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Call and response
One musical phrase is answered by another
Field holler
Solo vocal call used by workers
Work song
Song sung to coordinate or ease work
Blue notes
Notes bent/lowered for a blues sound
Polyrhythms
Two or more rhythms played together
Blues text form
AAB lyric pattern: line, repeat, response
Slapped bass
Bass strings struck against the fingerboard
Walking bass
Bass plays steady moving notes, often each beat
Tonic
The home chord (I)
Dominant
The fifth chord (V)
Subdominant
The fourth chord (IV)
Two-beat bass
Bass emphasizes beats 1 and 3
Ostinato
A repeated musical pattern
Downbeat
The strong first beat of a measure
Backbeat
Accents on beats 2 and 4
Blues turnaround
Ending phrase that leads back to the start
Race records
Early marketing term for records by Black artists
Slide guitar
Guitar played with a slide to change pitch
Country string band
Country ensemble with acoustic string instruments
Barrelhouse rhythm
Loud, driving piano style with a strong beat
Shouter
Powerful, loud R&B/blues vocal style
“Smooch” tenor
Soft, smooth, romantic tenor vocal style
Carter scratch
Alternating bass notes and strummed chords
Standard song form
Organized sections, often AABA
Strophic song form
Same music repeated for each verse
Riff
Short, repeated musical phrase
Double stops
Two notes played simultaneously on one instrument
Bent notes
Notes whose pitch is raised or lowered
Clave rhythm
Repeated syncopated pattern associated with Afro-Cuban music
Reverb
Echo-like sense of space or room
Double-tracking
Same part recorded twice and layered
Wall of Sound
Phil Spector’s dense, layered recording style
W. C. Handy
Known as the “Father of the Blues.” Composer who helped codify the 12-bar blues form
Willie Mae Thornton
Blues singer who originally recorded “Hound Dog,” later made famous by Elvis Presley.
Alan Freed
Radio DJ who helped popularize rock ’n’ roll and the use of the term “rock ’n’ roll.”
Jackie Brenston
Singer and saxophonist who recorded “Rocket 88” with Ike Turner’s band, an important early rock ’n’ roll recording.
Cosimo Matassa
New Orleans recording engineer and studio owner known for recording R&B artists with a live, room-based sound.
Dave Bartholomew
New Orleans bandleader, trumpeter, songwriter, and producer; a key collaborator with Fats Domino.
Scotty Moore
Electric guitarist who played with Elvis Presley and helped shape his early rockabilly sound.
Bill Black
Bassist in Elvis Presley’s early band; known for his slap-bass playing.
Colonel Tom Parker
Elvis Presley’s manager, who guided and promoted his career.
Sam Phillips
Founder of Sun Records; recorded Elvis Presley and other early rock ’n’ roll artists.
Phil & Leonard Chess
Brothers who founded Chess Records, a major label associated with Chicago Blues.
Bob Wills
Bandleader known as the “King of Western Swing,” leading the Texas Playboys.
Norman Petty
Producer and recording-studio owner associated with Buddy Holly and the Crickets.
Phil Spector
Record producer known for the “Wall of Sound” recording technique.
Jerry Leiber & Mike Stoller
Songwriting and producing duo known for influential R&B and rock ’n’ roll songs, including songs recorded by the Coasters and Elvis Presley.
Muddy Waters
Chicago Blues
Bob Wills
Western Swing / Country & Western
Bill Haley
Northern Band Rock ’n’ Roll
Buddy Holly and Jerry Lee Lewis
Memphis Country Rock
The Orioles and The Coasters
Vocal Group Rock ’n’ Roll
The Marvelettes
Motown / R&B
Sun Records
Memphis label founded by Sam Phillips.
Chess Records
Chicago label known for blues and R&B.
Specialty Records
Label associated with Little Richard and early R&B/rock ’n’ roll.
Independent label
Record company not owned by a major label.
Producer
Oversees the recording and shapes the sound.
Recording engineer
Handles recording equipment and sound capture.
Slapback echo
Short, distinct echo heard after a vocal/instrument.
Slapback echo
Short, distinct echo heard after a vocal/instrument.
Cover version
New artist records a song previously released by another artist.
Rock ’n’ roll
1950s style combining R&B, blues, country, and other influences.
texas rural blues
high voice + melodic/single-string guitar
mississippi delta blues
wailing/sliding voice + slide/percussive guitar
texas urban blues
sax/horns + piano
chicago urban blues
harmonica + bent/slide guitar
boogie woogie
solo piano + repetitive left hand
southern country
simple melody + two beat bass
western swing
country + jazz/swing + bigger band
memphis country rock
twangy/nasal vocals
country style guitar picking
chicago rock n roll
electric guitar with slides/bends
r&b band sound
northern band rock n roll
fast/steady beat
staccato guitar on backbeat
vocal group rock n roll
3-4 voices in tight harmony
nonsense syllables (“doo-wop”)
new orleans rock n roll
loose/ laid-back groove
boogie rhythm/ piano triplets