill

      • acts like a drill and a router

        • allows them to create huge pockets of shadow

          • interesting effect with light

          • highlights the 3D

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<p>Identify and Analyze (two images)</p>

Identify and Analyze (two images)

Portraits of the Vespasian and Titus, Sacellum of the Augustales, Misenum

The Flavian Period

69 CE - 96 CE

  • Verism + Classical

    • older heads and Greek hero body combo

      • conveying message: Emperor is a hero

    • Common Roman viewer has no problem with the mixture

<p>Portraits of the Vespasian and Titus, Sacellum of the Augustales, Misenum</p><p>The Flavian Period</p><p>69 CE - 96 CE</p><ul><li><p>Verism + Classical</p><ul><li><p>older heads and Greek hero body combo</p><ul><li><p>conveying message: Emperor is a hero</p></li></ul></li><li><p>Common Roman viewer has no problem with the mixture</p></li></ul></li></ul><p></p>
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<p>Identify and Analyze</p>

Identify and Analyze

Arch of Titus, Rome, overall view up the Via Sacra (Sacred Way)

The Flavian Period

69 CE - 96 CE

  • Roman Victory Arch

    • great example

    • once a general was successful, they host a triumph

    • then their relative would build an arch for them

  • Best surviving Arch

    • SPQR + “Divine Titus” and “Divine Vespasian”

      • if they are already deified - Domitian who built it

      • SPQR - Senatus Populusque Romanus - “Senate and the People of Rome

    • Spandrels

      • area above arch and below the very top of it

      • flying Victorias

22
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<p>Identify and Analyze</p>

Identify and Analyze

Relief of Spoils from the Temple in Jerusalem, Arch of Titus, Rome

The Flavian Period

69 CE - 96 CE

The Flavian Period

69 CE - 96 CE

  • Roman Victory Arch

    • great example

    • once a general was successful, they host a triumph

    • then their relative would build an arch for them

  • Best surviving Arch

    • SPQR + “Divine Titus” and “Divine Vespasian”

      • if they are already deified - Domitian who built it

      • SPQR - Senatus Populusque Romanus - “Senate and the People of Rome

    • Spandrels

      • area above arch and below the very top of it

      • flying Victorias

  • Inside Sculpture

    • surrounded by it when under the Arch

    • Military Campaign Scene

      • Menorah - put down of the revolt in Judea

        • bringing back the spoils. from sacking a Jewish temple

        • “we have power over your gods” - we have this religious object that is important to your worship

    • Victory Parade

      • Tabula ansata

        • would have been signs explaining to the surrounding crowd what they were seeing/what had happened

    • Arch on the Arch

      • ¾ view

      • while crowd is in profile

      • as you move to the right, figures get smaller and in less relief until they are going under the arch

      • gives a sense of turning and three dimensional space

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<p>Identify and Analyze</p>

Identify and Analyze

Relief of Titus in triumphal chariot, Arch of Titus, Rome

The Flavian Period

69 CE - 96 CE

  • Roman Victory Arch

    • great example

    • once a general was successful, they host a triumph

    • then their relative would build an arch for them

  • Best surviving Arch

    • SPQR + “Divine Titus” and “Divine Vespasian”

      • if they are already deified - Domitian who built it

      • SPQR - Senatus Populusque Romanus - “Senate and the People of Rome

    • Spandrels

      • area above arch and below the very top of it

      • flying Victorias

  • Inside Sculpture

    • surrounded by it when under the Arch

  • Triumph Procession Relief

    • Titus in Quadriga

      • four horse chariot

      • big deal, this was Santa in the Santa Parade level big

    • Mythical Figures

      • Victoria, crowning Titus

      • Virtus, personification of martial prowess

      • personifications of SPQR

    • Variation of heads for depth

      • lower detail in distance

    • Three Dimensional Attempt

      • Titus, ¾ view

      • Horse, profile

      • Gods, frontal

      • gives a sense of turning

    • Classical Style

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<p>Identify and Analyze</p>

Identify and Analyze

Cancelleria relief of adventus of Vespasian, Rome

  • Roman Victory Arch

    • great example

    • once a general was successful, they host a triumph

    • then their relative would build an arch for them

  • Best surviving Arch

    • SPQR + “Divine Titus” and “Divine Vespasian”

