Early Renaissance in Italy (Unit 1: Lectures 1 & 2)

0.0(0)
studied byStudied by 0 people
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/172

encourage image

There's no tags or description

Looks like no tags are added yet.

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

173 Terms

1
New cards

Renaissance

Literally means 'rebirth' of classical knowledge. Cultural rebirth inspired by classical antiquity. Cultural revival beginning in Italy. The term used by the people at the time to classify the time period - impressive that it has lasted to today.

2
New cards

Classicism

Hybrid culture of Ancient Greek and Roman traditions with no clear distinction between the two. The Renaissance sought to revive these ideals, believing them to have been “forgotten” in the “Dark Ages.”

3
New cards

Dark Ages

Period before Renaissance, viewed as ignorance to Greek/Roman culture by Renaissance thinkers.

4
New cards

Calamitous 14th Century

Term for upheaval leading to the Renaissance. Included the Great Famine, Black Plague, and the Hundred Years War.

5
New cards

Great Famine

1 in 4 harvests failed, devastating a pre-industrialization society and causing millions of deaths.

6
New cards

Black Death

Plague that killed ~25 million Europeans, 30-60% of the population.

7
New cards

100 Years' War

Conflict between England and France, millions of civilian casualties.

8
New cards

Italian Scholars

Invented the term 'Renaissance' in the 1300s.

9
New cards

Modern Archaeology

Tools developed post-Renaissance to analyze ancient art.

10
New cards

Social Upheaval

Renaissance emerged from crises of the 14th century.

11
New cards

Civilian Casualties

Most deaths in 100 Years' War were non-combatants.

12
New cards

Guerrilla Warfare

Unorganized fighting during the 100 Years' War.

13
New cards

Candle of Knowledge

Metaphor for rediscovery of classical learning.

14
New cards

Historical Distinction

Modern assessments differentiate Greek and Roman art.

15
New cards

Cultural Legacy

Renaissance influenced subsequent art and intellectual movements.

16
New cards

Feudalism

The social/economic structure of the medieval period featuring a king/emperor at the top and peasants/serfs at the bottom. Made a hard distinction between nobles and everyone else. Collapsed due to the events of the Calamitous 14th Century, resulting in a more diversified economy.

17
New cards

Peasants

Lowest social class in feudal society.

18
New cards

Merchant Class

Emerging economic group between nobles and peasants.

19
New cards

Religious Authority

Clergies are considered justice and have more power than royalty. Questioned upon the arrival of the Black Death, where many wondered what they were getting in return for their loyalty after being promised protection.

20
New cards

Clergy

Religious leaders considered powerful in medieval society.

21
New cards

Italy

Birthplace of the Renaissance, rich in classical heritage.

22
New cards

City-States

Independent regions in Italy during the Renaissance having newly acquired freedom from the Holy Roman Empire.

23
New cards

Humanism

The study of what humans create. Not necessarily at odds with religion and worked with it during the Renaissance. Studying what humans created was believed to be the best way of understanding God’s intentions, as humans are God’s greatest creations.

24
New cards

Medieval Philosophy

Theological inquiries about God's intentions.

25
New cards

Individual Vision

Emphasis on personal creativity in Renaissance art.

26
New cards

Artistic Signatures

Artists began signing their works in the Renaissance.

27
New cards

Economic Growth

Rise of trade and wealth in Renaissance Italy.

28
New cards

Classical World

Ancient Greek and Roman civilization influencing the Renaissance.

29
New cards

Political Fragmentation

Lack of unified Italy during the Renaissance.

30
New cards

Theological Nature

Medieval philosophy focused on divine questions.

31
New cards

Renaissance Artists

Became known and celebrated for their work.

32
New cards

History Painting

Art depicting historical, mythological, or biblical subjects. Became a way of expressing the humanist devotion to the products of man’s creativity and showcasing one’s understanding and appreciation of the past.

33
New cards

Erasmus Quote

"Good education is better than good birth."

