Speak Literary Analysis and Characterization

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Vocabulary based flashcards covering literary devices, characterization, themes, symbols, and allusions from the lecture notes on 'Speak' by Laurie Halse Anderson.

Last updated 2:17 AM on 8/19/26
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33 Terms

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Diction

Sarcastic word choice.

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Denotation

The literal definition of a word; for example, 'Beast' as a creature or monster, or 'Bunny' as a white, timid animal.

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Connotation

The implied or emotional meaning of a word; for example, Melinda viewing Andy as a 'Beast' because he assaulted her, or herself as a 'Bunny' because she feels helpless and weak.

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Imagery/Detail

The use of varied media, animal, and seasonal imagery to grab attention and underscore superficial societal behaviors regarding serious matters like rape and dysfunctional families.

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Animal Imagery Examples

Beast, bunny, turkey, wombat, hornets, gorilla, tiger, dog, zebra, frog, rat, grasshopper, chimpanzee.

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Seasonal Imagery

The book's structure: Fall (negative outlook), Winter (super depressed), Spring (begins to heal), and Summer (speaks/assault).

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Media Imagery Examples

Zit cream commercial, Kodak logic, Fatal Attraction, Terminator, Alice and Wonderland, Talk Show Imagery, and Mr. Roger’s Neighborhood.

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Tone

The mood often conveyed by Melinda as hopeless, emotionally distressed, anxious, sarcastic (coping mechanism), lonely, and detached.

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Characterization Style

Melinda describes characters using animal imagery to convey appearances and relationships, underscoring her feelings of dehumanization.

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Static Character

A character that remains the same throughout the story, such as Mr. Freeman, Mr. Neck, Hairwoman, Andy Evans, or Mrs. Sordino.

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Dynamic Character

A character who undergoes significant internal change, identified in the notes as Melinda.

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Flat Character

A two-dimensional character lacking complexity, such as Mr. Neck or Hair Woman.

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Round Character

A complex, multi-faceted character such as Mr. Freeman, Melinda, Mr. Sordino, or David Petrarkis.

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Character Foils

Characters paired to amplify traits through differences; examples include Mr. Neck and Mr. Freeman, Heather and Ivy, or Mrs. Sordino and Heather’s mom.

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Andy Evans

A popular, mean jock described as a rapist, evil, and creepy, who causes Melinda to shut down and become an outcast.

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David Petrakis

A nerdy, unathletic scholar who encourages Melinda’s growth.

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The Marthas

A group of classmates consisting of Meg, Emily, and Siobian.

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Principal Principal

The school principal, described as ineffective and inept.

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Theme: Expression

Exploration of communication through silent, verbal, emotional, physical, or artistic means.

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Theme: Loss of Innocence

Refers to experiences with rape, friendships, exposure to high school rebellion, and family issues.

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Theme: Immaturity

Involves hypocrisy, deception, false appearances/identity, and confusion.

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Theme: Alienation

Includes ostracism, family distance, and the keeping of secrets.

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Theme: Depression

Manifests as cutting, biting lips, self-harm, anger, and various coping mechanisms.

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Theme: Overcoming obstacles/Growth/Healing

Involves fighting back, speaking up, and 'pruning' or letting go.

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Symbol

An object that represents or demonstrates a deeper meaning, such as Trees, Mirrors, Lips/Mouths, Closets, the Maya Angelou poster, or Names.

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Turkey Bone Sculpture

An artwork created by Melinda in November that demonstrates her attempt to express the deadness within her caused by trauma.

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Motif

A repeated or recurring element, such as Trees representing growth or Mirrors representing self-reflection.

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Allusion

A reference to historical, biblical, mythological, or literary/movie knowledge that assumes reader understanding.

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Historical Allusion Examples

Titanic, Mayflower, Picasso, and Suffragettes (154159154-159).

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Biblical/Mythological Allusion Examples

Trinity of Visa, MC, and AmEx; David and Goliath (154154); Andy Evans as a Greek God (134134); and Noah (165165).

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Literary/Movie Allusion Examples

The Scarlet Letter, Alice in Wonderland, Little Red Riding Hood, Mr. Rogers, Fatal Attraction, Arnold Schwatrzenegger, and Maya Angelou.

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First Person Point of View (POV)

The narrative voice of Melinda Sordino, which limits the reader to the facts she chooses to share, creating a sense of disjointedness.

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Plot Structure Components

Exposition, Rising Action, Climax/Turning Point, Falling Action, and Resolution.