Arts 9-4

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41 Terms

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Social drama
Is the serious counterpart of satire
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Musical comedy
Is possibly America's only original contribution to dramatic literature
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Musical comedy
It features spoken dialog combined with songs and dances
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Parody
is specific form of satire in which a very familiar play/song / movie is recreated in a humorous way
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Satire
is also considered to be high comedy. In satire, the playwright pokes fun at social customs and current fashions-sometimes including specific individuals of the times-perhaps in some effort to change the current thought and behavior
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Aristophanes
satirized many elements of Greek culture in his plays
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Moliere satires
such as the Imaginary Invalid, Tartuffe, and The Would-be Gentleman were sometimes so biting that his career was threatened.
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Comedy of Manners
is a "high comedy category. The emphasis is on the cleverness and witty dialog of the characters, who are usually members of the upper class
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Theatre of the Absurd
contains elements of many other types. It is usually defined by its underlying theme of the meaningless nature (or absurdity) of life
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Theatre of the Absurd
Often, the very structure of the play reinforces this idea, as in lonesco's The Bald Soprano
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Farce
is often called "low comedy." The emphasis is almost entirely on plot, with bawdy jokes and physical humor
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Farce
Elements of farce include such things as chases, disguises, talking at cross purposes, and slapstick (pratfalls, slipping on banana peels, etc.).
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Sentimental comedy
is the "sit com," or situational comedy, category
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Sentimental Comedy
Subjects are usually lighter, and are treated with humor. Major emphasis is on plot and character
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Sentimental drama
is the "soap opera" category
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Sentimental drama
Serious subjects are treated in a serious manner; plot and character are more important than theme
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Sentimental drama
There is usually a heavy emphasis on the emotions of the characters.
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Melodrama
is the category for plays about serious subjects where plot is more important than characters and theme.
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Melodrama
Characters tend to be rather flat, and they don't change or develop during the course of the play. Murder mysteries and suspense thrillers fit into this category.
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Drama
is a general category for plays about serious subjects.
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Comedy
Character development and theme are usually more important than plot.
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Aristotle
Greek Philosopher, _____, gave us the oldest definition of Tragedy
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Time, Place, Action
What are the three unities to adhere in tragedy play
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Fate/Destiny
brings the tragic hero to a crisis point where he is forced to choose between two courses of action, neither of which is obviously better than the other.
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Tragedy
is one of the oldest types of Drama. It has been with us since the days of the Great Greek Playwrights Sophocles, Aeschylus, and Euripedes.
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Tragedy
means something like very sad, but in the study of drama it has a much more specific meaning.
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Published play
often includes one of these words on the cover as a clue to the reader about the contents of the book (a comedy in one act, or a drama in three acts, for example.)
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Prologue
Introduction, set the scene
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Parados
Chorus enters, singing/chanting/dancing
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Episode
Dramatic scenes
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Stasimon
Chorus reflects on scene
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Exodus
Conclusion, exit
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Codified Gestures
Where an actor uses a very specific set of body movements to communicate a particular meaning to the audience.
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Thespis
First actor (greek theater)
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Theatron
Viewing place
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Orchestra
dancing space
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parados
Passageways
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Proscenium
Front of skene
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Skene
“tent” building (palace or temple)
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Amphitheater
an open circular or oval building with a central space surrounded by tiers of seats for spectators, for the presentation of dramatic
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Dithyramb
a wild choral hymn of ancient Greece, especially one dedicated to Dionysus. Usually a passionate or inflated speech, poem, or other writing