34
New cards

Nobility

Became a trait that anyone could possess with the rise of humanism and the collapse of feudalism rather than a status given by birth as it was seen in the medieval period.

35
New cards

Church and wealthy middle class

Who purchased art during the Renaissance.

36
New cards

Naturalism

Adopted in Renaissance art due to the Greeks’ focus on it.

37
New cards

Cimabue

Proto-Renaissance artist bridging medieval and Renaissance styles. Very much inspired by Byzantine art.

38
New cards

Byzantine Art Influence

Byzantine artists preserved classical naturalism during medieval times.

39
New cards

Iconoclasm

Destruction of icons and persecution of icon artists in the Byzantine Empire who fled to Italy. The migration later impacted the art of Italy during the Renaissance.

40
New cards

Italo Byzantine Style

Italian adaptation of Byzantine art techniques.

41
New cards

Foreshortening

Technique to create depth in art.

42
New cards

Giotto

Pre-Renaissance artist known for innovative frescoes. Made a name for himself producing Madonna and Child tempera on paintings but was later commissioned for frescoes on the interior of chapels. Credited to significant innovations.

43
New cards

Madonna and Child

Popular subject in Renaissance art, often painted.

44
New cards

Arena Chapel

Location of Giotto's significant fresco series.

45
New cards
<p><em>Massacre of the Innocents</em></p>

Massacre of the Innocents

Biblical story depicted in Giotto's fresco. King Herod orders the execution of all infant boys after being told that the King of Jews was born (referring to Jesus). Very dramatic and violent. Here, Giotto innovates by using a blue background and by telling a strong narrative within the work.

46
New cards

Proto-Renaissance

Transitional art period before the Renaissance. Also known as the Italo Byzantine style. Refers to Italian artists making Byzantine-style art.

47
New cards

Transitional Artist

Artist bridging two distinct art periods.

48
New cards

Byzantine Naturalism

Classical realism maintained within Christian themes.

49
New cards

Renaissance Market

High demand for small, portable panel paintings.

50
New cards

Cimabue's Gold Background

Characteristic Byzantine style in Cimabue's works.

51
New cards

Artistic Legacy

Influence of earlier styles on Renaissance artists.

52
New cards

King Herod

Ruler who orders the massacre of infants.

53
New cards

Infanticide Decree

Herod's order to kill all infant boys.

54
New cards

Giotto’s Innovations

Incorporating a blue background to situate a scene in our real world, including a strong narrative with emotion, and creating depth through the use of background elements - the beginnings of perspective.

55
New cards

Byzantine Icons

Religious art with gold backgrounds, lacking narrative.

56
New cards
<p><em>The Lamentation</em></p>

The Lamentation

Scene depicting mourning after Christ's crucifixion. By Giotto who created depth through the use of background elements. Shows Christ’s followers mourning his death after his body was taken off the cross. Blue background. Indicated that Giotto knew that not everyone responded to grief the same way. Emotional drama and narrative.

57
New cards

Perspective

Illusion of depth in art, beginning with Giotto. Developed heavily and immensely focused on during the Renaissance. Seen as essential to the making of good art. In the medieval era, depth was accomplished by stacking figures on top of each other - during the Renaissance, artists do not need to rely on this technique and can condense the number of figures they represent, because they don’t need figures to show depth.

58
New cards

Narrative Art

Art that tells a story through visual elements.

59
New cards

Emotional Drama

Variations in grief depicted by figures in art.

60
New cards

Grim Determination

Soldiers' expression showing discomfort with their orders in Massacre of the Innocents.

61
New cards

Mothers' Pleas

Emotional cries of mothers for their children's lives in Massacre of the Innocents.

62
New cards

Western Art Assumption

Art functions as a window to reality.

63
New cards

Abstract Art

Movement challenging traditional Western art assumptions.

64
New cards

Physical Reality

Giotto's grounding of scenes in the real world.

65
New cards

Visual Weight

Illusion of presence created by depth in figures.

66
New cards

Giorgio Vasari

Artist and author of 'The Lives of the Artists'.

