Literary Devices and Their Definitions

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58 Terms

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alliteration

the repetition of consonant sounds in two or more neighboring words ('she sells sea shells').

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allusion

a direct or indirect reference to something which is presumably commonly known, such as an event, book, myth, place, or work of art.

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ambiguity

the multiple meanings of a word, phrase, sentence, or passage.

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anadiplosis

the repetition of the last word of one clause at the beginning of the following clause.

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analogy

a similarity or comparison between two different things or the relationship between them.

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anaphora

one of the devices of repetition, in which the same expression (word or words) is repeated at the beginning of two or more lines, clauses, or sentences.

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anecdote

a short narrative detailing particulars of an interesting episode or event.

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antecedent

the word, phrase, or clause referred to by a pronoun.

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aphorism

a terse statement of known authorship which expresses a general truth or a moral principle.

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apostrophe

a figure of speech that directly addresses an absent or imaginary person or a personified abstraction, such as liberty or love.

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atmosphere

the emotional mood created by the entirety of a literary work, established partly by the setting and partly by the author's choice of objects that are described.

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classical appeals

the three primary means by which a speaker sways their audience: ethos, pathos, and logos.

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clause

a grammatical unit that contains both a subject and a verb.

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colloquialism

the use of slang or informalities in speech or writing.

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coherence

a principle demanding that the parts of any composition be arranged so that the meaning of the whole may be immediately clear and intelligible.

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connotation

the associative meaning of a word; the implied, suggested meaning.

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denotation

the strict, literal, dictionary definition of a word, devoid of any emotion, attitude, or color.

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diction

the writer's word choices, especially with regard to their correctness, clearness, or effectiveness.

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epistrophe

repetition at the end of successive clauses.

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euphemism

a more agreeable or less offensive substitute for a generally unpleasant word or concept.

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extended metaphor

a metaphor developed at great length, occurring frequently in or throughout a work.

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figurative language

writing or speech that is not intended to carry literal meaning and is usually meant to be imaginative and vivid.

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genre

the major category into which a literary work fits.

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hyperbole

a figure of speech using deliberate exaggeration or overstatement.

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imagery

words related to the five senses.

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inference

a reasonable conclusion drawn from the information presented.

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irony

the contrast between what is stated explicitly and what is really meant.

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juxtaposition

the placement of two texts or ideas in close proximity for the purpose of comparison or contrast.

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loose sentence

a type of sentence in which the main idea (independent clause) comes first, followed by dependent grammatical units such as phrases and clauses.

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metaphor

a figure of speech using implied comparison of seemingly unlike things

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metonymy

a figure of speech in which the name of one object is substituted for that of another closely associated with it. 'the White House declared' rather than 'the President declared'

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narrative

the telling of a story or an account of an event or series of events.

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onomatopoeia

a figure of speech in which natural sounds are imitated in the sounds of words. Examples: buzz, hiss, hum.

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oxymoron

a figure of speech wherein the author groups apparently contradictory terms to suggest a paradox. Examples: 'jumbo shrimp' and 'cruel kindness.'

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paradox

a statement that appears to be self-contradictory or opposed to common sense but upon closer inspection contains some degree of truth or validity.

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parallelism

also referred to as parallel construction or parallel structure. The grammatical or rhetorical framing of words, phrases, sentences, or paragraphs to give structural similarity.

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parody

a work that closely imitates the style or content of another with the specific aim of comic effect and/or ridicule.

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periodic sentence

a sentence that presents its central meaning in a main clause at the end. This independent clause is preceded by a phrase or clause that cannot stand alone.

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personification

a figure of speech in which the author presents or describes concepts, animals, or inanimate objects by endowing them with human attributes or emotions.

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prose

one of the major divisions of genre, prose refers to fiction and nonfiction, including all its forms.

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repetition

the duplication, either exact or approximate, of any element of language, such as a sound, word, phrase, clause, sentence, or grammatical pattern.

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rhetoric

the principles governing the art of writing effectively, eloquently, and persuasively.

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sarcasm

sarcasm involves bitter, caustic language that is meant to hurt or ridicule someone or something.

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satire

a work that targets human vices and follies or social institutions and conventions for reform or ridicule. Satire is best seen as a style of writing rather than a purpose for writing.

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shift

any major change which occurs within a text—especially regarding tone or style.

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speaker

the individual or 'persona' that is delivering the text.

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style

the sum of the choices an author makes in blending diction, syntax, figurative language, and other literary devices.

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syllogism

a deductive system of formal logic that presents two premises (the first one called 'major' and the second, 'minor') that inevitably lead to a sound conclusion.

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syntax

the way an author chooses to join words into phrases, clauses, and sentences.

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theme

the central idea or message of a work, the insight it offers into life.

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thesis

in expository writing, the thesis is the sentence or group of sentences that directly expresses the author's opinion, purpose, meaning, or position.

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tone

the author's attitude toward their material, the audience, or both.

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transition

a word or phrase that links different ideas.

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trope

an artful variation from expected modes of expression; a use of the word in a sense other than its proper or literal one.

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understatement

the ironic minimizing of fact, understatement presents something as less significant than it is.

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undertone

an attitude that may underlie the ostensible tone of the piece.

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wit

intellectually amusing language that surprises and delights.

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zeugma

a word that governs two other words not related in meaning. 'He maintained a business and his innocence.'