1/95
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced |
---|
No study sessions yet.
Mak’s wife
Who is Gill?
the sheep Mak stole
What is Gill hiding in the cradle?
Daw
Who is the youngest shepherd?
a ball
What does Daw bring Baby Jesus?
England and Bethlehem
Where does The Second Shepherd’s Play take place?
in a house
Where does Trifles take place?
she isn’t present
they mention her when they discuss what happened
what role does Mrs. Wright play in the production of Trifles?
county attorney
Who is George Henderson in Trifles?
a dead canary
What does Mrs. Peters discover in the box in the sewing basket?
it was too cold
Why did the preserves break in the cabinet in Trifles?
on a ferris wheel
Where does the play Ferris Wheel take place?
it’s a tradition her dad started of facing your fear once a year
Why is Dorie on the ferris wheel?
heights
What is Dorie afraid of?
he can’t smoke a cigarette while he’s stuck
Why does John get scared on the Ferris Wheel?
traveling salesmen
What does John do for a living?
eisodoi
wide pathways on either side of the orchestra
shaman
a religious leader
trochaic tetrameter
formal verse
satyr
goatskin clad followers of dionysus
thespis
the first Greek actor
aeschylus
increased the number of actors to two
534 BC
theatre as we know it was born
skene
hut or tent
chitons
full length robes
ekkyklema
a rolling cart
pinakes
panels of abstractly painted scenery
mechane
cranes that could fly actors
dithyramb
an ancient, drunken dance chant fertility ritual that celebrated the birth of the wine god
tetralogy
four play sequence
tragoidia
goat song
thymele
altar
orchestra
large cleared space on the ground
onkoi
fanciful wiggings
periaktoi
three sided scenic pieces
ritual
a collective ceremony performed by members of society
nine tragedies
how many plays did lucius annaeus seneca write?
Plautus’s The Menachmi Twins
inspired/became the source for shakespeare’s The Comedy of Errors
prologue
the opening speech
religion
greek theater has its origins in…?
Asia minor
Where the Roman theatre of Aspendos was built
Lucius Annaeus Seneca
Emperor Nero’s tutor
Publius Terentius Afer (Terence)
the freed african slave who wrote six comedies
prologue, parodos, agon, episode, stasimon, and exodos
the six parts of a Greek play
Sophocles
increased the number of actors on the stage from two to three
comedy and tetralogy
the two forms of Greek drama in the beginning of the 5th century BC
Euripedes
the youngest Greek tragedians
Titus Maccius Plautus
most popular of the Roman playwrights
The Bacchae by euripides
the last known Greek tragedy
box set
a three dimensional construction of interconnected hard covered “flats” that represent the walls and occasionally the ceilings of a real room and then filled with furniture
trompe-l’oeil
eye deceiving
flat
sturdy wooden frames covered in soft or hard surfaces and then painted or treated
cyclorama
a scenic backdrop at the rear of the stage that often represents the sky
The Great White Way
nickname for Broadway
himation
the gownlike basis costume of the Greek tragic actor
producer
the person responsible for assembling the ingredients of a play production
biomechanical constructivism
an acting method characterized by bold gestures and rapid, near acrobatic movement
casting
90% of directing, the assigning of parts to an actor or actors
Appia
urged the fluid use of space, form, and light
backdrop
large flat scenery pieces at the rear of the stage
Paul Fort
theatre d’art in paris
halos
devices to redirect sunlight made of reflective metal
light plot
a plan showing the placement of each lighting instrument
scrim
loosely wove, gauzy fabric which looks opaque when lit from the front and transparent when lit from behind
theater
seeing place
arena
theatre in the round
followspot
a swivel mounted lighting instrument that can be pointed in any direction by an operator
1879
when electricity was introduced in american theaters
renderings
drawings first in black and white and then in color
thundersheets
hanging sheets of tin that rumbled ominously when rattled
pace
the only aspect of a play that audiences can hold the director accountable for
Erwin Piscator
german designer who experimented with projections
didaskalos
teacher
blocking
the timing and placement of actors entrances, exits, rises, crosses, embraces and other major movements
verisimilitude
lifelikeness
forced perspective
a technique that creates the illusion of depth on a flat surface
proscenium format
most widely used theatre format in the world
space, form, and light
the fundamental principles of dramatic design
platforming in scene design
creates a stage that allows the actor(s) to be seen better by elevating them
platforms, flats, and draperies
the traditional building blocks of stage scenery
visibility, focus, lifelikeness, and atmosphere
the four primary considerations for the lighting designer
performance
an action or series of actions taken for the ultimate benefit of someone else
natyasastra
the principle work of dramatic theory, encompassing dance and music and science of drum
“suspension of disbelief”
the avoidance of critical thinking and logic in understanding something that is unreal or impossible in reality
naturalism
a style and theory of representation based on the accurate depiction of detail
play
what happens in theatre, patterned action
Bertolt Brecht
german poet, playwright, and theatrical reformer
comedy
a genre of dramatic performance that aims to bring laughter and humor to plays/the theater
antagonist
someone who opposes the main hero or protagonist of the play
Aristotle
ancient Greek philosopher and scientist
presentational and representational
the two things that a theatrical performance always is
genre and duration
classifications of plays
resolution
denouement
presentational mode of performance
performer acknowledges and interacts or responds to audience
representational mode of performance
performers act as if the audience isn’t there
plot, character, thought, diction, music, spectacle, and convention
the seven components of a play
masks in theater
provide a physical and symbolic separation between the actor and the character