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Hill & Adamson, Mrs. McDonald, about 1845, Salted paper print from a calotype negative
Wilson A. Bentley, Snowflake, late 19th-early 20th century, Photomicrograph on printing-out paper with gold chloride toning from glass plate negative
Jean Eugène Auguste Atget, (with the participation of Berenice Abbott), L'Eclipse - April 1912, negative 1912, printed in 1956 from original glass negative, Gold-toned gelatin silverprint.
Félix Teynard, General View Taken from Point I on the Roof Terrace of the First Pylon Island of File (Philae), c. 1851. Salted paper print from a calotype negative.
Julia Margaret Cameron, Alfred Lord Tennyson, from "Portfolio of Twelve Victorian Photographs," May 1865
Charles Marville, Rue des Fossés-St.-Victor, de la rue St. Victor, 1865-1869. Albumen print from glass plate negative.
Jean Eugène Auguste Atget (with the participation of Berenice Abbott), "Apartment of a Worker," from the file Paris Interior, number 5 of 20, printed in 1956 from original glass negative, Gold-toned gelatin silverprint.
Jean Eugène Auguste Atget (with the participation of Berenice Abbott), Bar de Cabaret, (Cabaret Bar) number 11 of 20, printed in 1956 from original glass negative, Gold-toned gelatin silverprint.
Jean Eugène Auguste Atget (with the participation of Berenice Abbott), Ragpicker's Hut, number 14 of 20, from an untitled portfolio, printed in 1956 from original glass negative, Gold-toned gelatin silverprint.
Lewis Wickes Hine, Breaker Boys, negative 1911, print 1911-1930 Gelatin silver print
Lewis Wickes Hine,, Mona Lisa visits Ellis Island (An Ellis Island
Madonna; Russian Family), negative 1905; print about 1930, Gelatin silver print
Lewis Wickes Hine, Young Girl Mill Worker, May 1909, Gelatin silver print
Jacob Riis, Neck tie factory, 1889
no picture for this one aah it’s a family with daughters
Unknown American,, Mr. and Mrs. William Grover and their daughters,, about 1847-1850 Daguerreotype in a leather and velvet case
Gaudenzio Marconi, Study of Woman with Swan, about 1870, Albumen print from a glass plate collodion negative
Sarah Goodridge, Portrait of Daniel Webster, c. 1825, Watercolor on ivory (miniature)
Julia Margaret Cameron, Cassiopeia, from "Portfolio of Twelve Victorian Photographs," number 10 of 12, 1866, Albumen print from wet plate collodion glass negative
Julia Margaret Cameron, The Mountain Nymph Sweet Liberty, from "Portfolio of Twelve Victorian Photographs, 9 of 12, 1866, Albumen print from wet plate collodion glass negative
London Stereoscopic Company, Alfred Lord Tennyson, c. 1870 Palladium print
Peter Henry Emerson, Gathering Waterlilies, plate IX, from Life and Landscape on the Norfolk Broads, 1885-1886. Platinotype (platinum print) from glass negative.
Alfred Stieglitz, The Steerage, from Portfolio "291," September-October 1915. Photogravure
Dorothea Lange, White Angel Breadline, San Francisco, negative 1932, Silver gelatin
Margaret Bourke-White, American, The American Way, 1937, Gelatin silver print
Jack Delano, Barker at the Grounds, Vermont State Fair, Rutland, Vermont, September 1941 negative September 1941. Dye transfer print
Dorothea Lange, Migrant Mother, Nipomo, California. negative March 1936, Silver gelatin print
Timothy H. O'Sullivan, Field Where Gen. Reynolds Fell, Gettysburg, plate 37, from Gardner's Photographic Sketchbook of the Civil War, Volume I, July 1863; print 1865. Albumen print from a wet collodion negative
Roger Fenton, The Town of Balaclava, 1856, Salt print from wet collodiion negative
Seth F. Sterlin, Seated Union Soldier, 1861, Albumen print mounted on card