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Visual Literacy
> a term gaining usage in the 1960s to examine strategies of perception, often Gestalt-based
> Historically, it concentrated more on formal than content readings
> Reflected late modernist "scientific" design ideas; now, the term is used to mean having some facility with visual culture
Formal
What it looks like
Content
What it means
Visual Culture
> Studies visual aspects of cultural artifacts
> Considers artifacts as complex embodiment of socially constructed concepts & norms; vision as culturally determined
> Tends to de-emphasize hierarchal status for art
> Most VC introductions privilege content over formal aspects
Visual Forces
> the “nuts & bolts” of composition
> Analogous to physical forces in the world
Gestalt Principles
> Gestalt - German for “form; pattern,” and as applied in Gestalt psychology it means “unified whole” or “configuration”
> Essential point of Gestalt is that in perception the whole is different from the sum of its parts
Six Laws of Gestalt
> Law of Pragnanz
> Law of Proximity
> Law of Similarity
> Law of Good Continuation
> Law of Closure
> Law of Figure/Ground
Law of Pragnanz
> Pragnanz - German for “good figure:’’ law of simplicity.
> We are innately driven to experience things in as symmetrical, simple, and regular a gestalt as possible
Law of Proximity
Elements that are closer together will be perceived as a coherent object
Law of Similarity
Elements that look similar will be perceived as part of the same form
Law of Good Continuation
We tend to continue contours whenever the elements of the pattern establish an implied direction
Law of Closure
We tend to enclose a space by completing a contour and ignoring gaps in the figure
Law of Figure/Ground
A stimulus will be perceived as separate from its ground
Surface
> The Field
> The Center
> The Edge
> Top & Bottom
> Left & Right
> Grouping
> The Picture Plane
> Mark-Making
> Texture
> Pattern & Ornament
> The Grid
The Field
Visual field; closed-off area where visual forces react
The Center
A question of visual weight; visual, not actual; every shape or group is different
The Edge
“Magnetism” of edge; decision of where to crop; can express a transitory moment
Top & Bottom
Works with intuitive sense of grave, work with or against; can exploit sense of potential energy
Left & Right
Reading habit; can play with sequence
Grouping
Graspable visual pattern; can be formal or conceptual
The Picture Plane
Literal/illusion; historically various emphases
Mark-Making
Specific evocative quality; sets tone
Texture
Actual and/or visual; helps give visual weight
Patern & Ornament
Repition-based; can give texture, add or shade meaning; underlying grid system (pattern); large historic baggage
The Grid
A proportional system to organize forms on a surface