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the spirit is too blunt an instrument - metaphor
“the spirit is too blunt an instrument”
presents the spirit as a dull tool, something clumsy and bulky in comparison to natures careful and complex creation of the human body
personifies human passions as “unskillful” but its what makes us human beings
the spirit is too blunt an instrument - imagery
“the resilient fine meetings of ganglia and vertebrae”
emphasises how connected all these particulars are + beauty and complexity of humans
strength
part depend on + strengthen each other
intricate and precise workings of the human body
the spirit is too blunt an instrument - consonance
“passion or sentiment possessed”
‘spits’ out the words
is any emotion as simple or straight forward as the physical body
spirit is messy - there aren’t always explanations to how it works
not a single human emotion can conquer what nature has
spirit is vague - do feelings + emotions tarnish what would otherwise be flawless
without the spirit we are just ‘a bunch of’ ignorant unknowing pieces put together
away melancholy - repetition
“away melancholy”
paints a portrait of the speakers sadness
wants to get rid of it but can’t
hard to budge the sorrow
away melancholy - rhetorical question
“ are not the trees green, the earth as green”
questions herself why is she sad? - who could despair when the world is so beautiful
turns to the world for comfort
beauty of the natural world
nature’s beauty is bigger than individuals sadness
away melancholy - alliteration
“hey ho”
allusion to twelfth night
speaker is trying to let go of disappointment
the world runs the way it runs
the man with the night sweats - slant rhyme
“sorry, cracked, hurry, wrecked”
the perfect rhyme scheme is wrecked just like his body
the man with the night sweats - extended metaphor
“my flesh was its own shield”
nostalgic
“shield” protected him from disease and infection and he no longer has that ability
the shield is only figurative/ imaginative
the man with the night sweats -poignant irony
“I have to change the bed, but catch myself instead”
“hugging my body to me”
painful irony
hugging himself trying to protect/ shield himself knowing he can’t protect himself from his disease
rain - symbolism
“rain”
the speaker immediately links rain with death
like rain - death is sombre, relentless, and falls on everyone like rain
the rain has dissolved all his attachments
rain is associated with loss + the loss of his own life
rain - repetition
“solitary”
“rain, midnight rain”
mimics relentlessness of the rain itself
evokes the power of the rain
emphasise loneliness + depression
waiting for his imminent death
rain - simile
“like me who have no love”
rain has dissolved all his life
only has love for death + desires to be dead
misery of humanity
no familiar attachments
the city planners - oxymoron
“bland madness”
madness doesn’t have to be extraordinary
humanities desire for control is dull madness
critiques humanities obsession with controlling its environment
the city planners - personification
“plastic hose poised in a vicious coil'“
the hose is about to attack
plosive ‘p’ sound spitting out her feelings
reinforces the idea of control and avoiding the panic
the city planners - metaphor
“splash of paint on a brick”
suggests imperfection hidden in what looks like a ‘perfect’ suburb
appearance vs reality
superficial good looks doesn’t mean a place is morally/ ethically/ environmentally good
he never expected much - irony
“stem such strain and ache”
the world has lived up to its promises because it promised the bare minimum
was never disappointed with things not going his way, lack of emotional investment
risk the pain/ disappointment for a greater chance at happiness
he never expected much - repetition
“twas then you said, and since have said, times since have said”
accentuates the speakers weariness
as if the world has “said” the same thing to him a thousand times over
he never expected much - assonance
“never I own expected I”
makes the lines sound heavier or slower for dramatic effect
lines slow to a crawl which echoes the speakers strain
funeral blues - symbolism
“clocks… telephone”
demands the world to grieve with him
mourning - creates a sense of urgency
speaker doesn’t want time to keep going
interruptions of the world
funeral blues - metaphor
“my north, my south, my east and west”
speakers love isn’t literally in all these directions
indicates how important this person was
every direction the speaker went they thought or saw this person
funeral blues - end-stop lines
“let the mourners come.”
