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Terminology and Concepts in the course
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paleolithic
relating to the period when humans used tools and weapons made of stone
radiocarbon dating
A method of measuring the decay rate of carbon isotopes in organic matter to determine the age of organic materials such as wood and fiber.
relief sculpture
in sculpture, any work in which the figures project from a supporting background, usually a plane surface.
high relief
raised forms that project far from a flat background
low relief (has relief)
raised forms that project only slightly from a flat background
ocher
a naturally occurring clay pigment that ranges in color from yellow to red, brown, or white
twisted perspective (or composite view)
A convention of representation in which part of a figure is shown in profile and another part of the same figure is shown frontally
ground line
In paintings and reliefs, a painted or carved baseline on which figures appear to stand.
neolithic
relating to the period when humans used tools and weapons made of stone and had just developed farming
dry masonry
a construction technique in which stones or bricks are fitted together so tightly that no mortar is needed
stele
a carved stone slab that is placed upright and often contains commemorative imagery and/or inscriptions
registers
One of a series of superimposed bands or friezes in a pictorial narrative, or the particular levels on which motifs are placed
inlay
decoration embedded into the surface of a base material
iconoclasm
literally means “image breaking” and refers to a recurring historical impulse to break or destroy images for religious or political reasons.
ziggurat
in ancient Mesopotamian architecture, a tiered platform for a temple
necropolis
Greek, “city of the dead.” A large burial area or cemetery.
engaged column
A half-round column attached to a wall.
flutes
Vertical channeling, roughly semicircular in cross-section and used principally on columns and pilasters.
clerestory
The upper part of a wall containing windows to let in natural light to a building.
mural
a painting made directly on the surface of a wall
(true) fresco
applying paint directly to wet plaster so that it fuses with the wall
krater
a jar or vase of classical antiquity having a large round body and a wide mouth and used for mixing wine and water
amphora
a long, narrow clay container with two handles, wider at the top than at the base, that was used in ancient times especially for storing oil or wine
kouros (plural, kouroi)
In Ancient Greek art, a statue of a standing nude youth that did not represent any one individual youth but the idea of youth.
archaic smile
a conventional representation of the mouth characterized by slightly upturned corners of the lips, found esp. on Greek sculpture produced prior to the 5th century BCE
contrapposto
a standing human figure carrying its weight on one leg so that the opposite hip rises to produce a relaxed curve in the body, although it can be used more generally to describe any twisted figure.