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Principle of Superposition
When multiple waves overlap, resulting wave is sum of their displacements
Constructive Interference
Waves in phase add up, increasing amplitude
Destructive Interference
Waves out of phase cancel each other
Complex Wave
Combination of multiple sine waves
Harmonics
Integer multiples of a fundamental frequency
Contribute to voice quality and timbre (essential for speech production)
Source Filter Model
Explains how vocal fold vibrations generate harmonics, which are shaped by the vocal tract to produce speech sounds
Partials
Frequency components of a complex sound
Can be harmonic or inharmonic
Overtones
Similar to harmonics but numbered differently
Anything that is higher than the fundamental frequency
1st harmonic = fundamental frequency
2nd harmonic = first overtone
Inharmonicity
Crucial for understanding speech consonants (Fricatives and plosives)
Fourier Analysis
All waves decomposed into sine waves
Fourier Synthesis
Combines sine waves to create complex waves
Line Spectrum
Sharp vertical lines; used for periodic signals (musical notes)
Each peak represents a harmonic
Height indicates the amplitude
Continuous Spectrum
Continuous frequency representation; used for non periodic signals
Spread out energy across frequencies
No distinct harmonies
Spectrogram
Displays how frequencies change over time
Periodic Waves
Repeat at regular intervals and contain harmonics
Aperiodic Waves
Do not repeat and have a broad frequency spectrum
Ex: /s/, /sh/ sounds
White noise
Equal intensity at all frequencies
Appears random and consistent
Used for sound masking, testing equipment, audio calibration
Pink Noise
Equal energy per octave (more energy in lower frequencies)
More balanced to human hearing
Used in audio testing, acoustic measurements, sound masking
Impulse Sound
Sudden sound bursts containing a broad frequency range (very high energy)
Instantaneous and sharp sounds with high intensity; non repeating
Used for acoustics testing, impact noise, sonic testing, etc.