History of Cinema: Development and Progress

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Vocabulary flashcards covering the development and progress of cinema, including Hollywood pioneers, global film movements, and the history of Korean cinema.

Last updated 1:39 AM on 7/20/26
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36 Terms

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Nicephore Niepce

Creator of the oldest surviving photo heliograph.

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Edward Muybridge

The first to use photos to move in sequence with a zoopraxiscope, commissioned by Stanford.

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George Eastman

Inventor of celluloid and film rolls and business partner of Thomas Edison.

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Louis Le Prince

Creator of the oldest surviving motion pictures.

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Kinetograph and Kinetoscope

Devices invented by Thomas Edison in the 1890s for recording and viewing early motion pictures.

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Black Maria

The first movie studio, founded by Thomas Edison.

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Lumiere Brothers

Inventors of the Cinematograph who conducted the first presentation of projected film and were the first documentarists.

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The Great Train Robbery

The first film to use editing and a mobile camera, which signaled the beginning of the Western genre.

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Pauvre Pierrot

The first animated feature, created in 1892 by Charles Emile Reynaud.

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Alice Guy Blache

The first female filmmaker, who shot "The Cabbage Fairy" in 1896.

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Hiralal Sen

The first Asian filmmaker from India, though all of his films were destroyed.

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The Story of the Kelly Gang

The first full-length feature film, made by Australian Charles Tait in 1906.

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Nickelodeon

An early 20th-century form of small-sized neighborhood movie theaters that catered to working-class audiences, women, and children.

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The Birth of a Nation (1915)

A 3-hour long film by D.W. Griffith that is the highest-grossing film of the US silent era; it is admired for technical innovation but controversial for glorifying the KKK.

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Studio System

A movie business model characterized by a factory assembly-line process focusing on production, distribution, and exhibition.

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Big 5

The major production companies of the early studio system: Paramount, MGM, 20th Century Fox, RKO Radio Pictures, and Warner Bros.

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Little 3

Secondary production companies in the studio system: Columbia, Universal, and United Artists.

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French Impressionism

A film movement that maximized the beauty of images and the psychological stages of characters.

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German Expressionism

A film movement utilizing tilting, impossible sets, high angles, and deep shadows/lighting.

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United Artists

A studio formed by D.W. Griffith, Mary Pickford, Douglas Fairbanks, and Charles Chaplin to allow actors to pursue their own interests.

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Lillian Gish

Nicknamed the "first lady of American cinema," she had a major role in "The Birth of a Nation."

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Clara Bow

The first sex symbol in Hollywood history, known as "The It Girl."

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MPA (Motion Picture Association)

An American trade association responsible for anti-file sharing and administering the US rating system (G, PG, PG13, R, NC-17).

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Hays Code

A set of moral guidelines for films established by the first president of the MPAA, Will Hays.

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Kino Drama

A combination of film and play that imitated Japanese shinpa melodramas, exemplified by "Fight for Justice" (1919).

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Byunsa

Core performers in the Korean silent film era who narrated and provided voices and emotions for the characters.

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Arirang (1926)

A film made by Na Woon Kyu that was a display of Korean pride and patriotism and popularized the national folk song.

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Dansungsa

The first movie theatre owned by Korean business people and the longest-running.

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Crossroads of Youth (1934)

The oldest surviving full-length silent film in Korea.

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Sweet Dream (Lullaby of Death) (1936)

The oldest surviving talkie in Korean history, directed by Joonam Yang.

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Flowers and Trees (1932)

The first ever color movie, produced by Disney as part of the "Silly Symphonies."

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HUAC (House Un-American Activities Committee)

The committee responsible for blacklisting hundreds of Hollywood workers, including the Hollywood 10, due to suspected communist ties.

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Italian Neo-realism

A post-WWII movement focusing on poverty and injustice, often shot on location with nonprofessional actors, such as "The Bicycle Thief" (1948).

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French New Wave (Nouvelle Vague)

A movement based on andre bazin's "auteur" theory, utilizing creative editing and ad-libbed narratives.

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Chungmuro Era

Beginning in the 1950s, this area was home to many Korean filmmakers and production companies.

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Cinemascope

An anamorphic system used for showing widescreen movies starting in the 1950s.