Grade 9 Music – Western Music History (Medieval ➜ Romantic)

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These flashcards review major periods, composers, genres, forms, and terminology from the Grade 9 Music Learner’s Material covering Medieval, Renaissance, Baroque, Classical, and Romantic music, with emphasis on key works and stylistic traits.

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48 Terms

1
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What historical event marks the beginning of the Medieval (Middle Ages) Period in music?

The fall of the Roman Empire.

2
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Which style of chant dominated early Christian worship and is named after a pope?

Gregorian Chant, named after Pope Gregory I.

3
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List three key characteristics of Gregorian Chant.

Monophonic texture, free/unmeasured meter, Latin liturgical text (modal, sung a cappella, neume notation).

4
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What French secular musicians of the late Medieval period sang about chivalry and courtly love?

Troubadours (in the north, trouvères).

5
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Name the Medieval French composer of the play ‘Jeu de Robin et Marion’.

Adam de la Halle.

6
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Define ‘Neumes’.

Early symbols used to notate the contour of Gregorian Chant melodies.

7
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What invention in the 15th century helped spread Renaissance music?

The printing press.

8
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Which texture and device dominate Renaissance choral writing?

Polyphonic texture with pervasive imitation.

9
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Name the five ordinary sections of the Renaissance Mass.

Kyrie, Gloria, Credo, Sanctus (and Benedictus), Agnus Dei.

10
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What is the Renaissance secular vocal form that is through-composed and often uses word-painting?

The Madrigal.

11
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Who composed ‘Pope Marcellus Mass’ and is called the ‘Prince of Music’?

Giovanni Pierluigi da Palestrina.

12
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Which English composer wrote the madrigal ‘April Is in My Mistress’ Face’?

Thomas Morley.

13
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What Portuguese word describing an irregular pearl gave its name to the Baroque era?

‘Barroco’.

14
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State two hallmark characteristics of Baroque melodies.

Elaborate ornamentation and long, irregular phrases that are difficult to sing.

15
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Define ‘Basso Continuo’.

Continuous bass line with harmonic support, typically performed by keyboard (harpsichord/organ) plus cello or bassoon.

16
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Differentiate ‘Concerto’ and ‘Concerto Grosso’.

Concerto = solo instrument with orchestra; Concerto Grosso = small solo group (concertino) contrasted with full orchestra (tutti).

17
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What form is based on imitative counterpoint around a single ‘subject’?

The Fugue.

18
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Give one well-known example of Baroque program music by Vivaldi.

‘The Four Seasons’ (e.g., ‘Spring’).

19
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Which Baroque genre is a large-scale sacred work for soloists, chorus, and orchestra but performed without staging or costumes?

The Oratorio.

20
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Identify the Baroque keyboard instrument with plucked strings.

Harpsichord.

21
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Who composed the ‘Hallelujah’ Chorus and from which larger work does it come?

George Frideric Handel; it is from ‘Messiah’.

22
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Name two famous compositions by Johann Sebastian Bach that feature the organ.

‘Toccata and Fugue in D minor’ and the ‘Passacaglia in C minor’ (other correct Bach organ works acceptable).

23
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Which Baroque composer was nicknamed ‘Il Prete Rosso’ (‘The Red Priest’)?

Antonio Vivaldi.

24
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Explain ‘Chorale’ in Baroque practice.

A harmonized hymn tune of the German Protestant church, often set by Bach.

25
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What texture predominates Classical period music?

Homophonic texture.

26
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Define ‘Alberti Bass’.

Broken-chord accompaniment pattern (lowest-highest-middle-highest) used in Classical keyboard music.

27
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List the three main sections of Sonata-Allegro Form in order.

Exposition, Development, Recapitulation (often followed by a coda).

28
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In a Classical concerto, which movement typically uses a cadenza for the soloist?

Usually the first movement (sometimes the third).

29
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Which Classical composer is called the ‘Father of the Symphony’?

Franz Joseph Haydn.

30
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Name Mozart’s most famous ‘little serenade’ in G major.

‘Eine Kleine Nachtmusik’ (Serenade No. 13).

31
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Which Beethoven symphony introduces choral forces in the final movement?

Symphony No. 9 in D minor, ‘Choral’.

32
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Translate the term ‘Rondo’ form pattern most commonly found in Classical finales.

ABACA (principal theme alternating with contrasting episodes).

33
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What key innovation allowed pianists to play both loud and soft dynamically in the Classical era?

The development of the fortepiano (early piano) with hammer mechanism and sustain pedal.

34
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Describe one feature that distinguishes Romantic music from Classical music.

Emphasis on emotion and individual expression, expanded orchestra & harmonic language, or incorporation of nationalism.

35
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What is a ‘Lied’ (plural ‘Lieder’)?

German art song for solo voice and piano, often setting Romantic poetry.

36
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Which composer of over 600 Lieder wrote ‘Erlkönig’ and ‘Ave Maria’?

Franz Schubert.

37
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Define ‘Program Music’.

Instrumental music that portrays a story, scene, idea, or poem without spoken words.

38
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Who composed ‘Symphonie Fantastique’ and what recurring theme technique does it use?

Hector Berlioz; it uses an idée fixe (recurring melody representing the beloved).

39
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Name the Polish ‘Poet of the Piano’ known for nocturnes and polonaises.

Frédéric Chopin.

40
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What term describes Liszt’s single-movement orchestral works based on literary ideas?

Symphonic Poems (or Tone Poems).

41
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Identify the 19th-century Russian composer famous for ballets like ‘Swan Lake’ and ‘The Nutcracker’.

Pyotr (Peter) Ilyich Tchaikovsky.

42
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Which Italian Romantic composer created ‘La Traviata’ and ‘Aida’?

Giuseppe Verdi.

43
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Explain Wagner’s concept of ‘Gesamtkunstwerk’.

‘Total artwork’—the fusion of music, poetry, drama, and visual spectacle into one coherent opera (music drama).

44
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In vocal classification, what is the highest standard female voice called?

Soprano (coloratura soprano for the highest agile type).

45
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What Romantic opera by Bizet features the aria ‘L’amour est un oiseau rebelle’ (Habanera)?

‘Carmen’.

46
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Differentiate ‘Recitative’ and ‘Aria’ in opera.

Recitative = speech-like, moves plot; Aria = lyrical solo expressing emotion and showcasing the voice.

47
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What does the Italian musical term ‘rubato’ direct a performer to do?

Slightly steal and give back time—flexible tempo for expressive effect.

48
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What Philippine musical theatre form, influenced by Spanish zarzuela, flourished in the early 20th century?

The Sarsuwela (or Zarzuela).