MUSHL 101

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50 Terms

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Choral
Hymn-like songs used for congregational singing in the Lutheran church. Composed of a rather simple four-part SATB a sacred genre that was sung during worship by the congregation along with the professional choir
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Cantata
a sacred cantata is a musical composition written for performance during christian church services, particularly for special events
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Generally has 6 to 8 sections called movements
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Performed by a choir with instrumental accompaniments, the word cantata comes from the word to sing
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String Quartet
music that can be played in small intimate spaces
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Always performed w/ two violins, one viola, and one cello

string quartet

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Symphony
a multimovement genre for an orchestra ensemble typically includes 30 to 60 musicians playing
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Symphony

a multimovement genre for an orchestra ensemble typically includes 30 to 60 musicians playing. 

The structure is 4 movements

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Concerto
a musical composition for a solo instrument or instruments accompanied by an orchestra, especially one conceived on a relatively large scale.
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Fugue

____are a form written in an imitative contrapuntal style in multiple parts. ____ are based upon their original tune that is called the subject. The subject is then imitated and overlapped by the other parts by the called the answer, countersubject, stretto, and episode

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Opera

dramatic work in one or more acts, set to music for singers and instrumentalists; typically includes several solo voices in different ranges and an orchestra, sometimes there is also a choir

The earliest opera plots were based on Greek mythology and historical epics

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Aria
self-contained piece for one voice that focuses on expressing a single emotion, often designed to give the singer an opportunity to show their skill
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Recitative
musical declamation of the kind usual in the narrative and dialogue parts of opera; often sung in the rhythm of ordinary speech with many words on the same note often used to advance the action of the plot
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Polyphonic
consisting of multiple equal melodic lines sounding simultaneously
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Homophonic
consisting of a single main melodic line with accompaniment that supports that line
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Monophonic
consisting of a single melodic line with no accompaniment
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Sonata

a multimovement genre for solo instrument alone or with piano accompaniment

Follows the same 4 movements as the symphony and string quartet

This means that the first movement is usually in Sonata form

Exposition, development, and recapitulation—it was also used for the first movements

(and sometimes final movements) of almost all Classical symphonies and string

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quartets.
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Exposition
presents the primary themes and keys
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music modulates to a different key during a sub-section that is called a "transi-
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tion." Once the new key is established, subsequent themes appear.
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Development
"develops" the primary themes of the
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movement.
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Recapitulation
brings back the primary themes and
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home key of the movement. A simultaneous return of the first theme and home key
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generally marks its beginning.
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Coda
a sub-section that re-emphasizes the home
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key and that generally provides a dramatic conclusion.
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Augmentation
The development of musical themes or subjects by lengthening or multiplying the
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durations of the notes or pitches
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Libretto
text of an opera
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Theme and Variations
consists of the presentation of a theme and then the variations
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upon it. The theme may be illustrated as A with any number of variations follow-
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ing it: A', A'', A''', A'''', etc
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Cadence
The ending of a musical phrase providing a sense of closure, often through the
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use of one chord that resolves to another
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Texture
the ways in which musical lines of a musical piece interact
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Timbre
the tone color or tone quality of a sound
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Tonic
the most important pitch of a key; the note from which the other pitches are
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derived
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Dynamic
the variation in the volume of musical sound
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Dominant
is the second most and often leads us back to the tonic
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Modulation
A change of key within a piece of music
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Secular
Non-religious
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Sacred
For religious use
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Baroque