      • if they are already deified - Domitian who built it

      • SPQR - Senatus Populusque Romanus - “Senate and the People of Rome

    • Spandrels

      • area above arch and below the very top of it

      • flying Victorias

  • Inside Sculpture

    • surrounded by it when under the Arch

  • Top Panel Relief

    • crazy decoration

    • Coiffures

      • little rosettes/egg and darts

        • decorative and a way of breaking up the mundane

    • Titus on Eagle

      • Jupiter

      • symbolic of him being brought up to the heavens, being deified

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New cards
<p>Identify and Analyze</p>

Identify and Analyze

Cancelleria relief of profectio of Domitian, Rome

The Flavian Period

69 CE - 96 CE

  • Cancelleria Villa

  • Ideal + Classical

  • Adventus

    • Arriving

    • the emperor coming back from victory or touring

  • Profectio

    • Leaving

    • Emperor leaving for war or to go tour

  • Later both are standard representations of showing the emperor coming and going

  • Later re-carved as Nerva

  • Mythological Figures

    • Victoria

    • Mars

    • Minerva, his patron deity

    • Virtus, holding Domitian’s elbow while personifications of SPQR follow him

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<p>Identify and Analyze</p>

Identify and Analyze

Collocatio relief, Tomb of the Haterii, Rome

The Flavian Period

69 CE - 96 CE

  • Private Relief Sculpture

    • continuity of Italic sculptural subjects and conventions

    • common wealthy did not equal those of emperor

      • don’t need to worry about political messages/gaining the favor of the people

  • Italic Style

    • scales + different heights

  • Collocatio

    • the lying in state of the deceased

      • subject in Greek, Lucanian, and Etruscan art

    • a wealth family would have it take place in the atrium of the family home

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<p>Identify and Analyze</p>

Identify and Analyze

Plan of the Palace of Domitian, Palatine Hill, Rome

The Flavian Period

69 CE - 96 CE

  • New Palace on Palatine Hill

    • taking over from Nero, leftover land from destruction of Domus Aurea

    • taking over of original house of Augustus

    • largest and best preserved palace

  • Baths, temples, stadiums

    • personal box for emperor off of his bedroom to watch events in stadium

  • Architects playing around with concrete

  • covers all earlier palaces of Tiberius, Caligula, and Nero

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<p>Identify and Analyze</p>

Identify and Analyze

Garden with central fountain, Palace of Domitian, Palatine Hill, Rome

The Flavian Period

69 CE - 96 CE

  • Peristyle

    • columns all around

  • Water fixtures

    • in middle

    • meant to be both entertaining while also having a cooling aspect

  • Modern though of Concrete

    • cheap alternative to other things

    • yet here you have it all throughout an Emperor’s palace

      • marble would break/crack easily

      • concrete outlasts many other things

  • Concrete

    • solved problem of how to light the rooms without daylight

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New cards
<p>Identify and Analyze</p>

Identify and Analyze

Fountain adjacent to the dining room, Palace of Domitian, Palatine Hill, Rome

The Flavian Period

69 CE - 96 CE

  • many water features

    • acts as a coolant in humidty/heat of Mediterranean climate

  • Emperors trying to offer all the comforts needed

  • known that architects would build windows with lots of wind behind and waterfalls in front to bring in a cooling spray

  • Hypocaust System

    • Roman

    • for when winter came

    • common in Roman baths

    • Warm Room

      • warm yourself up

      • stays warm through the bleed off of the hot room

      • built directly beside hot room

    • Hot Room

      • sweat off

      • floor supported by piers with a cavity below

      • slaves would keep fires beneath flooring

      • heat rises to heat the pools

      • heat also rises through channel pipes built into the walls of the hot room to heat those/the air too

    • Cold Room

      • Cool down