create a disjointed feeling and disconnected feeling
suggest the speaker is listing demands as they occur without much planning or forethought
lines are sharp and isolating
echoes speakers point of view
request to a year - consonance
“meditating a suitable gift”
adds musicality to the poem - encourages readers attention
poem is primarily about the importance of art
request to a year - casual style
structure of the whole poem
casual and conversational
reflective and intimate
gives you a strong sense of the speakers admiration to her great great grandmother
request to a year - caesura
“second daughter, impeded”
creates a choppy rhythm
evokes a sense of danger and difficulty
ozymandias - pun
“the hand that mocked them”
has a double meaning
sculptors who planned the statue + making fun of oxymandias
ozymandias - symbolism
“near them, on the sand”
symbol used to suggest humankind is very fragile
statue has been broken apart by nature and time itself
nature is indifferent to our ‘power’
ozymandias - irony
“my name is ozymandias, king of kings”
he believes he’ll be powerful for ever
his legacy is broken + forgotten
the planners - personification
“the sea draws back and the skies surrender”
planners have driven nature out of the city
nature cannot overcome the hopelessness of the planners
the planners - extended metaphor
“dental dexterity”
“gaps are plugged with gleaming gold”
“perfect rows of shining teeth”
precisely shows how planned the city is
“gaps” are like holes in the teeth, and the “gleaming gold” is a filling - shows how everything that was old or had character in the city are being knocked down and replaced with something uniform and bland
“gold” represents money, luxury - new modern building have replaced old, historic ones
the planners - irony
“my heart would not bleed poetry”
“stain the blueprints of his pasts tomorrow”
implies the speaker might actually support the modernisation the planners are carrying out
speaker may be numb to the destruction
ironic stating he’s not going to “bleed poetry” to “stain the blueprint of his pasts tomorrow”, since he is doing exactly that
a consumers report - metaphor
“I don’t know which to follow”
rules/ guidelines are everywhere
hard to know which to follow
life is too confusing/ vast/ varied
a consumers report - rhetorical question
“do we need it now”
encourages reader to think
engages reader
what really is the point of life
a consumers report - irony
“I’d buy it”
after being disappointed and ashamed of life the reader is still willing to “consume” it
life has its ups and downs and rules and worries but it is still something worth “buying”
on finding a small fly crushed in a book - symbolism
the fly
fly symbolises mortality and fragility of life
the crushed fly reminds the speaker death is a lot nearer than we think
it has led a blameless, innocent life
not many people leave such lovely memories behind
on finding a small fly crushed in a book - metaphor
“the book will close upon us”
“own fair monument”
symbolises death
everyone will die
fly’s wings are perfectly preserved on the page
beautiful tomb
intricacy of wings
on finding a small fly crushed in a book - caesura
“some hand.”
“now thou art gone.”
thoughtful and reflective start slows down momentum
elucidates the speaker didn’t mean to do harm
marks transition in the poem
poem moves from the speakers thoughts about the flys beautifully preserved wings to the speakers general thoughts about mortality
night sweat - allusion
“poor turtle, tortoise”
comforting presence has a serious effect on their relationship
the tortoise, the hare
speakers troubles transforms her + slow her down
change her identity
night sweat - Volta (shift)
“my wife”
longing to live free like her
brief respite from anxiety
her heart is light + free and unburdened
night sweat - personification
the tortoise caries the weight of its world on his back just like the speakers wife
speaker pleads with his wife to forgive him for the emotional burden she bears
from long distance - anaphora
“he”
layering effect creates a psychological portrait of the father
state of mind
grief
denial
from long distance - simile
“as though his still raw love were such a crime”
aware of judgement from others
not comfortable being vulnerable
ashamed
from long distance - metaphor
“my blight of disbelief”
blight is a disease
father fears emotional contamination
if son saw denial father was living in his disbelief would be infectious and make him face reality
father protects himself from the truth
Moushumi “they had acted on the same impulse, that was their mistake”
conveys Gogol and Moushumis marriage
Moushumi “it reminds her of living in Paris” “represents some sort of capitulation of defeat”
highlights her constant desire to live in an intense, seductive and constantly changing life
Moushumi “her horror of being married to someone she didn’t love that had caused her, subconsciously to shut herself off”
Moushumi is a restless, unsatisfied wife
she has just “settled” for Gogol
Maxine “he realises that she has never wished she were anyone other than herself”
demonstrates Gogols envy of Maxine and her stable American upbringing and strong sense of identity
Maxine “she has the gift of accepting her life”
Maxine is comfortable in her own skin
Gogol is attracted and also envious of this
Maxine “his parents can’t possibly reach him”
Maxine presents an escape for Gogol
Maxine later becomes a symbol of the distance between his parents and the guilt provided with it
train motif “a suicide had been committed; a person had jumped in front of the train”
Gogol didn’t want to be on the train in the first place
train motif “the pages of his book… fluttered in two sections a few feet from the train”
book saved Ashoke’s life
train motif “bad luck trails them on their trip back to Calcutta
something bad always happens on trains
Ashima character development “no interest in learning how to drive”
strong cultural identity and desire to cling to her Bengali roots for a sense of comfort
Ashima character development “Ashima continues to wear nothing but saris and sandals”
strong cultural identity
clothing motif
refusal to assimilate into American culture
Ashima character development “she will miss the opportunity to drive” “she will return to India with an American passport”
citizen of USA - just “visiting” India
America is now her home
Gogol character development “irritated by his parents perpetual fear of disaster”
arrogant
resentful towards is parents
Gogol character development “the amount of effort embarrasses him” -
repulsed by himself and his parents -
Gogol character development “they draw comfort from the fact that its the only time of day that they are alone, isolated” “this meatless meal is the only thing that seems to make sense”
sense of comfort
contrast to his previous repulsion
connected to his family
name motif “he hates having to constantly explain, he hates having to tell people it doesn’t mean anything”
insecure of the name he’s never understood”
name motif “his name is like the scratchy tag of a shirt he has been forced permanently to wear”
emphasises Gogol’s identity crisis
name motif “at times an entity both shapeless and weightless manages nevertheless to distress him physically”
repulsed by his name
“life as a foreigner is a sort of lifelong pregnancy. A perpetual wait, a constant burden”
“she can’t help but pity him. She has never known of a person entering the world so alone, so deprived”
“these acquaintances are only substitutes for the people who really ought to be surrounding them”
Ashima
immigration experience
Ashima’s development
foreshadowing Gogol’s identity