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Sequences
Beethoven Archduke Piano Trio Op. 97
Notes of anticipation
Liszt Consolation No.2 in E
Balanced phrasing
Liszt Consolation No.2 in E
Counter-melody
Beethoven Archduke Piano Trio Op.97
Appoggiaturas
Purcell "Music for a While"
Syllabic
Joseph Horovitz - all numbers of "Captain Noah and His Floating Zoo"
Hocketing
Scalic motion
Phillip Glass "Dracula Suite"
Diminished sevenths
Beethoven Pathétique Piano Sonata No.8
Half-diminished chord
Tchaikovsky Romeo and Juliet Fantasy-Overture
Cycle of fifths
Queen "Killer Queen"
French sixth
Vaughan Williams On Wenlock Edge No.3 "Is My Team Ploughing?"
Neapolitan 6th chord
Bach Three-Part Invention No.4 in D minor
Functional harmony/reliance on key chords
Mozart Piano Concert No.21
Dominant pedal
Beethoven Pathétique Piano Sonata No.8
Tonic pedal
John Williams Star Wars: Episode IV A New Hope "Main Title/Rebel Blockade Runner"
Open fifths
Debussy La Cathédrale Engloutie
Parallel harmony / 1st inversion parallel chords
Vaughan Williams On Wenlock Edge I: "On Wenlock Edge"
Second inversion chords
Britten's Four Sea Interludes "Moonlight"
Plagal cadence
Handel's Messiah "Hallelujah Chorus"
Dominant sevenths and third inversion dominant sevenths
Bill Haley and The Comets "Rock Around the Clock"
Chromaticism
Tritones
Saint Saens "Danse Macabre" Op.40
Second subject in the relative major (like usual)
Mozart Symphony No.40 G minor Mv1
In recapitulation, goes into tonic major for second subject (unusual)
Mendelssohn – Piano Trio No.1 Op.49
Ambiguous tonality/uses of E Lydian and mixolydian modes
Debussy "La cathédrale engloutie"
Mixolydian mode (major with flattened seventh)
Britten Serenade for tenor, horn and strings
Atonality
Bartok String Quartet No.1 Mv.1
Phrygian
Vaughan Williams "Fantasia on a theme of Thomas Tallis"
Bitonality
Vaughan Williams Symphony No.2 "London"
Counterpoint/imitation
Beethoven "Archduke" Piano Trio Op.97
Homophony + homorhythm
Mendelssohn Piano Trio No.1 Op.49
Melody-dominated homophony
Chopin Waltz in A minor Op. Posth
2-part texture
Bartok String Quartet No.1 Mv.1
Monophony
Same as above
Unison
Bartok String Quartet No.1 Mv.1
8-part texture
Fugal exposition
Sonata form
Beethoven Piano Sonata No.8 "Pathétique"
Introduction (in sonata form)
Same as above
Very long first subject
Beethoven's Septet in Eb
Cadenza-like passage transitioning between intro and exp
Beethoven's Piano Sonata No.8 "Pathétique"
Usually, end of transition between first and second subject has imperfect cadence but here stands still on dominant (medial caesura)
Schubert's Violin Sonatina in A minor
Second subject based on material from first subject
Haydn Sonata Hob:XVI 49
Recapitulation not starting in tonic
Mozart Sonata K545
Short coda
Mahler's Symphony No.5 Mv.3
Long coda
Dvorak's Symphony No.7 last movement
Double stopping
Beethoven Archduke Piano Trio Op.97
OR
Vaughan Williams "Fantasia on a Theme of Thomas Tallis"
All instruments have melodic interest
Pizzicato
Tchaikovsky "Valse sentimentale" Op.51 No.6
OR
Bartok String Quartet No.1 Mv.2
Pedal markings
Beethoven Piano Sonata No.8 "Pathétique"
Mutes
John Williams "Reunion" from "Far Away"
Tremolo
Franz Waxman "The Bride of Frankenstein" Suite
OR
Javier Navarrete "Deep Forest (Bosque Profundo)"
Harmonics
Sul ponticello
Franz Waxman's "The Bride of Frankenstein" Suite
Trills
Javier Navarrete "Deep Forest (Bosque Profundo)"
Reduced orchestration (for film music)
Phillip Glass "Dracula Suite"
Extreme ranges of pitch / high tessitura
Javier Navarrete "Deep Forest (Bosque Profundo)"
Low tessitura
Honegger "Pacific 231"
Soli
Berlioz - Harold in Italy
Ritardando
Liszt Consolation No.2 in E
Syncopation
Beethoven Archduke Piano Trio Op.97
Cross rhythms
Debussy - "Prélude a l'après-midi d'un faune"
Dotted rhythms
Debussy - "La mer"
Moto-perpetuo
Honegger "Pacific 231"
Slow constant crotchet movement
Hans Zimmer "S T A Y" from Interstellar
Constant quaver movement
Beethoven Archduke Piano Trio Op.97
Rhythmic dislocation
Metric modulation