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Louis Sullivan
“Form follows function.”
Cass Gilbert
One the first “celebrity” American Architects
Pioneered cladding a steel frame that became a model for skyscrapers
He believed architecture should reflect historic traditions and the established social order
He was also well-known for his design of public and government buildings in the US
Cass Gilbert
Most famous for Woolworth Building (1912) - Gothic skyscraper; It was the tallest building in the world from 1939 to 1929
Woolworth Building
Cass Gilbert’s Most famous building (1912)
Gothic skyscraper; It was the tallest building in the world from 1939 to 1929
Auguste Perret
Was a student at École des Beaux-Arts
Although his early work was Nationalist Romantic Style and Art Nouveau, his main interest was the structure of buildings and the use of new materials, such as concrete
Louis Sullivan
Entered MIT at 16
Influential architect of the Chicago School
Worked with William Le Baron Jenney
Rejected borrowing classical Greek and Roman Elements
He’s known for designing building which like a Column has a Base, Shaft, Capital (Ground floor shops, Offices, Attic)
an inspiration to the Chicago group of architects who have come to be known as the Prairie School
Louis Sullivan
Called the “Father of Modernism”
Dankmar Adler
Sullivan Partnered with ______
established the firm ___ and Sullivan
Louis Sullivan
Mentor to Frank Lloyd Wright
Guaranty Building
made by Alder and Sullivan
Made use of the fireproof steel frame
Optimum development (more vertical space)
Multi-Storey rentable space
Auditorium Building
Sullivan and Adler became well-known for this work in Chicago
Louis Sullivan
“It is the nature of our task that in seeking the form we will find the function”
Louis Sullivan
He used natural ornaments as a metaphor for a democratic society
Strongly advocated for the development of uniquely American architectural forms
Adolf Loos
“ornament is a crime”
Adolf Loos
Influenced by Sullivan + Chicago School
Influential European theorist and a polemicist of modern architecture.
Developed the “Raumplan” (lit. spatial plan) method of arranging interior spaces
Raumplan
Developed by Adolf Loos
(lit. spatial plan) method of arranging interior spaces
Adolf Loos
Time + talent of craftsmen should not be wasted on making ornaments
Objects may one day become obsolete (and thus do not need adornment)
Frank Lloyd Wright
“We have primarily the new ideal of a building as organic. A building should be as dignified as a tree in the midst of nature.”
Froebel Gifts
Are educational play materials for young children, originally designed by Friedrich Frobel
The blocks in the set were geometrically shaped and could be assembled in various combinations to form two- and three-dimensional compositions
Organic Architecture
Harmony between human habitation and the natural world.
Site-sympathetic design approaches
Buildings, furnishings, and surroundings become part of a unified, interrelated composition.
Solomon R. Gugenheim Museum
an organically designed piece of architecture in an urban setting.
the museum buidling’s design was controversial when it was completed but praised later on.
A 6 store helical ramp extends along the perimeter of the structure
The concept was that of an inverted ziggurat.
The helical ramp was said to be inspired by Giuseppe Momo’s helical staircase in the Vatican Museums
Alvar Aalto
Finnish architect and designer
Believed painting and sculpture as "branches of the tree whose trunk is architecture.”
Alvar Aalto
His career is characterized by a concern for design as Gesamtkunstwerk—a total work of art (exterior and interior have to be unified)
Gesamtkunstwerk
Alvar Alto’s career is characterized by a concern for design as ___________ —a total work of art (exterior and interior have to be unified)
Alvar Aalto
Mid-century modern (furniture)
He pioneered bent plywood furniture
He was fond of curves
Alvar Aalto
His Design Approach: the building itself a contributor to the healing process. He liked to call the building a "medical instrument”
Finlandia Hall
designed by Alvar Aalto
monumental congress and event venue in Helsinki
The interior design of the building is a tribute to the principle of the Gesamtkunstwerk, that is, the total work of art. The design of each lamp, piece of furniture, panel, flooring material and decorative board is a reflection of Aalto's maturity