Chapter 14: Ancient Mediterranean Worlds

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18 Terms

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Paleolithic period

  • hunter gatherer lifestyle

  • animals as subject matter focus

  • cave paintings and small sculptures

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Neolithic period

  • settled communities and agriculture

  • permanent architecture

  • domesticated animals

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Sumerian empire

rulers: -

  • cuneiform and ziggurats using sun-dried blocks

  • ziggurats stored stylized votive small figures

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Akkadian empire

rulers: Sargon I & Naram-Sin

  • idealized anatomy

  • cuneiform text to recount victory on stele

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Babylonian (Amorites) empire

ruler: King Hammurabi

  • emphasized law versus art

  • divine law recorded in cuneiform text on stele

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Assyrian empire

ruler: Assurnasirpal II

  • citadels

  • human-headed winged figures

  • designed to impress and/or intimidate visitors

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Neo-Babylonian empire

ruler: Nebuchadnezzar

  • great architecture

  • developed arch before Romans

  • masters of decorative design

  • full of brilliant color

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Menkaure & Hatshepsut

  • Egyptian

  • continuity

  • conservatism and rigid organization

  • focused on the dead and afterlife

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Akhenaten (Amenhotep) & Nefertiti

  • Egyptian

  • brief change of Egyptian conventions

  • relaxed, intimate, naturalistic

  • depictions of monotheistic culture

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Tutankhamun (Tut)

  • Egyptian

  • reimposed traditional Egyptian style

  • gold as eternal (flesh of the golds)

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Cycladic

  • Aegean

  • geometric figurines (possibly for ritual use)

  • know almost nothing about the people who made them

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Minoan

  • Aegean

  • fresco stories that celebrate life, sports, nature

  • common imagery of bulls

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Mycenaean

  • Aegean

  • fortified palaces

  • elaborate burial customs and tombs

  • influenced by Egyptians

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Greece - Late geometric

  • geometric motifs

  • human figure proportions

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Greece - archaic

  • korous, rigid form

  • systems of proportions

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Greece - classical

  • “finest of fine”

  • idealized naturalism

  • contrapposto

  • architectural classical order

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Greece - hellenistic

  • non-idealized figures

  • dynamic poses

  • extreme emotion

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Rome

  • idealized public portraits and monuments of rulers

  • equestrian status

  • busts of citizens remembered as individuals

  • Pompeii frescos

  • artistic fusion with Greeks and conquered cultures