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melody
main tune made up of pitch and rhythm
pitch
how high or low a sound is
frequency
the rate of vibration that determines pitch
countermelody
a secondary melody played with the main one
meter
organization of beats in a measure
duple meter
2 beats per measure
triple meter
3 beats per measure
quadruple meter
4 beats per measure
syncopation
accent on a weak or offbeat
harmony
combination of pitches sounding together
triad
the most common chord (1st, 3rd, and 5th notes)
octave
interval of eight notes between one pitch and the next
half-step
smallest interval between two notess
sharp
raises interval between two notes
flat
lowers a pitch by a half-step
major scale solfege
do re mi fa sol la ti do
monophony
one melodic line, no accopniment
polyphony
two or more melodic lines of equal importance
heterophony
same melody performed with slight variations
counterpoint
relationship between independent melodic lines
binary form
two-part structure
ternary form
three-part structure
strophic form
same music repeated for each verse
through-composed form
new music for each section
thematic development
expanding a musical idea throughout a work
ostinato
repeated musical pattern or phrase
dynamics
degrees of loudness or softness in music
p
piano (soft)
mp
mezzo piano (moderately soft)
mf
mezzo forte (moderately loud)
f
forte (loud)
timbre
tone color or unique sound quality
soprano
highest female voice
alto
lower female voice
tenor
higher male voicebas
bass
lowest male voice
aerophones
instruments producing sound by air (flute, trumpet)
chordophones
sound from vibrating strings (violin, guitar)
idiophones
sound produced by the body of the instrument itself (sylophone)
membranophones
sound produced by a stretched membrane (drums)
acappella
voices only, no instruments
nonlexical
without words
syllabic
one note per syllable
neaumatic
new notes per syllable
melismatic
many notes on one syllable
genre
category of music
symphony
large orchestral work in several movements
form
structure or organization of a piece
medium
the forces performing
canon
strict imitation between musical lines
ways to set words to music
syllabic or melismatic
musical periods (earliest to latest)
medieval, renaissance, baroque, classical
plainchant/Gregorian chant
monophonic sacred music in latin
liturgy
order of religious services
offices
daily church services
mass
main worship service in catholic tradition
paroper
parts of mass that change daily
ordinary
parts of mass that stay the same
tajweed
rules for reciting the quaran
leonin and perotin
early polyphonic composers, notre dame school
raimbaut de vaquerias
troubadour (composer of secular songs)
motet
sacred vocal work
madrigal
secular vocal work, often emotional or expressive
monteverdi
believed music should follow words, not harmony rules
john famer
english madrigal composer, active in dublin, london
los jilcatas
peruvian panpipes
hildegaurd: alleluia,
monophonic chant, female voices, medival