1/12
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced |
---|
No study sessions yet.
Compressor vs limiter
Compressors reduce overall dynamic range of a source, reduces the output level as input increases. Limiters are compressors whose output level remains constant.
What are the compressor controls?
Attack time- how quickly the processor reduces output gain after the signal goes above the threshold
Release time- how quickly the processor returns to unity gain after the signal falls below the threshold
Hold time- length of time gain reduction is maintained even after the signal drops below the threshold
expander vs noise gate
Expander reduces the gain as input level goes down, make quiet sounds quieter and loud sounds louder. Noise gates eliminate unwanted sounds that may impair overall mix.
Expansion vs gating
Expansion is when the level is below when the processor starts working, at a (input:output) ratio, gating is when the ratio hits (10:1)
What are the expander controls?
Attack time- how quickly the processor returns to unity gain after the signal goes above the threshold
Release time- how quickly the expander reduces the gain after the signal falls below the threshold
Hold time- length of time the expander stays open even after the signal drops below the threshold
unity gain
no change in amplitude (1:1)
compressing ratio
2:1
Limiting ratio
10:1
side chain external output
If the compressor's side chain has an external input, a secondary source can cause the primary one to be compressed
De-Esser
an equalizer is added to the compressor's side chain so that the processor is more responsive to a chosen range of frequencies. Will reduce the frequencies that are in excess S-sounds.
Keying or triggering
Using key input to a gate, a secondary source can be synchronized to a primary source. (ex. make the bassist's performance lock more closely to the drummer)
Ducking
process used for broadcasting to reduce the music level while an announcer is speaking
Stereo Compression
one each for the left and right channels. Both channels need to turn down at the same time and by the same amount to preserve the stereo image. To accomplish this, the side chains for the left and right channels can be linked, so that the same signal feeds both left and right detectors.