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the spirit is too blunt an instrument - metaphor
āthe spirit is too blunt an instrumentā
presents the spirit as a dull tool, something clumsy and bulky in comparison to natures careful and complex creation of the human body
personifies human passions as āunskillfulā but its what makes us human beings
the spirit is too blunt an instrument - imagery
āthe resilient fine meetings of ganglia and vertebraeā
emphasises how connected all these particulars are + beauty and complexity of humans
strength
part depend on + strengthen each other
intricate and precise workings of the human body
the spirit is too blunt an instrument - consonance
āpassion or sentiment possessedā
āspitsā out the words
is any emotion as simple or straight forward as the physical body
spirit is messy - there arenāt always explanations to how it works
not a single human emotion can conquer what nature has
spirit is vague - do feelings + emotions tarnish what would otherwise be flawless
without the spirit we are just āa bunch ofā ignorant unknowing pieces put together
away melancholy - repetition
āaway melancholyā
paints a portrait of the speakers sadness
wants to get rid of it but canāt
hard to budge the sorrow
away melancholy - rhetorical question
ā are not the trees green, the earth as greenā
questions herself why is she sad? - who could despair when the world is so beautiful
turns to the world for comfort
beauty of the natural world
natureās beauty is bigger than individuals sadness
away melancholy - alliteration
āhey hoā
allusion to twelfth night
speaker is trying to let go of disappointment
the world runs the way it runs
the man with the night sweats - slant rhyme
āsorry, cracked, hurry, wreckedā
the perfect rhyme scheme is wrecked just like his body
the man with the night sweats - extended metaphor
āmy flesh was its own shieldā
nostalgic
āshieldā protected him from disease and infection and he no longer has that ability
the shield is only figurative/ imaginative
the man with the night sweats -poignant irony
āI have to change the bed, but catch myself insteadā
āhugging my body to meā
painful irony
hugging himself trying to protect/ shield himself knowing he canāt protect himself from his disease
rain - symbolism
ārainā
the speaker immediately links rain with death
like rain - death is sombre, relentless, and falls on everyone like rain
the rain has dissolved all his attachments
rain is associated with loss + the loss of his own life
rain - repetition
āsolitaryā
ārain, midnight rainā
mimics relentlessness of the rain itself
evokes the power of the rain
emphasise loneliness + depression
waiting for his imminent death
rain - simile
ālike me who have no loveā
rain has dissolved all his life
only has love for death + desires to be dead
misery of humanity
no familiar attachments
the city planners - oxymoron
ābland madnessā
madness doesnāt have to be extraordinary
humanities desire for control is dull madness
critiques humanities obsession with controlling its environment
the city planners - personification
āplastic hose poised in a vicious coil'ā
the hose is about to attack
plosive āpā sound spitting out her feelings
reinforces the idea of control and avoiding the panic
the city planners - metaphor
āsplash of paint on a brickā
suggests imperfection hidden in what looks like a āperfectā suburb
appearance vs reality
superficial good looks doesnāt mean a place is morally/ ethically/ environmentally good
he never expected much - irony
āstem such strain and acheā
the world has lived up to its promises because it promised the bare minimum
was never disappointed with things not going his way, lack of emotional investment
risk the pain/ disappointment for a greater chance at happiness
he never expected much - repetition
ātwas then you said, and since have said, times since have saidā
accentuates the speakers weariness
as if the world has āsaidā the same thing to him a thousand times over
he never expected much - assonance
ānever I own expected Iā
makes the lines sound heavier or slower for dramatic effect
lines slow to a crawl which echoes the speakers strain
funeral blues - symbolism
āclocks⦠telephoneā
demands the world to grieve with him
mourning - creates a sense of urgency
speaker doesnāt want time to keep going
interruptions of the world
funeral blues - metaphor
āmy north, my south, my east and westā
speakers love isnāt literally in all these directions
indicates how important this person was
every direction the speaker went they thought or saw this person
funeral blues - end-stop lines
ālet the mourners come.ā
create a disjointed feeling and disconnected feeling
suggest the speaker is listing demands as they occur without much planning or forethought
lines are sharp and isolating
echoes speakers point of view
request to a year - consonance
āmeditating a suitable giftā
adds musicality to the poem - encourages readers attention
poem is primarily about the importance of art
request to a year - casual style
structure of the whole poem
casual and conversational
reflective and intimate
gives you a strong sense of the speakers admiration to her great great grandmother
request to a year - caesura
āsecond daughter, impededā
creates a choppy rhythm
evokes a sense of danger and difficulty
ozymandias - pun
āthe hand that mocked themā
has a double meaning
sculptors who planned the statue + making fun of oxymandias
ozymandias - symbolism
ānear them, on the sandā
symbol used to suggest humankind is very fragile
statue has been broken apart by nature and time itself
nature is indifferent to our āpowerā
ozymandias - irony
āmy name is ozymandias, king of kingsā
he believes heāll be powerful for ever
his legacy is broken + forgotten
the planners - personification
āthe sea draws back and the skies surrenderā
planners have driven nature out of the city
nature cannot overcome the hopelessness of the planners
the planners - extended metaphor
ādental dexterityā
āgaps are plugged with gleaming goldā
āperfect rows of shining teethā
precisely shows how planned the city is