67
New cards

The Lives of the Artists

Vasari's book detailing Renaissance artists' biographies. Generally flavored Florence.

68
New cards

Medici Family

Wealthy banking family influential in Renaissance art. A prime example of Renaissance artistic patronage and the new middle class. Collected taxes for the pope. Their immense wealth allowed them to buy their way into Florentine politics. Asserted their authority through a number of commissions.

69
New cards

Artistic Patronage

Support from wealthy patrons for artists' works. Exploded during the Renaissance with the rise of Humanism and a desire for more luxury goods as well as the arts arms race among Italian city-states (newly independent from the Holy Roman Empire).

70
New cards

Renaissance Middle Class

Wealthy non-nobles asserting influence through art.

71
New cards

Patron Requests

Specific demands made by patrons to artists.

72
New cards

Artistic Genius

Talented artists recognized for their innovative works.

73
New cards

Renaissance Art

Art characterized by humanism and classical themes. Placed emphasis on individual vision and creativity as artists begin signing their works.

74
New cards

Biographical Sketches

Brief profiles of significant Renaissance artists.

75
New cards

Art Dimensions

Specific measurements requested by patrons for artworks.

76
New cards

Subject Matter

Themes or topics specified by patrons for art.

77
New cards

Composition of Figures

Arrangement of subjects in a work of art.

78
New cards

Color and Background

Patrons' specifications for artwork's visual elements.

79
New cards

Innovations in Art

New techniques and styles developed during the Renaissance.

80
New cards

Renaissance Artists

Creators of art reflecting humanist ideals.

81
New cards

Historical Context

Understanding Renaissance art within its cultural framework.

82
New cards

Renaissance Art Philosophies

Cultural movement emphasizing humanism and classical learning.

83
New cards

Masaccio

Early Renaissance artist known for innovative techniques. The go-to reference point for later, more famous Renaissance artists. Solved a common problem for artists by including patrons in an area outside scenes with religious figures. Loved for his ability to perfectly render Roman architecture. Most notably used linear perspective in a shockingly sophisticated manner with the assistance of Bruneleski.

84
New cards
<p><em>Holy Trinity </em></p>

Holy Trinity

Masaccio's significant work featuring linear perspective. A testament to how talented Masaccio was in his ability to execute precise perspective using a quick-drying and unforgiving medium.

85
New cards

Linear Perspective

A new means of rendering the recession of space.

86
New cards

Orthogonals

Lines radiating from the vanishing point in perspective.

87
New cards

Fillippo Bruneleski

Architect credited with developing linear perspective principles. Friends with Masaccio; most likely recommended the concept to him leading to its incorporation in Masaccio’s Holy Trinity.

88
New cards

Mortality Message

Reminder of death's inevitability in Masaccio's work. A message near the skeleton at the bottom of the Holy Trinity reminding those there to keep following God.

89
New cards

Corinthian Columns

Architectural style used in Masaccio's Holy Trinity. Ornate column style referencing classical architecture.

90
New cards

Engaged Columns

Columns attached to a wall, enhancing architectural depth.

91
New cards

Barrel Vaulted Ceiling

Ceiling formed by extending a single curve along a space.

92
New cards

Rafael

Later Renaissance artist influenced by Masaccio's techniques.

93
New cards

Michelangelo

Famous artist who admired and emulated Masaccio.

94
New cards

Art as a Window

Concept linking art's realism to rational understanding. Analogy coined by Giotto and informed how he represented the world in his work.

95
New cards

Fresco

Technique of mural painting on freshly laid wet plaster.

96
New cards

Public Work

Art commissioned for communal viewing and appreciation.

97
New cards

Rationality and Logic

A goal of Renaissance art. If a work of art possesses these qualities, then, by extension, our world does, allowing people to learn about it in a straightforward way.

98
New cards

Artistic Commission

Formal request for an artwork, often by patrons.

99
New cards

Wet fresco

Technique using wet plaster for painting.

100
New cards

Buon fresco

Italian term for true fresco technique.