Social drama
Is the serious counterpart of satire
Musical comedy
Is possibly America's only original contribution to dramatic literature
Musical comedy
It features spoken dialog combined with songs and dances
Parody
is specific form of satire in which a very familiar play/song / movie is recreated in a humorous way
Satire
is also considered to be high comedy. In satire, the playwright pokes fun at social customs and current fashions-sometimes including specific individuals of the times-perhaps in some effort to change the current thought and behavior
Aristophanes
satirized many elements of Greek culture in his plays
Moliere satires
such as the Imaginary Invalid, Tartuffe, and The Would-be Gentleman were sometimes so biting that his career was threatened.
Comedy of Manners
is a "high comedy category. The emphasis is on the cleverness and witty dialog of the characters, who are usually members of the upper class
Theatre of the Absurd
contains elements of many other types. It is usually defined by its underlying theme of the meaningless nature (or absurdity) of life
Theatre of the Absurd
Often, the very structure of the play reinforces this idea, as in lonesco's The Bald Soprano
Farce
is often called "low comedy." The emphasis is almost entirely on plot, with bawdy jokes and physical humor
Farce
Elements of farce include such things as chases, disguises, talking at cross purposes, and slapstick (pratfalls, slipping on banana peels, etc.).
Sentimental comedy
is the "sit com," or situational comedy, category
Sentimental Comedy
Subjects are usually lighter, and are treated with humor. Major emphasis is on plot and character
Sentimental drama
is the "soap opera" category
Sentimental drama
Serious subjects are treated in a serious manner; plot and character are more important than theme
Sentimental drama
There is usually a heavy emphasis on the emotions of the characters.
Melodrama
is the category for plays about serious subjects where plot is more important than characters and theme.
Melodrama
Characters tend to be rather flat, and they don't change or develop during the course of the play. Murder mysteries and suspense thrillers fit into this category.
Drama
is a general category for plays about serious subjects.
Comedy
Character development and theme are usually more important than plot.
Aristotle
Greek Philosopher, _____, gave us the oldest definition of Tragedy
Time, Place, Action
What are the three unities to adhere in tragedy play
Fate/Destiny
brings the tragic hero to a crisis point where he is forced to choose between two courses of action, neither of which is obviously better than the other.
Tragedy
is one of the oldest types of Drama. It has been with us since the days of the Great Greek Playwrights Sophocles, Aeschylus, and Euripedes.
Tragedy
means something like very sad, but in the study of drama it has a much more specific meaning.
Published play
often includes one of these words on the cover as a clue to the reader about the contents of the book (a comedy in one act, or a drama in three acts, for example.)
Prologue
Introduction, set the scene
Parados
Chorus enters, singing/chanting/dancing
Episode
Dramatic scenes
Stasimon
Chorus reflects on scene
Exodus
Conclusion, exit
Codified Gestures
Where an actor uses a very specific set of body movements to communicate a particular meaning to the audience.
Thespis
First actor (greek theater)
Theatron
Viewing place
Orchestra
dancing space
parados
Passageways
Proscenium
Front of skene
Skene
“tent” building (palace or temple)
Amphitheater
an open circular or oval building with a central space surrounded by tiers of seats for spectators, for the presentation of dramatic
Dithyramb
a wild choral hymn of ancient Greece, especially one dedicated to Dionysus. Usually a passionate or inflated speech, poem, or other writing