Music Appreciation

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68 Terms

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melody

main tune made up of pitch and rhythm

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pitch

how high or low a sound is

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frequency

the rate of vibration that determines pitch

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countermelody

a secondary melody played with the main one

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meter

organization of beats in a measure

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duple meter

2 beats per measure

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triple meter

3 beats per measure

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quadruple meter

4 beats per measure

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syncopation

accent on a weak or offbeat

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harmony

combination of pitches sounding together

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triad

the most common chord (1st, 3rd, and 5th notes)

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octave

interval of eight notes between one pitch and the next

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half-step

smallest interval between two notess

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sharp

raises interval between two notes

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flat

lowers a pitch by a half-step

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major scale solfege

do re mi fa sol la ti do

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monophony

one melodic line, no accopniment

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polyphony

two or more melodic lines of equal importance

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heterophony

same melody performed with slight variations

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counterpoint

relationship between independent melodic lines

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binary form

two-part structure

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ternary form

three-part structure

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strophic form

same music repeated for each verse

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through-composed form

new music for each section

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thematic development

expanding a musical idea throughout a work

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ostinato

repeated musical pattern or phrase

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dynamics

degrees of loudness or softness in music

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p

piano (soft)

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mp

mezzo piano (moderately soft)

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mf 

mezzo forte (moderately loud) 

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f

forte (loud)

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timbre

tone color or unique sound quality

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soprano

highest female voice

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alto

lower female voice

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tenor

higher male voicebas

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bass

lowest male voice

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aerophones

instruments producing sound by air (flute, trumpet)

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chordophones

sound from vibrating strings (violin, guitar)

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idiophones

sound produced by the body of the instrument itself (sylophone)

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membranophones

sound produced by a stretched membrane (drums)

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acappella

voices only, no instruments

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nonlexical

without words 

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syllabic

one note per syllable

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neaumatic

new notes per syllable

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melismatic

many notes on one syllable 

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genre

category of music

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symphony

large orchestral work in several movements

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form

structure or organization of a piece

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medium

the forces performing

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canon

strict imitation between musical lines

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ways to set words to music

syllabic or melismatic

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musical periods (earliest to latest)

medieval, renaissance, baroque, classical

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plainchant/Gregorian chant

monophonic sacred music in latin

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liturgy

order of religious services

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offices

daily church services

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mass

main worship service in catholic tradition

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paroper

parts of mass that change daily

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ordinary

parts of mass that stay the same

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tajweed

rules for reciting the quaran

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leonin and perotin

early polyphonic composers, notre dame school

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raimbaut de vaquerias

troubadour (composer of secular songs)

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motet

sacred vocal work

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madrigal

secular vocal work, often emotional or expressive

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monteverdi

believed music should follow words, not harmony rules

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john famer

english madrigal composer, active in dublin, london

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los jilcatas

peruvian panpipes

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hildegaurd: alleluia,

monophonic chant, female voices, medival

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