āgapsā are like holes in the teeth, and the āgleaming goldā is a filling - shows how everything that was old or had character in the city are being knocked down and replaced with something uniform and bland
āgoldā represents money, luxury - new modern building have replaced old, historic ones
the planners - irony
āmy heart would not bleed poetryā
āstain the blueprints of his pasts tomorrowā
implies the speaker might actually support the modernisation the planners are carrying out
speaker may be numb to the destruction
ironic stating heās not going to ābleed poetryā to āstain the blueprint of his pasts tomorrowā, since he is doing exactly that
a consumers report - metaphor
āI donāt know which to followā
rules/ guidelines are everywhere
hard to know which to follow
life is too confusing/ vast/ varied
a consumers report - rhetorical question
ādo we need it nowā
encourages reader to think
engages reader
what really is the point of life
a consumers report - irony
āIād buy itā
after being disappointed and ashamed of life the reader is still willing to āconsumeā it
life has its ups and downs and rules and worries but it is still something worth ābuyingā
on finding a small fly crushed in a book - symbolism
the fly
fly symbolises mortality and fragility of life
the crushed fly reminds the speaker death is a lot nearer than we think
it has led a blameless, innocent life
not many people leave such lovely memories behind
on finding a small fly crushed in a book - metaphor
āthe book will close upon usā
āown fair monumentā
symbolises death
everyone will die
flyās wings are perfectly preserved on the page
beautiful tomb
intricacy of wings
on finding a small fly crushed in a book - caesura
āsome hand.ā
ānow thou art gone.ā
thoughtful and reflective start slows down momentum
elucidates the speaker didnāt mean to do harm
marks transition in the poem
poem moves from the speakers thoughts about the flys beautifully preserved wings to the speakers general thoughts about mortality
night sweat - allusion
āpoor turtle, tortoiseā
comforting presence has a serious effect on their relationship
the tortoise, the hare
speakers troubles transforms her + slow her down
change her identity
night sweat - Volta (shift)
āmy wifeā
longing to live free like her
brief respite from anxiety
her heart is light + free and unburdened
night sweat - personification
the tortoise caries the weight of its world on his back just like the speakers wife
speaker pleads with his wife to forgive him for the emotional burden she bears
from long distance - anaphora
āheā
layering effect creates a psychological portrait of the father
state of mind
grief
denial
from long distance - simile
āas though his still raw love were such a crimeā
aware of judgement from others
not comfortable being vulnerable
ashamed
from long distance - metaphor
āmy blight of disbeliefā
blight is a disease
father fears emotional contamination
if son saw denial father was living in his disbelief would be infectious and make him face reality
father protects himself from the truth
Moushumi āthey had acted on the same impulse, that was their mistakeā
conveys Gogol and Moushumis marriage
Moushumi āit reminds her of living in Parisā ārepresents some sort of capitulation of defeatā
highlights her constant desire to live in an intense, seductive and constantly changing life
Moushumi āher horror of being married to someone she didnāt love that had caused her, subconsciously to shut herself offā
Moushumi is a restless, unsatisfied wife
she has just āsettledā for Gogol
Maxine āhe realises that she has never wished she were anyone other than herselfā
demonstrates Gogols envy of Maxine and her stable American upbringing and strong sense of identity
Maxine āshe has the gift of accepting her lifeā
Maxine is comfortable in her own skin
Gogol is attracted and also envious of this
Maxine āhis parents canāt possibly reach himā
Maxine presents an escape for Gogol
Maxine later becomes a symbol of the distance between his parents and the guilt provided with it
train motif āa suicide had been committed; a person had jumped in front of the trainā
Gogol didnāt want to be on the train in the first place
train motif āthe pages of his book⦠fluttered in two sections a few feet from the trainā
book saved Ashokeās life
train motif ābad luck trails them on their trip back to Calcutta
something bad always happens on trains
Ashima character development āno interest in learning how to driveā
strong cultural identity and desire to cling to her Bengali roots for a sense of comfort
Ashima character development āAshima continues to wear nothing but saris and sandalsā
strong cultural identity
clothing motif
refusal to assimilate into American culture
Ashima character development āshe will miss the opportunity to driveā āshe will return to India with an American passportā
citizen of USA - just āvisitingā India
America is now her home
Gogol character development āirritated by his parents perpetual fear of disasterā
arrogant
resentful towards is parents
Gogol character development āthe amount of effort embarrasses himā -
repulsed by himself and his parents -
Gogol character development āthey draw comfort from the fact that its the only time of day that they are alone, isolatedā āthis meatless meal is the only thing that seems to make senseā
sense of comfort
contrast to his previous repulsion
connected to his family
name motif āhe hates having to constantly explain, he hates having to tell people it doesnāt mean anythingā
insecure of the name heās never understoodā
name motif āhis name is like the scratchy tag of a shirt he has been forced permanently to wearā
emphasises Gogolās identity crisis
name motif āat times an entity both shapeless and weightless manages nevertheless to distress him physicallyā
repulsed by his name
ālife as a foreigner is a sort of lifelong pregnancy. A perpetual wait, a constant burdenā
āshe canāt help but pity him. She has never known of a person entering the world so alone, so deprivedā
āthese acquaintances are only substitutes for the people who really ought to be surrounding themā
Ashima
immigration experience
Ashimaās development
foreshadowing Gogolās identity