AP Art History Unit 10 Identifiers

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Global Contemporary

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27 Terms

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The Gates, Christo and Jeanne-Claude, United States, Contemporary, plastic, steel

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Vietnam Veterans Memorial, Maya Lin, United States, Granite

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Michael

Jean-Michel Basquiat, Horn Players, 1983, acrylic and oil stick on three canvas panels mounted on wood supports, 243.8 x 190.5 cm (The Broad Art Foundation) © The Estate of Jean-Michel Basquiat

The Horn Players, Jean-Michel Basquiat, Contemporary, acrylic and oil on canvas

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Son

Song Su-Nam, Summer Trees, 1979, ink on paper, 2 feet 1-5/8 inches high (© Trustees of the British Museum) © Song Su-Nam

Summer Trees, Song Su-Nam, Korea, ink wash

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Androgyne III, Magdalena Abakanowicz, Poland, canvas, wood, string

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What is Xu Bing's impressive Book from the Sky all about?

Book From the Sky, Xu Bing, Contemporary, ink on paper

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Pink Panther, Jeff Koons, Contemporary, porcelain w/ ceramic glaze

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Untitled #228 (History Portraits series), Cindy Sherman, United States, photography

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g a

Faith Ringgold, Dancing at the Louvre, 1991, acrylic on canvas, tie-dyed, pieced fabric border, 73.5 x 80 inches, from the series, The French Collection, part 1; #1 (Gund Gallery, Kenyon College, Gambier) © Faith Ringgold

Dancing at the Louvre, Faith Ringgold, United States, Quilting

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Tra

Jaune Quick-to-See Smith, Trade (Gifts for Trading Land with White People), 1992, oil paint and mixed media, collage, objects, canvas, 152.4 x 431.8 cm (Chrysler Museum of Art, Norfolk) © Jaune Quick-to-See Smith

Trade (Gifts for Trading Land with White People), June Quick-to-See Smith, Native American, oil on canvas, found objects

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Emily Kame Kngwarreye, Earth’s Creation, 1994, synthetic polymer paint on linen mounted on canvas, four panels, each 275 x 160 cm (Collection of Mbantua Gallery, Alice Springs; photo: National Museum of Australia) © Emily Kame Kngwarreye

Earth’s Creation, Emily Kame Kngwarreye, Australia, acrylic on canvas

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Rebellious Silence (Women of Allah series), Shirin Neshat, Iran, photograph/calligraphy

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Abe

Pepón Osorio, No Crying Allowed in the Barbershop (En la barbería no se llora), 1994 (New Museum installation, 2023), mixed media with barber chairs, photographs, objects, and video, variable dimensions (Museo de Arte de Puerto Rico, San Juan; photo: Steven Zucker, CC BY-NC-SA 2.0) © Pepón Osorio

En La Barberia No Se Llora (No Crying Allowed in the Barbershop), Pepon Osorio, Contemporary, Mixed Media/Found Object

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Pisupo Lua Afe (Corned Beef 2000), Michel Tuffery, New Zealand, Found objects

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Electronic Superhighway: Continental US, Hawaii, and Alaska, Nam June Paik, Contemporary, found objects, wood, steel, neon

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The Crossing, Bill Viola, Contemporary, film and video art

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Guggenheim Museum Bilbao, Frank Gehry, Spain, limestone, glass, steel

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Pure Land, Mariko Mori, Japan, Digital art, glass

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Lying with the Wolf, Kiki Smith, United States, ink and graphite on paper

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Darkytown Rebellion, Kara Walker, Contemporary, paper installation

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S

Yinka Shonibare CBE, The Swing (after Fragonard), 2001, mannequin, cotton costume, 2 slippers, swing seat, 2 ropes, oak twig and artificial foliage, 330 x 350 x 220 cm (Tate, London) © Yinka Shonibare

The Swing (After Fragonard), Yinka Shonibare, Postcolonial, Nigeria, cotton, rope, wood

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s Cl‘

El Anatsui, Old Man’s Cloth, 2003, aluminum and copper wire, 16' x 17' 1" / 487.7 x 520.7 cm (Harn Museum of Art, Gainesville, FL)

Old Man’s Cloth, El Anatsui, Ghana, textiles, found objects, copper, aluminum

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Stadia II, Julie Mehretu, Contemporary, ink and acrylic on canvas

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Preying Mantra, Wangechi Mutu, Postcolonial, mixed media collage

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Shibboleth, Doris Salcedo, conceptual art, concrete installation

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MAXXI National Museum of XXI Arts, Zaha Hadid, Contemporary, Concrete, glass

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Kui Hua Zi (Sunflower Seeds), Ai Weiwei, 2010, porcelain