ABN412 Master Studio One Project 1: The Great Hall of Cerberus

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Fifty Question-and-Answer flashcards covering key concepts from the lecture notes on ABN412 Project 1: The Great Hall of Cerberus.

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54 Terms

1
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Who is the client for the Great Hall of Cerberus project?

Siegfried Zeitz, the great-grandson of Hugo Zeitz, a Dresden tobacco and cigarette factory owner.

2
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What industry was Hugo Zeitz associated with?

Tobacco and cigarette manufacturing; owner of the Yenidze factory in Dresden.

3
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Where is the Yenidze factory located?

West of Dresden’s historic city core, on the south bank of the Elbe River opposite the Marien Bridge.

4
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What architectural feature characterizes Yenidze’s exterior skin?

An eclectic blend of Orientalist elements, including minarets and domes.

5
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Who designed Yenidze and when was it designed?

Martin Hammitzsch, under the direction of Hugo Zietz, between 1907 and 1909.

6
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What did the Yenidze skin convey about the tobacco brand?

It created an image of luxury and sophistication, linking tobacco products to refinement.

7
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Describe the Cerberus machine in brief.

A colossal machine weighing 6,000 metric tons, 12 meters in diameter and 16 meters high, designed to harness the fabric of the universe.

8
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What time-related capabilities does Cerberus have?

It can unlock future possibilities, understandings, and potentially manipulate time/context.

9
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What is the Great Hall of Cerberus intended to be?

A monumental container or pavilion to house the Cerberus machine.

10
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Which Brisbane site is designated for the Great Hall?

The Samford Plaza Hotel site, bounded by the Brisbane River, Kangaroo Point Green Bridge, Margaret and Edward Streets.

11
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What visitor behavior is required in the Hall regarding Cerberus?

Visitors must pay homage in a quasi-religious manner and help direct Cerberus’s power.

12
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What major material is to be used as the principal building element?

Glass, to emphasize and showcase transparency.

13
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What sustainability challenge is linked to the Hall’s glass construction in Brisbane?

The design must address significant sustainability and passive environmental control issues.

14
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How is the Hall conceptually described to symbolize its purpose?

As a Crystal Skull, a blooming bud, and a site eruption symbolizing a vibrant future.

15
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What role does landscape play in the project?

It forms the gasket uniting the Brisbane Botanic Gardens and River with the Hall and provides polychrome illumination.

16
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Which historical precedents are suggested for the Hall’s design language?

World’s Fairs grand exhibition architecture and glasshouse forms from botanical gardens (palm houses, orangery, conservatories, winter gardens).

17
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What is the minimum Gross Floor Area required for Project 1?

At least 2,500 square meters.

18
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How many basements are required and what are their purposes?

At least two levels of basement: one for services and one for parking.

19
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What is the grand entrance feature for the Hall?

A triple-volume grand entrance podium.

20
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What lighting and water features are planned for Cerberus’s presentation?

Kaleidoscopic projections, extensive water use, a fountain on the dome, and abundant electrical lighting.

21
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Describe the two sectional portions of the Hall.

A bright, sparkling upper section to house Cerberus and a dark, sombre lower portion containing services; both visible to the public.

22
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When is Project 1 due for oral presentation and submission?

Week 7 (1 September 2025) from 10:00 to 14:00; PDF submission to Canvas beforehand.

23
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Are reuse of previous work or the use of AI tools allowed for Project 1?

No; reuse of previous work or Generative AI tools is not permitted.

24
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What percentage of the assessment is dedicated to research and knowledge integration?

30% (Learning Outcome related to researching and integrating information).

25
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What does the 30% research outcome emphasize beyond information gathering?

Knowledge and application of architectural history/theory, environmental and social sciences, and basic building/construction principles.

26
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What is the focus of the second 30% assessment criterion?

Development and evaluation of multiple design options considering heritage, cultural/community values, and planning constraints.

27
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What is expected in the 40% assessment regarding design proposals?

Original, imaginative design propositions, clear site/context analysis, and effective communication to diverse audiences.

28
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What should the design proposal integrate to be considered strong?

Emergent knowledge, design precedent, contextual analysis, and thoughtful site considerations.

29
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What sources are suggested for information on briefs and conceptual design?

The Australian Institute of Architects Practice Notes; login via a QUT IP address.

30
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How should students present their design work for Project 1?

Using large format sheets with annotated illustrations, plans, sections, elevations, 3D representations, and numerous physical conceptual models.

31
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Who holds the principal agency to act on behalf of the client for this project?

The studio leader.

32
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What overarching societal aim is expressed for the Hall and Cerberus?

To reinvent and reinvigorate society through citizen collaboration with the Cerberus machine.

33
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What is the implied relationship between Cerberus and the Brisbane site?

Cerberus is integrated into a public-facing institution that engages with the city and its landscape.

34
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What does Cerberus claim to harness in the universe?

The very fabric of the universe and its future possibilities.

35
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What are the exact weight and dimensions of Cerberus?

6,000 metric tons; 12 meters in diameter; 16 meters high.

36
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What is the Samford Plaza Hotel’s fate in the project plan?

The hotel site will be demolished to make way for the Great Hall.

37
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What is the decorative and lighting intent for the landscape around the Hall?

Polychrome illumination with long wreaths of light climbing into a coronet, emphasizing radiance.

38
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What is meant by the term ‘transparency, both literal and phenomenology’?

Transparency of the glass building and the experiential clarity of how Cerberus operates within it.

39
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Why is water usage and fountains emphasized in the dome design?

To enhance spectacle, lighting effects, and the overall atmosphere of the hall.

40
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What does the brief say about being based in established precedents?

The Hall should be modern yet firmly based on established precedents and best practices.

41
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What is the expected public accessibility of Cerberus’s two sections?

Both the upper Cerberus-housing and the lower services should be visible and accessible to the public.

42
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What is the designer’s belief about light and enlightenment?

Light, prosperity, and enlightenment are conceived as one and the same.

43
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What is the intended “unified reinvention” of the project?

A cohesive vision where the Hall celebrates and displays a bright, promising future for society.

44
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What are the two main urban and landscape connections described for the site?

The Brisbane Botanic Gardens and River; the Kangaroo Point Green Bridge; Margaret and Edward Streets.

45
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What kinds of spaces did Yenidze’s interior include beyond manufacturing?

Healthcare, electrical lighting, changing rooms, restrooms, and cooked meals for workers.

46
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What is the scale and significance of the Cerberus installation in the context of this design exercise?

A monumental, city-scale installation meant to symbolize advanced technology and societal progress.

47
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What does the brief require regarding communication media for Project 1?

Heavy use of architectural communication media to explain and demonstrate the design process.

48
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What kind of form is the Great Hall expected to resemble according to the brief?

A crystal-like, highly faceted, explosive architectural mass—an eruptive form.

49
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What does the term ‘pavilion building’ imply for the Hall?

A standalone, self-contained structure that is not merely an enclosed room but a distinct building.

50
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Which features should be visible when the Hall is viewed in section?

Two distinct portions (upper bright Cerberus housing and lower dark services) should be visible.

51
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What is the overall design directive regarding the Hall’s morphology?

A grand, glazed dome with a fountain, fountains, water installations, and lighting within a democratic, public-facing form.

52
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What is the intended cultural tone of the Hall’s exterior and interior?

Luxurious, refined, mystical, exotic, yet technologically advanced.

53
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How should climate and environment be treated in the design?

With a strong emphasis on passive environmental control and sustainable strategies.

54
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What is the role of the site’s historic architecture in the concept?

The concept relies on advisable precedents while adapting to a present/future Brisbane context.