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Indictation
use of stereotypical gestures
a physical shorthand to simplify complex moment of human experience
inappropriate acknowledgement of audience
Problems: 1. Interrupts audience’s willing suspension or disbelief 2. insults audience’s intelligence
Concentration
the focusing of an actor’s attention (task, person, object…)
immediate circle - small area, actor in center
Intermediate - several people, furniture
distant - everything an actor can see on stage
Public Solitude
actor only focusing on the actions on stage and not the audience
Magic IF
“What if I were the character in these circumstances…”
Sense Memory/recall
The recall and recreation of sensory experiences to aid actor create sensations of the moment.
Given Circumstances
all that the character encounters living in the environment of the play, influences…
Place
immediate location of the scene and conditioning forces that arise (sensory, temp, smell, sounds) (characters relationship with the place)
Spine
character’s life goal
Super Objective
character’s overarching goal for the play
Intention
objective
specific purpose for character to be on stage. give meaning behind the actor’s words.
Beat/Beat Action
What changes occur in the scene
Obstacles
Impediments (problems) to the achievement of the objective
Tactic
Approach to the solution of the problem
Strategy
character’s overall plan to achieve the objective
Discovery
when the character discovers new knowledge or understanding
Sense of the “first time”
when character appears to be experiencing the events of the scene for the first time
Subtext
the true inner thoughts and feelings of the character that are not communicated with words
Moment Before
preparation technique to get the motor going for a scene
Relationship
the state of affairs between characters (factual and feeling)
Stakes/Importance
circumstances which make prospect of failure a serious problem and success a high achievement.
Sense of truth
something that is not in existence but could happen.