regular pulsation; a basic unit of length in musical time
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accented
the emphasis on a beat resulting in its being louder or longer than another in a measure
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meters
organization of rhythm in time; the grouping of beats into larger, regular patterns, notated as measures
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measures
metric grouping of beats, notated on the musical staff with bar lines
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downbeat
first beat of the measure, the strongest in any meter
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duple meter
basic metrical pattern of two beats to a measure
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triple meter
basic metrical pattern of three beats to a measure
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quadruple meter
basic metrical pattern of four beats to a measure
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simple meter
meter in which the beat is divided into two, as in duple, triple, and quadruple meters
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compound meters
a vigorous dance developed in the British Isles, usually in compound meter; became fashionable on the Continent as the gigue; still popular as an Irish traditional dance genre
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sextuple meter
compound metrical pattern of six beats to a measure
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syncopation
deliberate upsetting of the meter or pulse through a temporary shifting of the accent to a weak beat or an offbeat
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offbeat
a weak beat or weak portion of a beat
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polyrhythm
the simultaneous use of several rhythmic patters or meters, common in twentieth-century music and certain African musics
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nonmetric
music lacking a strong sense of beat or meter, common in certain non-Western cultures
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chord
simultaneous combination of three or more pitches that constitute a single block of harmony.
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harmony
the simultaneous combination of notes and the ensuing relationships of intervals and chords
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tonic
the first note of the scale, or key; do
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tonality
principle of organization around a tonic, or home, pitch, based on a major or minor scale
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dissonance
combination of tones that sounds discordant and unstable, in need of resolution.
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consonance
concordant or harmonious combination of pitches that provides a sense of relaxations and stability in music.
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drone
sustained sounding of one or several pitches for harmonic support, a common feature of some folk musics.
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pitch
highness or lowness of a note, depending of frequency
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frequency
number of vibrations per second
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staff
5 parallel lines
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volume
loudness or softness of a sound
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climax
The high point in a melodic line or piece of music, usually representing the peak of intensity, range, and dynamics.
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melody
succession of single pitches perceived by the ear as unity
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countermelody
an accompanying melody sounded against the principal melody.
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range
distance between the highest and lowest pitches in a melody; either narrow, medium, or wide
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contour
overall shape of a melodic line; upward, downward, or static
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interval
distance and relationship between 2 pitches
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conjunct
smooth, connected melody that moves principally by small intervals
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disjunct
disjointed or disconnected melody with many leaps
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phrase
unit of meaning within a larger structure
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cadence
resting place in a musical phrase; musical punctuation.
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rhyme scheme
arrangement of rhyming words at the end of poetic lines
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octave
Interval between two notes eight diatonic pitches apart; the lower note vibrates half as fast as the upper and sounds an octave lower.
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half steps
Smallest interval used in the Western system; the octave divides into twelve such intervals; on the piano, the distance between any two adjacent keys, whether black or white. Also semitone.
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Microtone
Musical interval smaller than a semitone (half step), prevalent in some non-Western musics and some twentieth-century music.
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chromatic
Melody or harmony built from many if not all twelve pitches of the octave. A chromatic scale consists of an ascending or descending sequence of half steps.
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whole step
Interval consisting of two half steps.
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Key
Defines the relationship of pitches with a common center, or tonic. Also a lever on a keyboard or woodwind instrument.
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major scale
Scale consisting of seven different pitches that comprise a specific pattern of whole and half steps (W-H-W-W-H-W-W). Differs from the minor scale primarily in that its third degree is raised half a step.
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dominant
The fifth scale step, sol
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Minor scale
Scale consisting of seven different pitches that comprise a specific pattern of whole and half steps (W-H-W-W-H-W-W). Differs from the major scale primarily in that its third degree is lowered half a step.
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Pentatonic
Five-note pattern used in some African, Far Eastern, and Native American musics; can also be found in Western music as an example of exoticism. See also gapped scale.
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tritonic
Three-note pattern used in some African, Far Eastern, and Native American musics; can also be found in Western music as an example of exoticism.
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inflection
Small alteration of the pitch by a microtonal interval. See also blue note.
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rest chord
A chord that achieves a sense of resolution or completion, normally the tonic.
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active chords
In the diatonic system, chords that need to resolve to the tonic chord. These include the dominant and subdominant chords.
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subdominant
Fourth scale step, fa
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modulation
The process of changing from one key to another.
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transposition
The shifting of a piece of music to a different pitch level.
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Monophony
Single-line texture, or melody without accompaniment.
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heterophony
Texture in which two or more voices (or parts) elaborate the same melody simultaneously, often the result of improvisation.
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polyphony
Two or more melodic lines combined into a multivoiced texture, as distinct from monophonic.
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counterpoint
The art of combining in a single texture two or more melodic lines.
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homophony
Texture with a principal melody and accompanying harmony, as distinct from polyphony.
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homorhythm
Texture in which all voices, or lines, move together in the same rhythm.
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imitation
Melodic idea presented in one voice or part and then restated in another, each part continuing as others enter.
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canon
Type of polyphonic composition in which one musical line strictly imitates another at a fixed distance throughout.
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round
Perpetual canon at the unison in which each voice enters in succession with the same melody (for example, Row, Row, Row Your Boat).
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Contrast
the use of opposing musical elements to emphasize difference and variety
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strophic form
Song structure in which the same music is repeated with every stanza (strophe) of the poem.
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through-composed
Song structure that is composed from beginning to end, without repetitions of large sections.
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Variation
The compositional procedure of altering a preexisting musical idea. See also theme and variations.
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binary form
Two-part (A-B) form with each section normally repeated. Also two-part form.
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Ternary form
Three-part (A-B-A) form based on a statement (A), contrast (B), and repetition (A). Also three-part form.
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theme
melodic idea used as a basic building block in the construction of a piece. Also subject.
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thematic development
Musical expansion of a theme by varying its melodic outline, harmony, or rhythm. Also thematic transformation
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sequence
Restatement of an idea or motive at a different pitch level.
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motive
short melodic or rhythmic idea; the smallest fragment of a theme that forms a melodic-harmonic-rhythmic unit.
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call and response
Singing, especially in Gregorian chant, in which a soloist or a group of soloists alternates with the choir.
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responsorial music
performance style with a singing leader who is imitated by a chorus of followers.
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tempo
the rate of speed or pace of music.
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grave
solemn (very, very slow)
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largo
broad (very slow)
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adagio
quite slow
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andante
a walking pace
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moderato
moderate
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allegro
fast (cheerful)
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vivace
lively
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presto
very fast
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molto
more
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meno
less
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poco
a little
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non troppo
not too much
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accelerando
getting faster
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ritardando
holding back, getting slower
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a tempo
in time, or returning to the original pace
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dynamics
the loudness or softness at which a piece of music is played.